The trends prevalent in the early 1960s, such as structuralism, manifested themselves in jewelry in a original way. The possibilities opened up through free-casting in silver, the lost-wax method and sand-casting thus creating irregular structures, together with the oxidation of smooth surfaces by various acids, of corrugating silver and of cooperplating , provided an inexhaustible number of technological options for creating striking aesthetic forms.
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Jewellery as Performance: on Gisbert Stach's Experiments with Jewellery and Life
22Nov2019 -
How original is original? Thoughts on Handshake 5 Project
17Nov2019 -
Eva Peerboom. EASD València. Selected Graduate 2019
01Nov2019 -
Art jewelry and its relationship with the human body
01Nov2019 -
Rosie Gunzburg. RMIT University School of Art. Selected Graduate 2019
31Oct2019 -
Esther Heite. Hochschule Düsseldorf, Peter Behrens School of Arts, Applied Art and Design. Selected Graduate 2019
29Oct2019 -
William Sharp. Glasgow School of Art. Selected Graduate 2019
28Oct2019 -
Annabel Goris. PXL-MAD School of Arts. Selected Graduate 2019
28Oct2019 -
Jing Jiang: Central Saint Martins. Selected Graduate 2019
28Oct2019 -
Chien-Yu Liu. School of Jewellery. Birmingham City University. Selected Graduate 2019
26Oct2019 -
Niamh Duddy. University for the Creative Arts, Rochester. Selected Graduate 2019
22Oct2019 -
Junchang Lu. Alchimia Contemporary Jewellery School. Selected Graduate 2019
22Oct2019 -
A Review of JOYA, Barcelona Art Jewellery & Objects Fair 2019. This year's event focused on the communicative and diplom...
21Oct2019 -
Fumiki Taguchi's Solo exhibition TRACE. An exhibition review by Makiko Akiyama
18Oct2019 -
Francesca Locati. IED Istituto Europeo di Design. Selected Graduate 2019
17Oct2019
