Craft and the Allegorical Impulse
Article
/
Arnoldsche
CriticalThinking
Published: 07.02.2020
Mary Queen of Scots, cross-stitch, 1570. The image is taken from the 1560 edition of Conrad Gesner's Icones Animalium. V&A collection
© By the author. Read Klimt02.net Copyright.
Glenn Adamson deals with three main topics regarding craft and allegory: First, he discusses the topic of whether symbol and allegory are equal or opposite, in the second part he looks at the connection between allegory and craftsmanship to finally end with the analysis of the feeling of originality versus the idea of innovation in the craft.
-
First Impressions Will Always Matter
29Aug2025 -
An Essay on the Multidisciplinary Project Organic Futures in Hidden Realms by Victoria King
12Aug2025 -
How Does Magic Happen? ¿Cómo sucede la magia?
12Aug2025 -
Feeling Beyond the Feed: The Sensory Life of Contemporary Jewellery
06Aug2025 -
To Swallow the Self. A Joint Essay Exploring an Interdisciplinary Creative Process
05Aug2025 -
Rahaf Asad. Shenkar College of Engineering, Design and Art. New Talents Award Nominee 2025
04Aug2025 -
Colour is More Than Just a Language of Form in Yajie Hu's Work
31Jul2025 -
How Do You Know When a Work of Art is Complete?
24Jul2025 -
Retold objects of the past. The Artworks and practice of Helen Clara Hemsley
22Jul2025 -
Jewellery in Motion
15Jul2025 -
Elisabeth Holder: From jewellery to Contextual Art
09Jul2025 -
Lost and Found in Migration by Elena Karpilova
07Jul2025 -
Tiny Theatres of Still Life in Contemporary Jewellery. Spotlight Artworks by Klimt02
04Jul2025 -
What We Talk About When We Talk About Silver
27Jun2025 -
Supporting Emerging Jewellery Businesses: The Goldsmiths’ Centre Announces the Business Catalyst (Small) Grants 2025
26Jun2025
