Klimt02.net Interviews

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Creativity always comes from a character. Esther Heite interviewed by Klimt02.

Creativity always comes from a character. Esther Heite interviewed by Klimt02

If you see my works in the past years, they are actually non-regional and boundless. Molly Wang interviewed by Klimt02.

If you see my works in the past years, they are actually non-regional and boundless. Molly Wang interviewed by Klimt02

I think jewellery comes to life when you are able to see the person behind it and not a machine. Nanna Obel interviewed by Klimt02.

I think jewellery comes to life when you are able to see the person behind it and not a machine. Nanna Obel interviewed ...

The idea of learning new things still excites me. Danni Xu interviewed by Klimt02.

The idea of learning new things still excites me. Danni Xu interviewed by Klimt02

Jewellery needs a theoretical discourse. An Interview with Susanne Hammer on Austrianfashion.net.

Jewellery needs a theoretical discourse. An Interview with Susanne Hammer on Austrianfashion.net

Stefanie Honeder

Being Critical Is About Making Choices. About Critique. Interview with Nichka Marobin.

Being Critical Is About Making Choices. About Critique. Interview with Nichka Marobin

What Lies Beyond. A talk with Gigi Mariani on his exhibition Beyond the Black at Hannah Gallery in Barcelona.

What Lies Beyond. A talk with Gigi Mariani on his exhibition Beyond the Black at Hannah Gallery in Barcelona

I see jewelry as a tangible media more than a solemn object. Myung Urso interviewed by Klimt02.

I see jewelry as a tangible media more than a solemn object. Myung Urso interviewed by Klimt02

My creative work arises from the immediate world around me. Hebe Argentieri interviewed by Klimt02.

My creative work arises from the immediate world around me. Hebe Argentieri interviewed by Klimt02

Technology fascinates me. Antoaneta Ivanova interviewed by Klimt02.

Technology fascinates me. Antoaneta Ivanova interviewed by Klimt02

These local, daily interactions underpin my work, bathing me in beauty and life, supporting me in communicating themes which are universal and across time. Kim Nogueira interviewed by Klimt02.

These local, daily interactions underpin my work, bathing me in beauty and life, supporting me in communicating themes w...

My works are always motivated by the love coming from inside me. Yukiko Kakimoto interviewed by Klimt02.

My works are always motivated by the love coming from inside me. Yukiko Kakimoto interviewed by Klimt02

Creating Jewellery for People, With People. Jean-Pierre Gauvreau interviewed by 18Karat Studio + Gallery.

Creating Jewellery for People, With People. Jean-Pierre Gauvreau interviewed by 18Karat Studio + Gallery

18Karat Studio + Gallery

If it does not fit the concept, wearability can be overlooked to ensure the artistic idea is fulfilled. Christian Bürger interviewed by Klimt02.

If it does not fit the concept, wearability can be overlooked to ensure the artistic idea is fulfilled. Christian Bürge...

Wearing Or Making Jewellery Is Democratic. About Critique. Interview with Barbara Schmidt.

Wearing Or Making Jewellery Is Democratic. About Critique. Interview with Barbara Schmidt

The development of the contemporary jewellery is just the process of exploring its definition. Yunqi Zhang interviewed by Klimt02.

The development of the contemporary jewellery is just the process of exploring its definition. Yunqi Zhang interviewed b...

I started making Jewellery because I wanted to extract the aspect of 'ornament' freed from architectural context. Fumiko Gotô interviewed by Klimt02.

I started making Jewellery because I wanted to extract the aspect of "ornament" freed from architectural context. Fumiko...

A found object can often speak to me and challenge me to find a way to incorporate it into a work. C. James Meyer interviewed by Klimt02.

A found object can often speak to me and challenge me to find a way to incorporate it into a work. C. James Meyer interv...

I do not make my jewellery with someone particular in mind, I make it because I simply feel the urge to do it. Floor Max interviewed by Klimt02.

I do not make my jewellery with someone particular in mind, I make it because I simply feel the urge to do it. Floor Max...

The body is always central to my practice as I believe that the body can be translated into a cultural landscape. Joani Groenewald interviewed by Klimt02.

The body is always central to my practice as I believe that the body can be translated into a cultural landscape. Joani ...

The respect for traditional culture and the eagerness to seek a new form of expression have led me to the present. Xinia Guan interviewed by Klimt02.

The respect for traditional culture and the eagerness to seek a new form of expression have led me to the present. Xinia...

Yes, we like the design, but does it feel good on the body? Interview with Ivan Barnett from Patina Gallery.

Yes, we like the design, but does it feel good on the body? Interview with Ivan Barnett from Patina Gallery

Everyday experiences and activities serve as a starting point for her creations. Sara Chyan interviewed by Art Habens.

Everyday experiences and activities serve as a starting point for her creations. Sara Chyan interviewed by Art Habens

Dario Rutigliano

Every Activity Takes Jewellery Out Into the World and Brings New People Into the Gallery. Interview with Marie-José van den Hout from Galerie Marzee.

Every Activity Takes Jewellery Out Into the World and Brings New People Into the Gallery. Interview with Marie-José van...

Weaving a jewellery community from Togo to Toronto. Patrick Missodey interviewed by 18Karat Studio + Gallery.

Weaving a jewellery community from Togo to Toronto. Patrick Missodey interviewed by 18Karat Studio + Gallery

18Karat Studio + Gallery

I work with recycled materials, making planet greener one jewel at the time. Agne Zaltauskaite interviewed by Klimt02.

I work with recycled materials, making planet greener one jewel at the time. Agne Zaltauskaite interviewed by Klimt02

Who wants to be educated? That goes too far for me. Interview with Isabella Hund from Galerie Isabella Hund.

Who wants to be educated? That goes too far for me. Interview with Isabella Hund from Galerie Isabella Hund

Material Dignity in the Art of Gabriele Kutschera. An Interview at Radio FRO.

Material Dignity in the Art of Gabriele Kutschera. An Interview at Radio FRO

Pamela Neuwirth

Wood is my 'imprinting' , so materials and design are connected in my way of working. Simone Frabboni interviewed by Klimt02.

Wood is my "imprinting" , so materials and design are connected in my way of working. Simone Frabboni interviewed by Kli...

I began to realize that the way I think and the mentality of my works are absolutely coherent with my identity as a Chinese. Yujie Dai interviewed by Klimt02.

I began to realize that the way I think and the mentality of my works are absolutely coherent with my identity as a Chin...

Through my jewellery I feel the responsibility and the need to reflect on social events, politic facts, or even caricature situations. Leonor Silva interviewed by Klimt02.

Through my jewellery I feel the responsibility and the need to reflect on social events, politic facts, or even caricatu...

I always believe that the warmth of handwork can't be replaced by any mechanical production. Zhihan Liu interviewed by Klimt02.

I always believe that the warmth of handwork can't be replaced by any mechanical production. Zhihan Liu interviewed by K...

Not all is contemporary jewelry. Interview with Noel Guyomarc'h from Galerie Noel Guyomarc'h.

Not all is contemporary jewelry. Interview with Noel Guyomarc'h from Galerie Noel Guyomarc'h

Handmade is not an only technic for me is more like a research. Yujia Gao interviewed by Klimt02.

Handmade is not an only technic for me is more like a research. Yujia Gao interviewed by Klimt02

My creative process is playful, full of amazement, joy. Francine Schloeth interviewed by Klimt02.

My creative process is playful, full of amazement, joy. Francine Schloeth interviewed by Klimt02

In my work I always look for that hand made look, and obvious traces of every step on the creation of the piece. Raquel Bessudo interviewed by Klimt02.

In my work I always look for that hand made look, and obvious traces of every step on the creation of the piece. Raquel ...

I believe in the making is thinking. Tingting Chen interviewed by Klimt02.

I believe in the making is thinking. Tingting Chen interviewed by Klimt02

It's very important to determine where on the body it adds the most value. Els Vansteelandt interviewed by Klimt02.

It's very important to determine where on the body it adds the most value. Els Vansteelandt interviewed by Klimt02

I therefore not only investigate its visual qualities but also explore it as a usable material. Yajie Hu interviewed by Klimt02.

I therefore not only investigate its visual qualities but also explore it as a usable material. Yajie Hu interviewed by ...

Sara Barbanti, Joya 2019 Jury Member interviewed by Klimt02.

Sara Barbanti, Joya 2019 Jury Member interviewed by Klimt02

Carolin Denter (et al.)

My work is not taxidermy nor are animals yet they have a sense of the creature about them, a feeling of the unknown. Anna Lewis interviewed by Klimt02.

My work is not taxidermy nor are animals yet they have a sense of the creature about them, a feeling of the unknown. Ann...

Pravu Mazumdar, Joya 2019 Jury Member interviewed by Klimt02.

Pravu Mazumdar, Joya 2019 Jury Member interviewed by Klimt02

Carolin Denter (et al.)

My jewelry acts as a communication device to bridge the tangible and intangible, digital and real. Xiangying Shi interviewed by Klimt02.

My jewelry acts as a communication device to bridge the tangible and intangible, digital and real. Xiangying Shi intervi...

We want to break the hierarchy between craft and art. Interview with Florance Xia and Noga Zhang Shahar from Froots & Nogart.

We want to break the hierarchy between craft and art. Interview with Florance Xia and Noga Zhang Shahar from Froots & N...

The work of human sensitivity so far is superior to the sophistication of the machine. Youjin Um interviewed by Klimt02.

The work of human sensitivity so far is superior to the sophistication of the machine. Youjin Um interviewed by Klimt02

It is an important chance to make a different kind of contribution to our field of work with an offer like the Summer Academy. Theo Smeets interviewed by International Summer Academy.

It is an important chance to make a different kind of contribution to our field of work with an offer like the Summer Ac...

International Summer Academy

The combination of traditional silver material and modern paper innovatively expresses the artistic characteristics of contemporary jewelry design. Liqi Chen interviewed by Klimt02.

The combination of traditional silver material and modern paper innovatively expresses the artistic characteristics of c...

Mindful Musings, Christine Dwane interviewed by 18Karat Studio + Gallery.

Mindful Musings, Christine Dwane interviewed by 18Karat Studio + Gallery

18Karat Studio + Gallery

My work brings out in people a full spectrum of emotions from tears of joy and tears of sorrow to death threats and troll storms. Julia deVille interviewed by Klimt02.

My work brings out in people a full spectrum of emotions from tears of joy and tears of sorrow to death threats and trol...

Diving into the traditional and giving it contemporary expression and shape will be a very exciting journey. Susanne Matsché interviewed by International Summer Academy.

Diving into the traditional and giving it contemporary expression and shape will be a very exciting journey. Susanne Mat...

International Summer Academy

United by Different. A Conversation with Artists and Curators of The Palace of Shattered Vessels Project.

United by Different. A Conversation with Artists and Curators of The Palace of Shattered Vessels Project

Portraying the appearance of the object, creating the artistic conception. Felicia Li interviewed by Klimt02.

Portraying the appearance of the object, creating the artistic conception. Felicia Li interviewed by Klimt02

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