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For me, jewelry is more than an adornment. It is a medium for cross-cultural dialogue, a form of self-expression, and a means to capture the beauty and joy found in everyday life. Qianying Zhu interviewed by Klimt02

Interview  /  Artists
Published: 31.03.2025
For me, jewelry is more than an adornment. It is a medium for cross-cultural dialogue, a form of self-expression, and a means to capture the beauty and joy found in everyday life. Qianying Zhu interviewed by Klimt02. Qianying Zhu
Author:
Klimt02
Edited by:
Klimt02
Edited at:
Barcelona
Edited on:
2025
Necklace: Pretzel by Qianying Zhu.Resin, silver, flocking. 2025.12 x 43 x 4 cm.From series: My Dinning TableUnique piece. Qianying Zhu
Necklace: Pretzel, 2025
Resin, silver, flocking
12 x 43 x 4 cm
From series: My Dinning Table
© By the author. Read Klimt02.net Copyright.

Estimated price: 400 €


Intro
Klimt02 welcomes Qianying Zhu as a new member, a jewelry artist who blends traditional craftsmanship with modern innovation. In this interview, she shares insights into her creative journey.
Tell us about your background. What were your first influences to be creative and become an artist and what has drawn you to contemporary jewelry?
I have been immersed in the world of art and craftsmanship from a young age, a passion largely influenced by my family, especially my grandfather, who was a renowned Chinese painter. Growing up, I had the opportunity to deeply observe his work and learn traditional Chinese art forms, such as ceramics, seal carving, and Zisha pottery. These experiences nurtured a profound appreciation for materiality and craftsmanship, sparking my desire to create.

My fascination with contemporary jewelry began in middle school, driven by my interest in handmade jewelry. The potential for a small, wearable piece to carry deep personal meaning and tell a story captivated me. This passion led me to pursue formal education in jewelry design at the Savannah College of Art and Design, where I established a solid foundation in technical skills. Later, at the Cranbrook Academy of Art, I delved into the artistic and conceptual facets of jewelry-making.

What draws me to contemporary jewelry is its inclusivity, storytelling potential, and the versatility in material usage. Unlike traditional jewelry, which often adheres to conventional notions of value and aesthetics, contemporary jewelry encourages experimentation and redefines what jewelry can be. It can be worn or displayed, offering different interpretations and interactions based on its context. This duality fascinates me, allowing the wearer to become part of the artistic expression.

What excites me most about contemporary jewelry is its ability to bridge tradition and innovation. While it is rooted in age-old techniques, it is not confined by them. Instead, it thrives on pushing boundaries, blending materials in unexpected ways, and challenging traditional notions of adornment. For me, jewelry is more than an adornment—it is a medium for cross-cultural dialogue, a form of self-expression, and a means to capture the beauty and joy found in everyday life.


How important is networking for you in your professional practice and what are your preferred tools for this?
Networking plays a crucial role in my professional practice as both an artist and a jewelry designer. It allows me to exchange ideas, collaborate with other creatives, and stay informed about industry trends. Being part of artistic communities and engaging with curators, collectors, and fellow artists has opened many opportunities for exhibitions, collaborations, and professional growth. Me and my artist friends always share news about new openings, pop-ups, lectures, or any other suitable opportunities for each other.

I prefer a mix of online and offline networking. Social media platforms like Instagram and personal website, NYFA, and other art platforms are excellent tools for showcasing my work and connecting with a global audience. Through these platforms, I have had the chance to interact with collectors, fellow designers, and find new open calls or opportunities from different parts of the world. At the same time, attending exhibitions, fairs, and artist talks has been invaluable for building meaningful, in-person connections. I also enjoy participating in artist residencies and workshops, which provide a more immersive way to network and collaborate.


What are your general thoughts on the contemporary jewelry world (education, market, development...)? Where do you see chances, and where are dead ends?
The contemporary jewelry world has evolved significantly in recent years, with more people recognizing jewelry as a form of artistic expression rather than just a commercial product. Museums, galleries, and art institutions play a crucial role in educating the public and elevating contemporary jewelry to the level of fine art. These spaces not only provide exposure for artists but also create conversations around jewelry as a conceptual and cultural medium.

In terms of opportunities, I see a growing appreciation for independent designers and unique, handcrafted pieces. More consumers are looking for jewelry that tells a story or represents personal values, which creates space for contemporary jewelry artists to thrive outside of traditional commercial markets. Digital platforms have also made it easier for artists to reach a wider audience without relying solely on physical galleries or stores.

However, challenges remain. The market for contemporary jewelry is still niche, and many people are unfamiliar with the artistic and conceptual depth of the field. Education is key—both for emerging artists and for the public. Another challenge is that while social media provides exposure, it also increases competition and the pressure to constantly produce new content. The balance between artistic integrity and market demands can be tricky.

 
Thinking about your career, what role do technology and the digital play in your artistic development & communication?
Technology has had a profound impact on my artistic development, both in terms of creation and communication. The internet has made information more accessible, allowing me to stay updated on trends, techniques, and industry news. It has also connected me with artists, collectors, and potential collaborators from all over the world, fostering an international dialogue in my work.

In terms of creation, I incorporate both traditional metalworking techniques and modern technology into my jewelry. One of my favorite innovations is 3D printing, which allows me to experiment with complex forms and structures that would be difficult to achieve through traditional methods alone. I enjoy blending digital fabrication with handcraftsmanship, finding a balance between precision and the human touch.

For communication, digital platforms like Instagram, online exhibitions, and artist portfolios help me reach a wider audience. They provide an opportunity to share not just the final piece but also the process behind my work, making my works more accessible and engaging for viewers.

 
How has your work changed over the past few years and what are you excited about these days?
Over the past few years, my work has undergone transformative changes, particularly influenced by my move to New York. The vibrant energy, diversity, and relentless pace of the city have deeply impacted my lifestyle and reshaped my creative process. New York’s dynamic environment has exposed me to a myriad of new ideas, aesthetics, and experiences, pushing my work beyond its previous boundaries. The transition from a contemplative studio practice to thriving amidst the city’s pulsating energy has spurred new ways of thinking about design and presentation.
Transitioning from a student to an established independent artist marked another significant evolution in my career. Previously, my focus was on mastering technical skills and exploring conceptual depths. Now, as an independent artist, my practice not only revolves around creating but also engaging with a broader audience, including collectors and the contemporary jewelry community. This shift has broadened my perspective, making me more attuned to how my work resonates with others.

Currently, I am keenly exploring the intersection of artistic integrity and commercial viability. I am committed to maintaining the essence of my creative vision while making my art more accessible. This has led me to develop pieces that are both wearable and artistic, suitable for everyday engagement yet deeply imbued with the conceptual rigor of my more traditional works. Balancing these aspects offers both challenges and exciting growth opportunities.
This period of transformation has been incredibly productive. Living in a new city, establishing my brand, and finding my voice in the competitive art world have fueled my creativity. I’m now delving into themes of identity, transformation, and cultural symbolism with renewed vigor, employing materials and designs that reflect my ongoing journey. The constant evolution of my practice is thrilling; it drives me to uncover new perspectives and innovative ways to express these through wearable art.

Looking forward, I am excited about expanding my influence and continuing to challenge the conventions of contemporary jewelry. Engaging more deeply with global themes and sustainable practices in jewelry making are priorities that I am eager to explore in my future projects.