Annamaria Zanella: The Poetry of Sensitising Materials

Article / Arnoldsche CriticalThinking Artists

Published: 11.07.2023

Necklace: Beyond the Blue by Annamaria Zanella. Wood, silver, gold, lapis lazuli powder, acrylic. 2015.2,5 x 8 x 8 cm.Photo by: M. F. MaglianiUnique piece

Annamaria Zanella
Necklace: Beyond the Blue, 2015
Wood, silver, gold, lapis lazuli powder, acrylic
2,5 x 8 x 8 cm
Photo by: M. F. Magliani
© By the author. Read Klimt02.net Copyright.

This article is included in the book Annamaria Zanella: The poetry of material Arnoldsche, Stuttgart, 2022, pp. 17-18.

Annamaria Zanella's jewellery stands out thanks to her ability to unite sensitised materials, potent concepts and vibrant colours into a myriad of poetic visions.

(...)

Access Members' Content

This content is available exclusively to Klimt02 members.

Already a member? LOGIN to continue reading.

Forgot your password?

Remember me

Not a member yet?

Join Klimt02 to access over 1,600 articles, interviews, curated selections, and Editors' Picks published since 2004.

Membership from €50/year.

Become a Reader member

Jonathon Zalakos. Rhode Island School of Design New Talents Award Nominee 2026

Rhode Island School of Design
09Nov2026
Siri Hansen. Konstfack University of Arts, Crafts and Design New Talents Award Nominee 2026

Crafts and Design Konstfack University of Arts
09Nov2026
Hold me, in this delicate balance by Annarita Bianco. A Future Classic in Contemporary Jewellery

Alice Rendon
09Nov2026
Beyond Graduation. The Klimt02 New Talents Award and the Transition to Professional Practice

Klimt02
05Nov2026
The Galleries That Shaped Contemporary Jewellery. Pioneering Spaces Across Europe and the United States

Klimt02
02Nov2026
Klimt02 Notes from Parcours Bijoux 2026. Contemporary Jewellery Across Paris

Cécile Maes
02Nov2026
How Do We Build a History? On Archiving, Documenting, and Storytelling

Cécile Maes
02Nov2026
Interpreting lived experiences through the contemporary jewellery of Beverley Price: A case study

Nina Newman
27Oct2026
Across Two Centuries. Reverso [28 Years]: Since 14 November 1998

Cristina Filipe
23Oct2026
Binding Matter. From Dark Substance to Bright Sentiment

Julia Wild
19Oct2026
Di-alogue: Technologies for thinking & making

Helen Dilkes (et al.)
14Oct2026
Three Japanese Jewelry Designers from Romanian Jewelry Week join OTOTO Japanese Fest

Alexandra Bujenita
12Oct2026
Replika Project by Peter Bauhuis. An Exercise in Self-imitation. A Future Classic in Contemporary Jewellery

Pravu Mazumdar
12Oct2026
Mario Pinton: Goldsmithing as Artistic Knowledge. An essay by Sotiria Vasileiou

Sotiria Vasileiou
08Oct2026
Laurenz Stockner’s Objects Between Matter, Process, and Form to experience in an exhibition high in the Mountains of V...

Katherina Perlongo
05Oct2026

Annamaria Zanella: The Poetry of Sensitising Materials

Access Members' Content

Not a member yet?

Become a Reader member

More Articles

Jonathon Zalakos. Rhode Island School of Design New Talents Award Nominee 2026

Siri Hansen. Konstfack University of Arts, Crafts and Design New Talents Award Nominee 2026

Hold me, in this delicate balance by Annarita Bianco. A Future Classic in Contemporary Jewellery

Beyond Graduation. The Klimt02 New Talents Award and the Transition to Professional Practice

The Galleries That Shaped Contemporary Jewellery. Pioneering Spaces Across Europe and the United States

Klimt02 Notes from Parcours Bijoux 2026. Contemporary Jewellery Across Paris

How Do We Build a History? On Archiving, Documenting, and Storytelling

Interpreting lived experiences through the contemporary jewellery of Beverley Price: A case study

Across Two Centuries. Reverso [28 Years]: Since 14 November 1998

Binding Matter. From Dark Substance to Bright Sentiment

Di-alogue: Technologies for thinking & making

Three Japanese Jewelry Designers from Romanian Jewelry Week join OTOTO Japanese Fest

Replika Project by Peter Bauhuis. An Exercise in Self-imitation. A Future Classic in Contemporary Jewellery

Mario Pinton: Goldsmithing as Artistic Knowledge. An essay by Sotiria Vasileiou

Laurenz Stockner’s Objects Between Matter, Process, and Form to experience in an exhibition high in the Mountains of V...