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30 Selected Artists at LOEWE FOUNDATION Craft Prize 2026

Article  /  Artists   Curating   Exhibiting   Collecting
Published: 04.03.2026
Author:
Loewe Foundation
Edited by:
Klimt02
Edited at:
Barcelona
Edited on:
2026
Sculpture: Patterns of Pressure by Liam Fleming.Glass. 2025.48 x 27.9 x 38 cmUnique piece. Liam Fleming
Sculpture: Patterns of Pressure, 2025
Glass
48 x 27.9 x 38 cm
© By the author. Read Klimt02.net Copyright.

Intro
LOEWE FOUNDATION announces the shortlist for the 2026 edition of the LOEWE FOUNDATION Craft Prize. The finalists’ works will be exhibited at the National Gallery Singapore from 13 May until 14 June 2026. The winner and two special mentions will be announced on 12 May 2026.
 
Many of the works in this year’s shortlist have approached making as a careful negotiation between balance, instability and tension. Ordered systems have been subtly unsettled: restrained palettes are interrupted by sudden shifts in colour, smooth surfaces are breached by moments of rupture, and precise geometries are softened, warped or displaced. References to the natural world have informed both material choice and process, and growth, decay and cyclical transformation are embedded through acts of cutting, bending, weaving and layering. Cultural traditions have provided further points of orientation: practices drawn from basketry, textile, dyeing and architectural making have been reinterpreted through contemporary contexts, scales and collaborations. Taken together, the works position craft as a living language, shaped by continuity and interruption alike.

This year’s finalists were chosen by a panel of experts from over 5,100 submissions by artists representing 133 countries and regions. The 30 finalists, representing 19 countries and regions, work across a range of media including ceramics, woodwork, textiles, furniture, bookbinding, glass, metal, jewellery and lacquer. In their deliberations, the panel sought to identify the most outstanding works in terms of technical accomplishment, skill, innovation and artistic vision.

Sheila Loewe, President of the LOEWE FOUNDATION, said: The Craft Prize continues to reveal the extraordinary diversity and ambition of contemporary craft. The works shortlisted for the 2026 edition demonstrate how deeply rooted traditions can be reimagined through innovation, skill and imagination. Bringing this exhibition to Singapore reflects the global dialogue at the heart of the Prize and our ongoing commitment to supporting artists at pivotal moments in their careers.

The exhibition will be on display at the National Gallery Singapore, home to the world’s largest collection of Southeast Asian modern and contemporary art, comprised of more than 8,000 artworks spanning the 19th century to the present. Previous iterations of the Prize have been exhibited at The Design Museum, London (2018); Isamu Noguchi’s indoor stone garden ‘Heaven’ at the Sogetsu Kaikan, Tokyo (2019); digitally in a joint presentation with Musée des Arts Décoratifs, Paris (2021); Seoul Museum of Craft Art (SeMoCA), Seoul (2022); in Isamu Noguchi’s studio at the Noguchi Museum, New York (2023); Palais de Tokyo, Paris (2024) and Thyssen- Bornemisza National Museum, Madrid (2025).

The winner will be announced on 12 May 2026 and awarded €50,000, with the special mentions each receiving €5,000.

The selected finalists for the LOEWE FOUNDATION Craft Prize 2026 are (in alphabetical order, with country or region):

Baba Tree Master Weavers × Álvaro Catalán de Ocón (Spain).
Jobe Burns (United Kingdom).
Soohyun Chou (Republic of Korea).
Morten Løbner Espersen (Denmark).
Liam Fleming (Australia).
Oskar Gustafsson (Sweden).
Susan Halls (United Kingdom).
Gjertrud Hals (Norway).
Chia-Chen Hsieh (Taiwan Region).
Adelene Koh (Singapore).
Maria Koshenkova (Denmark).
Jong In Lee (Republic of Korea).
Somyeong Lee (Republic of Korea).
Misako Nakahira (Japan).
Fadekemi Ogunsanya (Nigeria).
Jieun Park (Republic of Korea).
Jongjin Park (Republic of Korea).
Rafael Pérez Fernández (España).
Dorothea Prühl (Germany).
Kirstie Rea (Australia).
Vivi Rosa (Brazil).
Hervé Sabin (Haiti).
Xanthe Somers (Zimbabwe).
Coco Sung (Republic of Korea).
Nobuyuki Tanaka (Japan).
Graziano Visintin (Italy).
Rayah Wauters (Belgium).
Nan Wei (China).
Jane Yang-D’Haene (United States of America).
Ayano Yoshizumi (Japan).


The 2026 Experts Panel that selected the 30 finalists is composed of:
  • Antonia Boström, former Director of Collections at the Victoria and Albert Museum, London.
  • Scott Chaseling, glass artist and LOEWE FOUNDATION Craft Prize 2025 finalist.
  • Hyeyoung Cho, Chairwoman at the Korea Association of Art and Design.
  • Michelle Millar Fischer, Curator of Contemporary Decorative Arts at the Museum of Fine Arts, Boston.
  • Sara Flynn, ceramicist and LOEWE FOUNDATION Craft Prize 2017 finalist.
  • Satoko Fujiwara, LOEWE VP Leather Goods Merchandising & Buying Strategy.
  • Amy.Greenspon, Art Advisor and independent curator.
  • Wolfgang Lösche, former Head of Exhibition and Fairs at the Chamber of Skilled Trades, Munich.
  • Ibrahim Mahama, mixed media artist.
  • Nifemi Marcus-Bello, artist and designer and LOEWE FOUNDATION Craft Prize 2025 finalist.
  • Didi NG Wing Yin, wood artist and LOEWE FOUNDATION Craft Prize 2025 finalist.
  • Anatxu Zabalbeascoa (Executive Secretary), architecture and design correspondent for El País.

The Jury that will select the winner of the 2026 Craft Prize is composed of:
  • Kunimasa Aoki, winner of the LOEWE FOUNDATION Craft Prize 2025.
  • Minsuk Cho, architect and winner of the Golden Lion at the Venice Architecture Biennale in 2014.
  • Frida Escobedo, essayist and architect.
  • Naoto Fukasawa, designer and Director of the Japan Folk Crafts Museum, Tokyo.
  • Olivier Gabet, Director of the Department of Decorative Arts at the Louvre Museum, Paris.
  • Sheila Loewe (Chairwoman), President of the LOEWE FOUNDATION.
  • Jack McCollough and Lazaro Hernandez, LOEWE creative directors.
  • Magdalene Odundo, ceramicist.
  • Deyan Sudjic, essayist and Director Emeritus of the Design Museum, London.
  • Abraham Thomas, Curator of Modern Architecture, Design and Decorative Arts at the Metropolitan Museum of Art, New York.
  • Patricia Urquiola, architect and industrial designer.
  • Wang Shu, architect and Pritzker Prize winner.
  • Anatxu Zabalbeascoa, architecture and design correspondent for El País.


About The LOEWE Foundation
The LOEWE FOUNDATION was established as a private cultural foundation in 1988 by Enrique Loewe, a fourth-generation member of LOEWE’s founding family. Today, under the direction of his daughter Sheila Loewe, the Foundation continues to promote creativity, organise educational programs and protect cultural heritage in the fields of craft, design, photography, poetry and dance. The Foundation was awarded the Gold Medal for Merit in the Fine Arts by the Spanish government in 2002.

About National Gallery Singapore
National Gallery Singapore is a leading visual arts institution and the largest modern and contemporary art museum in Southeast Asia. Dedicated to making art accessible to all, the Gallery engages audiences of all ages through its exhibitions, educational programmes, and public festivals. Home to the world’s largest public collection of Singapore and Southeast Asian art, the Gallery is redefining the region’s art history through pioneering research, strategic acquisitions, and thoughtfully curated exhibitions.
 
Textile: Fra Fra Tapestry #2 by Baba Tree Master Weavers × Álvaro Catalán de Ocón.Natural and black dyed elephant grass, clay. 2024.1 x 330 x 310 cmUnique piece. Baba Tree Master Weavers × Álvaro Catalán de Ocón
Textile: Fra Fra Tapestry #2, 2024
Natural and black dyed elephant grass, clay
1 x 330 x 310 cm
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Object: The Caretaker's Clotheshorse by Xanthe Somers.Glazed stoneware. 2025.46 x 46 x 94 cmUnique piece. Xanthe Somers
Object: The Caretaker's Clotheshorse, 2025
Glazed stoneware
46 x 46 x 94 cm
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Vessel: Laying Vessel by Jobe Burns.Steel, paint, lacquer. 2025.150 x 122 x 150 cmUnique piece. Jobe Burns
Vessel: Laying Vessel, 2025
Steel, paint, lacquer
150 x 122 x 150 cm
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Sculpture: Hierarchies of Existence by Oskar Gustafsson.Ash wood, copper thread, hard wax oil. 2024.40 x 40 x 230 cmUnique piece. Oskar Gustafsson
Sculpture: Hierarchies of Existence, 2024
Ash wood, copper thread, hard wax oil
40 x 40 x 230 cm
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Vessel: Scala by Gjertrud Hals.Cotton and linen thread, resin. 2025.Various dimensionsUnique piece.Comprised of pieces 3-5.. Gjertrud Hals
Vessel: Scala, 2025
Cotton and linen thread, resin
Various dimensions
Comprised of pieces 3-5.
© By the author. Read Klimt02.net Copyright.
Sculpture: Rhythm in Grid by Chia-Chen Hsieh.Bamboo, urushi, dye. 2025.70 x 70 x 70 cmUnique piece. Chia-Chen Hsieh
Sculpture: Rhythm in Grid, 2025
Bamboo, urushi, dye
70 x 70 x 70 cm
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Sculpture: Endless by Adelene Koh.Paper, embroidery threads, aluminium wire. 2025.12 x 12 x 5.5 cmUnique piece. Adelene Koh
Sculpture: Endless, 2025
Paper, embroidery threads, aluminium wire
12 x 12 x 5.5 cm
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Textile: We Are Not Lying, Your Language is Not Enough by Fadekemi Ogunsanya.Cotton fabric, plastic beads, cotton and polyester padding. 2025.3 x q67 x 215 cmUnique piece. Fadekemi Ogunsanya
Textile: We Are Not Lying, Your Language is Not Enough, 2025
Cotton fabric, plastic beads, cotton and polyester padding
3 x q67 x 215 cm
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Sculpture: Strata of Illusion by Jongjin Park.Porcelain, paper, stain, glaze. 2025.75 x 45 x 56 cmUnique piece. Jongjin Park
Sculpture: Strata of Illusion, 2025
Porcelain, paper, stain, glaze
75 x 45 x 56 cm
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Object: Shadow Kkokdu by Coco Sung.Clay, lacquer, coloured wire, beads, Swarovski stones. 2025.Various dimensionsUnique piece.Comprised of ‘Optak’, ‘Liebero’, ‘Pupillove’, ‘Bongja’ and ‘Pupsi’.. Coco Sung
Object: Shadow Kkokdu, 2025
Clay, lacquer, coloured wire, beads, Swarovski stones
Various dimensions
Comprised of ‘Optak’, ‘Liebero’, ‘Pupillove’, ‘Bongja’ and ‘Pupsi’.
© By the author. Read Klimt02.net Copyright.
Sculpture: Knot-Loving by Nan Wei.Lacquer, cow leather, linen. 2025.19 x 23 x 25 cmUnique piece. Nan Wei
Sculpture: Knot-Loving, 2025
Lacquer, cow leather, linen
19 x 23 x 25 cm
© By the author. Read Klimt02.net Copyright.
Sculpture: Edifice by Susan Halls.Glazed ceramic, stoneware. 2025.44 x 66 x 84 cmUnique piece. Susan Halls
Sculpture: Edifice, 2025
Glazed ceramic, stoneware
44 x 66 x 84 cm
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Object: Reconstructed Perspective Vessel 3C1L by Soohyun Chou.Silicon bronze, copper. 2025.25 x 25 x 15 cmUnique piece.Comprised of pieces 1-3.. Soohyun Chou
Object: Reconstructed Perspective Vessel 3C1L, 2025
Silicon bronze, copper
25 x 25 x 15 cm
Comprised of pieces 1-3.
© By the author. Read Klimt02.net Copyright.
Furniture: Baeheullim by Jong In Lee.Walnut wood. 2025.97.5 x 40 x 61.5 cmUnique piece. Jong In Lee
Furniture: Baeheullim, 2025
Walnut wood
97.5 x 40 x 61.5 cm
© By the author. Read Klimt02.net Copyright.
Sculpture: Faun's Flesh (Arena Rosada) by Maria Koshenkova.Blown sculpted glass, vintage found glass. 2025.40 x 85 x 42 cmUnique piece. Maria Koshenkova
Sculpture: Faun's Flesh (Arena Rosada), 2025
Blown sculpted glass, vintage found glass
40 x 85 x 42 cm
© By the author. Read Klimt02.net Copyright.
Vessel: #2572 by Morten Espersen Løbner.Stoneware, glazes. 2025.30.5 x 30.5 x 45.5 cmUnique piece. Morten Espersen Løbner
Vessel: #2572, 2025
Stoneware, glazes
30.5 x 30.5 x 45.5 cm
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Sculpture: Chronicle of Matter by Somyeong Lee.Steam-bending oak, ocher, rope and mixed media. 2025.60 x 110 x 55 cmUnique piece.Comprised of ‘Chronicle of Matter 001’ and ‘Chronicle of Matter 002’.. Somyeong Lee
Sculpture: Chronicle of Matter, 2025
Steam-bending oak, ocher, rope and mixed media
60 x 110 x 55 cm
Comprised of ‘Chronicle of Matter 001’ and ‘Chronicle of Matter 002’.
© By the author. Read Klimt02.net Copyright.
Textile: Interaction #YB by Misako Nakahira.Wool, cotton. 2024.113.4 x 102.3 x 0.8 cmUnique piece. Misako Nakahira
Textile: Interaction #YB, 2024
Wool, cotton
113.4 x 102.3 x 0.8 cm
© By the author. Read Klimt02.net Copyright.
Object: Seed of Circulation by Jieun Park.Oxidized sterling silver, linen thread. 2025.15.3 x 15.3 x 25.4 cmUnique piece. Jieun Park
Object: Seed of Circulation, 2025
Oxidized sterling silver, linen thread
15.3 x 15.3 x 25.4 cm
© By the author. Read Klimt02.net Copyright.
Sculpture: Time To Time by Rafael Pérez Fernández.Porcelain, clay. 2023.24 x 30 x 24 cmUnique piece.Comprised of pieces 1-3.. Rafael Pérez Fernández
Sculpture: Time To Time, 2023
Porcelain, clay
24 x 30 x 24 cm
Comprised of pieces 1-3.
© By the author. Read Klimt02.net Copyright.
Necklace: Migratory Birds by Dorothea Prühl.Titanium, gold. 2025.29 x 43 x 5 cmUnique piece. Dorothea Prühl
Necklace: Migratory Birds, 2025
Titanium, gold
29 x 43 x 5 cm
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Sculpture: Repose 2 by Kirstie Rea.Glass. 2024.12 x 90 x 20 cmUnique piece. Kirstie Rea
Sculpture: Repose 2, 2024
Glass
12 x 90 x 20 cm
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Vessel: Resonance by Vivi Rosa.Cement, recycled glass powder, shredded cotton, wire, adhesive. 2024.21 x 53 x 69 cmUnique piece. Vivi Rosa
Vessel: Resonance, 2024
Cement, recycled glass powder, shredded cotton, wire, adhesive
21 x 53 x 69 cm
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Bowl: Sèvi-Tè by Hervé Sabin.Wood, beeswax, oil paint. 2024.16.1 x 50.8 x 20.3 cmUnique piece. Hervé Sabin
Bowl: Sèvi-Tè, 2024
Wood, beeswax, oil paint
16.1 x 50.8 x 20.3 cm
© By the author. Read Klimt02.net Copyright.
Vessel: Inner side – Outer Side 2021 N by Nobuyuki Tanaka.Lacquer hemp. 2021.95 x 98 x 208 cmUnique piece. Nobuyuki Tanaka
Vessel: Inner side – Outer Side 2021 N, 2021
Lacquer hemp
95 x 98 x 208 cm
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Necklace: Collier by Graziano Visintin.Gold, Niello. 2025.Various dimensionsUnique piece.Comprised of pieces 1 and 2.. Graziano Visintin
Necklace: Collier, 2025
Gold, Niello
Various dimensions
Comprised of pieces 1 and 2.
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Object: A Turn Toward Possibility by Rayah Wauters.Belgian poplar wood, black ink. 2025.9 x 51.5 x 24.5 cmUnique piece. Rayah Wauters
Object: A Turn Toward Possibility, 2025
Belgian poplar wood, black ink
9 x 51.5 x 24.5 cm
© By the author. Read Klimt02.net Copyright.
Object: Untitled by Jane Yang-D'Haene.Stoneware, porcelain, glaze. 2024.60.9 x 60.9 x 55.9 cmUnique piece. Jane Yang-D'Haene
Object: Untitled, 2024
Stoneware, porcelain, glaze
60.9 x 60.9 x 55.9 cm
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Sculpture: ICON #2507 Group by Ayano Yoshizumi.Glass, acrylic paint, glitter. 2023.Various dimensionsUnique piece.Comprised of ‘ICON #2507 No. 2’, and ‘ICON #2304 No. 3. Ayano Yoshizumi
Sculpture: ICON #2507 Group, 2023
Glass, acrylic paint, glitter
Various dimensions
Comprised of ‘ICON #2507 No. 2’, and ‘ICON #2304 No. 3
© By the author. Read Klimt02.net Copyright.