
The trends prevalent in the early 1960s, such as structuralism, manifested themselves in jewelry in a original way. The possibilities opened up through free-casting in silver, the lost-wax method and sand-casting thus creating irregular structures, together with the oxidation of smooth surfaces by various acids, of corrugating silver and of cooperplating , provided an inexhaustible number of technological options for creating striking aesthetic forms.
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Donald Friedlich, elected by the American Craft Council (ACC) to their prestigious College of Fellows
17Mar2026 -
Munich Schmuck Fair 2026. What Are We Really Coming For?
15Mar2026 -
Kukas: Amanhã (Tomorrow)
12Mar2026 -
Thomas Gentille (1936–2026)
11Mar2026 -
30 Selected Artists at LOEWE FOUNDATION Craft Prize 2026
04Mar2026 -
Shu Wang: A vocation for multitudes
27Feb2026 -
34th International Jewellery Competition EVERY BODY Selected Artists List
26Feb2026 -
Debris from the Dreams of Our Parents
22Feb2026 -
The Bugatti Ring by Onno Boekhoudt. A Future Classic in Contemporary Jewellery
22Feb2026 -
David Huycke new coordinator Jewellery Design at PXL-MAD
16Feb2026 -
Gold is Cheap
15Feb2026 -
Yuxiao Zhu: The Storyteller in Matter Folklore, Memory, and Wearable Narratives.
12Feb2026 -
Poutama and Pūkana #2 by Keri-Mei Zagrobelna. A Future Classic in Contemporary Jewellery
06Feb2026 -
Curatorial statement of Sam Tho Duong, Curator of SCHMUCK münchen 2026
05Feb2026 -
Acquisitions Françoise van den Bosch Collection 2025
02Feb2026













