C. James Meyer
Jeweller
Published: 15.09.2019
Piece: Nero sul Nero, 2016
18K gold, sterling silver, glass, mixed media.
9 x 15 x 5 cm
Photo by: Taylor Dabney
Pendant or brooch.
© By the author. Read Klimt02.net Copyright.
Neckpiece: Pietro Vero, 2016
Sterling silver, felt, mixed media.
29 x 8 x 5 cm
Photo by: Taylor Dabney
© By the author. Read Klimt02.net Copyright.
Ring: Monterosso al Mare, 2016
18K gold, platinum, diamond, mixed media.
13 x 13 x 5 cm
Photo by: Taylor Dabney
© By the author. Read Klimt02.net Copyright.
Brooch: Spilla I, 2013
18K gold, sterling silver, mixed media.
14 x 9 x 5 cm
Photo by: Taylor Dabney
© By the author. Read Klimt02.net Copyright.
Pendant: Vite d’Oro, 2013
18K gold, mixed media.
30 x 8 x 5 cm
Photo by: Taylor Dabney
© By the author. Read Klimt02.net Copyright.
Brooch: Spilla II, 2013
18K gold, sterling silver, mixed media.
12 x 12 x 5 cm
Photo by: Taylor Dabney
© By the author. Read Klimt02.net Copyright.
Ring: In Autunno, 2012
18K gold, sterling silver, found rock, mixed media.
12 x 12 x 5 cm
Photo by: Taylor Dabney
© By the author. Read Klimt02.net Copyright.
Ring: In Autunno, 2012
18K gold, sterling silver, found rock, mixed media.
12 x 12 x 5 cm
Photo by: Taylor Dabney
Detail view.
© By the author. Read Klimt02.net Copyright.
Set: Roma, 2008
18K gold, sterling silver, copper, found rock, mixed media.
13 x 13 x 5 cm
Photo by: Taylor Dabney
Brooch and ring.
© By the author. Read Klimt02.net Copyright.
Ring: Portonovo, 2007
18K gold, platinum, diamond, found rock, mixed media.
13 x 13 x 5 cm
Photo by: Taylor Dabney
© By the author. Read Klimt02.net Copyright.

C. James Meyer is professor emeritus at Virginia Commonwealth University where he was head of the metals and jewelry program. He currently maintains a studio and continues to teach part-time, including in the University of Georgia Studies Abroad Program in Cortona, Italy, as well as conducting workshops at the Penland School of Crafts and Peters Valley Craft Center. His work has been exhibited extensively both nationally and internationally and is in private and public collections including the Museum of Arts and Design, N.Y., the Racine Museum of Art, Wisc., the Georgia Museum of Art, Ga., the Gregg Museum, N.C. and the Nordenjelske Museum of Applied Art in Norway. Additionally, Meyer's work has been acknowledged through grants, fellowships and publication.
Statement
Making Time and PlaceI intend the pieces in this current body of work to be seen as “visual postcards”; intimate sculptures that document a specific time and place. While these pieces represent specific experiences for me. I feel that the nature of the work could be universal, and therefore the specific reason for creating a work would not be essential to the viewer. The work begins with an event I choose to document. Sometimes found objects are selected; other times I am just recalling a particular observation. I do not use a camera, as I do not want the objects to be actual reproductions from nature. I am searching for the fine line where nature informs the visual vocabulary without literal translation. All of these objects either incorporate. or are, individual pieces of adornment… usually rings or brooches. To me such objects evoke qualities of nostalgia and sentiment. This is why jewelry is often given to mark specific occasions, something that further reinforces the idea of documentation, of marking time and place
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Olga Kazakova
Moscow, Russian Federation -
Linda van Niekerk
Tasmania, Australia -
Aya Iwata
Tokyo, Japan -
Asako Takahashi
Toyama, Japan -
Jieun Park
Seoul, South Korea -
Sébastien Carré
Strasbourg, France -
Patricia Iglesias
Punta Arenas, Chile -
Nicole Baert
Kortrijk, Belgium -
Esther Brinkmann
Bienne, Switzerland -
Christine Matthias
Halle, Germany -
Raquel Bessudo
Mexico City, Mexico -
Helen Clara Hemsley
Copenhagen, Denmark -
Andrea MAXA Halmschlager
Vienna, Austria -
Joana de Sousa Henriques
Lisbon, Portugal -
Taibe Palacios
Santiago, Chile