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The Compendium Finale of Contemporary Jewellery Makers

Book  /  Artists
Published: 26.05.2009
The Compendium Finale of Contemporary Jewellery Makers.  © By the author. Read    Klimt02.net Copyright   .
Editor:
Andy Lim
Edited by:
Darling Publications
Edited at:
Cologne
Technical data:
2400 pages, 2 Volume hardcover in the Lim-slipcase, 13.5 kg
Not for sale at Klimt02.

The Compendium Finale of Contemporary Jewellery Makers.  © By the author. Read    Klimt02.net Copyright   . View of the inner pages© By the author. Read Klimt02.net Copyright.

Intro
The 1st purpose of Andy Lim, the publisher and editor, is to try to establish Contemporary Jewellery as an equally respected art form in the Contemporary Art and to create a platform, not to be neglected, which will be reached already by its sheer volume and power of 1044 artists, united in one single publication.
This 13.5 kg, 2400 pages Opus Maximus was released on the 14th March 2009 during the International Schmuck 2009 Fair in Munich and is already nicknamed by many jewellers as "the Messiah" as it had been eagerly awaited for a year and was expected to bring great relief to the sleepless nights of jewellers from 54 nations.
At the Compendium Party during the release, over 1000 visitors could catch a glance of the most rumoured and gossiped about publication of 2008, and managed to empty over 180 bottles with alcoholic content within a couple of hours (during the daytime!).
132 lucky jewellers carried their boxed copies home (although many underestimated the physical weight of 14 kilos!). During the waiting time for the rest of the edition to be bound (by hand!) it is expected that the nickname "Messiah" will be still valid, although a big difference is that The Compendium did show up.

The Compendium will show on a never done before scale and manner what is happening wolrdwide in 2008 in the entire Contemporary Jewellery scene.
Jewellery Artists from 54 nations were nominated by Jewellery Artists.
The first purpose of Andy Lim, the publisher and editor, is to try to establish Contemporary Jewellery as an equally respected art form in the Contemporary Art and to create a platform, not to be neglected, which will be reached already by its sheer volume and power of 1044 artists, united in one single publication. It is not only a book about 1000+ jewellers, it is a book created by 1000+ jewellers, as every jeweller has the full freedom of a 2-page presentation per person. The alphabetical order of presentation secures a non hierarchical and non political ranking. The publishers second purpose is to discover beyond the already wellknown and established artists (ca. 300) interesting positions of contemporary jewellery. After all, who are better "talent scouts" than the artists themselves? Who is more aware than anybody else of what their collegues are doing? They are at the cradle of the work process. The third, but not least goal: to present an astonishing bibliophile book in an unsurpassed quality of the highest standards in the Art of Bookmaking.

- 2 Volume Hardcover in the Lim-slipcase with separate pull out system.
- Bound in the Final Edition of the stunning Techno Fabric.
- Print and handbinding entirely in Germany, as always with Darling Publications.
- A stunning book where you discover everything your heart desires and covets.
- An already legendary reference book, and that´s why a MUST for libraries, museums, galleries, design lovers and the serious art and book collectors. 

The Schmuckmuseum Pforzheim is co-editor.
 

Remarks

As Bruce Metcalf explained to somebody during the making of the Compendium:

"It's true there's no overarching curatorial viewpoint - by design. Lim wanted to make the selection process more open & democratic than the usual methods used for an omnibus volume like this. That's why he put the power into the hands of the jewelers themselves. Why shouldn't jewelers be qualified to select other jewelers? They are no less expert than curators or writers. In effect, the book will show what jewelers think, collectively, about their own field. I think of the selection process as similar to a work of conceptual art. Lim set up a structure, and then let it operate like clockwork. No doubt there will be dogs, but there will also be surprises. Think of it as an exhibition with 1000 curators. You have to be elected first. Lim makes no exceptions to this rule; he has been quite firm about it. Nobody can offer to write a check and thus be accepted. Certain notable jewelers have demanded exceptions to the rules, and Lim refused. Those notables - and there are two that he told me about - then refused to participate. Lim did not relent. I admire the integrity with which he has protected the selection process. To be credible, the structure has to be incorruptible. There‘s also an element of chaos that Lim designed into the book. Every jeweler is in charge of designing their own pages, and every invited jeweler gets two pages. What‘s fascinating is that everybody gets two sides of a single page - no facing pages. That means every jeweler is thrown cheek-by-jowl against two others, in alphabetical order. A clockwork system that produces chance encounters... and nobody can exercise control! I don‘t know about you, but I think that‘s pretty great. Very subversive of the jewelerly demand for control. Very Duchampian."

Karl Fritsch about the Compendium:

"The Compendium is unbelievable! It is a mad idea that came to an unbelievable / unforseeable result that is unexpectedly fascinating to look at. I would not like to be in the shoes of jewellers who are not in this book, as it seems by the sheer mass of amazing stuff in these non-stop pages that nobody is missed. I am sure that those jewellers who are not in the book, will bite their own ass off!" Thank you Dr. Lim for your enthusiasm in heavy entertainment. You show us mercilessly the multi-facetted face of the unexploited legendary but widely undiscovered world of contemporary jewelry.


Or in short: The ultimate publication on contemporary jewellery, for very, very long (actually more likely: ever) not to be rivalled in size, weight, and quality (both contents and production). 

 
The Compendium Finale of Contemporary Jewellery Makers.  © By the author. Read    Klimt02.net Copyright   . View of the inner pages© By the author. Read Klimt02.net Copyright.
The Compendium Finale of Contemporary Jewellery Makers.  © By the author. Read    Klimt02.net Copyright   . View of the inner pages© By the author. Read Klimt02.net Copyright.
The Compendium Finale of Contemporary Jewellery Makers.  © By the author. Read    Klimt02.net Copyright   . Presentation of "The Compendium" by Andy Lim at Schmuck 2009 © By the author. Read Klimt02.net Copyright.
The Compendium Finale of Contemporary Jewellery Makers.  © By the author. Read    Klimt02.net Copyright   . Presentation of "The Compendium" by Andy Lim at Schmuck 2009
© By the author. Read Klimt02.net Copyright.
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