A Bore of Ring. Self-talk & Critical Practice to Wear and to Make by Ray Zheng
Published: 14.03.2024
I am (was) a jeweller. I expect this note to be my daily record so that I can better locate my current confusion, understand the disciplines of my design and plan to solve it. I talk about the meanings of jewellery and try to understand why I don’t wear them anymore.
If you are reading this, please use it as a handbook to run over my understanding, of dismantling, and restructuring of jewellery. If you are not interested in research, there’s no harm in looking at it as an atlas of object narratives.
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Bio-Melanin Fibers from Acid Sulfate Soil: Sustainable Polymer Synthesis, Characterization, and Textile Application
24Apr2026 -
Lumina by Empar Juanes. A Future Classic in Contemporary Jewellery
17Apr2026 -
Naturalia et artificialia. A Sicilian Journey: Gabi Veit & Dietlind Wolf
14Apr2026 -
Land of the Lustrous by Yingying Qiu. A Critical Review by Klimt02
08Apr2026 -
Blossom by Iris Eichenberg. A Future Classic in Contemporary Jewellery
07Apr2026 -
Value, Imitation, and Perception in Contemporary Jewellery. Spotlight Artworks by Klimt02
03Apr2026 -
Malachite and the Origins of Copper
01Apr2026 -
The Goldsmiths’ Centre Announces Recipients of the Business Catalyst (Large) Grants 2026
01Apr2026 -
Wisselring by Paul Derrez. A Future Classic in Contemporary Jewellery
26Mar2026 -
Donald Friedlich, elected by the American Craft Council (ACC) to their prestigious College of Fellows
17Mar2026 -
Munich Schmuck Fair 2026. What Are We Really Coming For?
15Mar2026 -
Blue Shadows by Lily Kanellopoulou. A Future Classic in Contemporary Jewellery
12Mar2026 -
Kukas: Amanhã (Tomorrow)
12Mar2026 -
Thomas Gentille (1936–2026)
11Mar2026 -
30 Selected Artists at LOEWE FOUNDATION Craft Prize 2026
04Mar2026
