Caroline Gore
Jeweller
Published: 17.11.2014
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carolinegore.com
Necklace: Flutter, 2017
18k gold, oxidized sterling silver, gold solder, manipulated antique quartz
Photo by: Thom Carrol
© By the author. Read Klimt02.net Copyright.
Necklace: Split / Merge, 2017
18k gold, oxidized sterling silver
Photo by: Thom Carrol
© By the author. Read Klimt02.net Copyright.
Necklace: Slit, 2017
Hematite, leather, silk
Photo by: Thom Carrol
© By the author. Read Klimt02.net Copyright.
Necklace: Slit, 2017
Hematite, silk, leather, jet
Photo by: Thom Carrol
© By the author. Read Klimt02.net Copyright.
Necklace: Snake, 2017
Antique coral, jet, silk
Photo by: Thom Caroll
© By the author. Read Klimt02.net Copyright.

Necklace: ...after..., 2011
18K gold, oxidized sterling silver, jet, reclaimed leather, borosilicate glass, hematite, silk
30 x 19.5 x 2 cm
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Chatelaine: ...dew..., 2011
18K gold, oxidized sterling silver, jet, hematite, silk
23 x 7 x 3.5 cm
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Necklace: ...loop..., 2011
Oxidized sterling silver, jet, black spinel, hematite, reclaimed leather, silk
37 x 19 x 2 cm
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Necklace: ...skate..., 2011
Reclaimed leather, silk, oxidized sterling silver, jet, hematite
63 x 18 x 8 cm
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Brooch: Shadowpants, 2010
Oxidized sterling silver, gold solder, cotton, silk, thread
21 x 12 x 5 cm
At Palazzo Acciaiuoli, Certosa of Galluzzo, Florence, Italy
photographic reference to site observation, 2007
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Necklace: The Shape of Absence, 2010
18K gold, silk ribbon, thread
71cm in length
Absence: by Train & on foot, Dundee, Scotland, United Kingdom
photographic reference to site observation, 2007
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Brooch: Micro/Macro, 2010
24K gold leaf, oxidized sterling silver, leather, bone, glass, thread
8 x 10.5 x 2.5 cm
Along River Tay, Dundee, Scotland, United Kingdom
photographic reference to site observation, 2007
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Brooch: Sourced from, on Via della Bella Donne, 2006
Sterling silver, 24k gold
5.7 x 5.7 x 0.6 cm
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Ring: Sourced from, on Baklurantie/Bakluravagen, 2007
18K gold, raw diamond
0.7 x 3 x 3 cm
On Baklurantie/Bakluravagen
Selected environment, 24k gold - Fiskars, Finland
photographic reference to site- specific intervention, 2007
© By the author. Read Klimt02.net Copyright.

Caroline Gore’s studio practice is deeply rooted in jewelry and metalsmithing processes - her work varies in media, scale and implementation ranging from jewelry to sculptural installations, photography and large-scale drawing. She maintains a studio in northeast Philadelphia at the Crane Arts Building, and joined the faculty at The University of the Arts in 2014 as an Associate Professor of Craft & Material Studies. Her work is centered on investigations of site and the direct and often indirect relationships we have to place through experience and remembering. Her work can be found in the permanent collection of The Museum of Fine Arts – Houston, Racine Art Museum, and numerous private collections.
Statement
The jewelry presented in the exhibition dual/duel is a visual manifestation of my navigation of Philadelphia. Temporary attachments to buildings under renovation or construction, clusters and piles of building materials, layers of decay and attempted repair, electrical wiring/conduit and signals such as cones and buoys littering the landscape have informed my drawing and form development. The work aims to elicit an obstructed, coordinated or reflective view, one that momentarily shifts with the movement of the body and ultimately reveals a glimmering spark or connection.- Mail:
- info
carolinegore.com
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