Artist Talk: Storied Threads, The Work of Kay Khan
Meeting
/
11 Apr 2026
Published: 07.04.2026
Patina Gallery
- Mail:
- projects
patina-gallery.com - allison
patina-gallery.com
- Phone:
- +1 505.986.3432
- Management:
- Allison Buchsbaum
Vessel: The Gardener, 2007
Quilted, pieced, appliquéd, hand and machine stitched, constructed
44.5 x 27.9 x 15.2 cm
© By the author. Read Klimt02.net Copyright.

Join Patina Gallery for an enriching afternoon with Allison Buchsbaum and textile artist Kay Khan. In celebration of New Mexican women artists, and supported by the New Mexico State Committee of the National Museum of Women in the Arts (NMC).
Artist list
Kay Khan
Kay Khan’s textile works are layered with imagery. By sewing, stitching, deconstructing, embroidering, quilting, beading, and using sculptural techniques, Khan creates patchworks that tell deeply personal stories about the natural world, modern culture, and the body.
Every detail has meaning. Colors and shapes express emotion. Sculptural forms evoke ancient myths. Compelling words and thoughts are stitched as text into her compositions. Her meticulous, symbolic sculptures are contemplations on both the modern and timeless relationship to identity, communication, movement, and devotion.
As a toddler I was into details. I would wander into the woods examining every insect, flower, and leat. This is where it all began.
Khan will present a curated selection of sculptures from three series:
Armor and Façade
Khan creates figurative sculptures without using figures, only articles of clothing. Created from ordinary, deconstructed garments, she reconstructs them into sculptures, embellishing them with quilting, imagery and text. Works from this series ruminate on the ways we use clothing to both shield and present ourselves.
Narrative Necklaces
Wearable sculptures for the body in which every bead and stitch is a deliberate choice, these necklaces explore how we communicate whether through cell phones, tattoos, or adornments.
Vessels
Inspired by the pictorial storytelling of ancient Greek urns, Khan’s sculptural vessels are visual poems of form, narrative, and sculpture.
Khan’s background in painting and ceramic sculpture at James Madison University informs her distinctive approach to textiles. After graduating university, she took a job in an upholstery shop where she learned to think about textiles three-dimensionally, which led to developing techniques that push the conceptual limits of fabric artwork. A celebrated artist, her work is held in prominent collections nationwide, including the DeYoung Museum, the Museum of Arts and Design, and the New Mexico Museum of Art, among others.
Don't miss this intimate talk with Kay Khan as she shares all the exquisite details of her process, techniques and inspiration.
Saturday, April 11, 2026 at 1- 5 pm. Light Refreshments will be served.
Every detail has meaning. Colors and shapes express emotion. Sculptural forms evoke ancient myths. Compelling words and thoughts are stitched as text into her compositions. Her meticulous, symbolic sculptures are contemplations on both the modern and timeless relationship to identity, communication, movement, and devotion.
As a toddler I was into details. I would wander into the woods examining every insect, flower, and leat. This is where it all began.
Khan will present a curated selection of sculptures from three series:
Armor and Façade
Khan creates figurative sculptures without using figures, only articles of clothing. Created from ordinary, deconstructed garments, she reconstructs them into sculptures, embellishing them with quilting, imagery and text. Works from this series ruminate on the ways we use clothing to both shield and present ourselves.
Narrative Necklaces
Wearable sculptures for the body in which every bead and stitch is a deliberate choice, these necklaces explore how we communicate whether through cell phones, tattoos, or adornments.
Vessels
Inspired by the pictorial storytelling of ancient Greek urns, Khan’s sculptural vessels are visual poems of form, narrative, and sculpture.
Khan’s background in painting and ceramic sculpture at James Madison University informs her distinctive approach to textiles. After graduating university, she took a job in an upholstery shop where she learned to think about textiles three-dimensionally, which led to developing techniques that push the conceptual limits of fabric artwork. A celebrated artist, her work is held in prominent collections nationwide, including the DeYoung Museum, the Museum of Arts and Design, and the New Mexico Museum of Art, among others.
Don't miss this intimate talk with Kay Khan as she shares all the exquisite details of her process, techniques and inspiration.
Saturday, April 11, 2026 at 1- 5 pm. Light Refreshments will be served.
Necklace: The Departure, 2026
Quilted, embroidered, constructed silk, cotton, felt, paint, recycled plastic rings that are wrapped and embroidered to create bead “donuts”, knitted cord by John Garrett, semi-precious beads, primarily onyx and mahogany obsidian, and 3 African trade bead.
86.4 cm
From series: Narrative Necklaces
© By the author. Read Klimt02.net Copyright.
Body piece: Constellation, 2010
Quilted, pieced, appliquéd, hand and machine stitched, constructed, custom steel armature
52 x 25 x 29 cm
From series: Armor and Façade
© By the author. Read Klimt02.net Copyright.
Vessel: Lollipop Lotus Teapot, 2026
Felt (interior), silk, fabric scraps, quilted, pieced, appliquéd, hand and machine stitched, constructed
38.1 × 43.2 × 15.2 cm
© By the author. Read Klimt02.net Copyright.
Patina Gallery
- Mail:
- projects
patina-gallery.com - allison
patina-gallery.com
- Phone:
- +1 505.986.3432
- Management:
- Allison Buchsbaum
-
International Summer Academy of Gemstones and Jewellery at Campus Idar-Oberstein 2026
27Jul2026 - 07Aug2026
Hochschule Trier
Idar Oberstein, Germany
DEADLINE: 26/07/2026 -
IronNotes. Forged Narratives: Art, Memory, and Material in Contemporary Blacksmithing
15Apr2026 - 16Apr2026
IronNotes
Oslo, Norway
DEADLINE: 14/04/2026 -
Chun Chang artist-in-residence 2026 at Françoise van den Bosch Foundation
02Apr2026
Gerrit Rietveld Academy
Amsterdam, Netherlands -
Open doors at Alchimia Contemporary Jewellery School 2026
23Mar2026 - 27Mar2026
Alchimia Contemporary Jewellery School
Florence, Italy
APPLICATION CLOSED -
Scrotum Clamp and Friends at Munich 2026
07Mar2026
Glockenbachwerkstatt
Munich, Germany -
Francoise Van den Bosch Foundation in Conversation With AJF
07Mar2026
Internationale Handwerksmesse Munich
Munich, Germany -
First Theoretical Aid
04Mar2026 - 08Mar2026
Galerie ART-IG Munich
Munich, Germany
APPLICATION CLOSED -
matt lambert defends doctoral dissertation on the intersections of craft, queerness, and institutional critique
25Feb2026
Konstfack University of Arts, Crafts and Design
Stockholm, Sweden -
Open Days at West Dean College Sussex 2026
06Feb2026
West Dean College
Chichester, United Kingdom
APPLICATION CLOSED -
V Crafts NOW. House of Crafts
02Dec2025 - 03Dec2025
Espai TRENT
Barcelona, Spain -
Open Day at the Gemstone and Jewellery Campus
29Nov2025
Hochschule Trier
Idar Oberstein, Germany -
Open House at HDK-Valand
28Nov2025
HDK-Valand Academy of Art and Design
Gothenburg, Sweden -
K2 Academy Open Studios at Cockpit Bloomsbury 2025
27Nov2025 - 28Nov2025
K2 Academy of Contemporary Jewellery
London, United Kingdom -
Female Silversmiths in History and Today. Seminar and Exhibition
27Nov2025
Konstfack University of Arts, Crafts and Design
Stockholm, Sweden -
Puyuan International Contemporary Jewellery Art and Design Biennial
22Nov2025 - 22Feb2026
JCC Center
Puyuan, China

















