A Bore of Ring. Self-talk & Critical Practice to Wear and to Make by Ray Zheng
Published: 14.03.2024
I am (was) a jeweller. I expect this note to be my daily record so that I can better locate my current confusion, understand the disciplines of my design and plan to solve it. I talk about the meanings of jewellery and try to understand why I don’t wear them anymore.
If you are reading this, please use it as a handbook to run over my understanding, of dismantling, and restructuring of jewellery. If you are not interested in research, there’s no harm in looking at it as an atlas of object narratives.
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Delegate Thinking: Jewellery for decision-making in the age of artificial intelligence by Isabelita Virtual and SpecialG...
02Jul2026 -
The Hidden Life of Jewellery: Storage as a Narrative Practice
30Jun2026 -
Poetry of Birds: The Life of a Motif Across Literature, Image, and Jewelry
25Jun2026 -
Hommage à A. Boetti (ordine e disordine) by Fumiko Gotô. A Future Classic in Contemporary Jewellery
24Jun2026 -
When Visibility Is Not Enough. On Choosing, Curating, and Creating Meaning
16Jun2026 -
Wendy Ramshaw: Jewellery as a Formal System
13Jun2026 -
Libro scalpo by Maria Lai. A Future Classic in Contemporary Jewellery
08Jun2026 -
Pin by Thomas Gentille. A Future Classic in Contemporary Jewellery
28May2026 -
Inflow 2026. International Contemporary Art Jewelry Exhibition & Conference Selected Artists List
21May2026 -
What Makes Jewellery Valuable? Spotlight Artworks by Klimt02
14May2026 -
Cardboard Crown by David Bielander. A Future Classic in Contemporary Jewellery
13May2026 -
Thoughts on Future Classics
08May2026 -
The Tender Whisper of the Network Underground. Review on the occasion of Lena Lindahl’s solo exhibition Der Wald at ku...
08May2026 -
Dark Side of Imagination: Jewellery by Kadri Mälk. A Critical Review
30Apr2026 -
Bio-Melanin Fibers from Acid Sulfate Soil: Sustainable Polymer Synthesis, Characterization, and Textile Application
24Apr2026
