
The trends prevalent in the early 1960s, such as structuralism, manifested themselves in jewelry in a original way. The possibilities opened up through free-casting in silver, the lost-wax method and sand-casting thus creating irregular structures, together with the oxidation of smooth surfaces by various acids, of corrugating silver and of cooperplating , provided an inexhaustible number of technological options for creating striking aesthetic forms.
-
How Do You Know When a Work of Art is Complete?
24Jul2025 -
Retold objects of the past. The Artworks and practice of Helen Clara Hemsley
22Jul2025 -
Jewellery in Motion
15Jul2025 -
Elisabeth Holder: From jewellery to Contextual Art
09Jul2025 -
Lost and Found in Migration by Elena Karpilova
07Jul2025 -
Tiny Theatres of Still Life in Contemporary Jewellery. Spotlight Artworks by Klimt02
04Jul2025 -
What We Talk About When We Talk About Silver
27Jun2025 -
Supporting Emerging Jewellery Businesses: The Goldsmiths’ Centre Announces the Business Catalyst (Small) Grants 2025
26Jun2025 -
A Legacy of Innovation: Thomas Gentille Receives SNAG's 2025 Lifetime Achievement Award
21Jun2025 -
The Goldsmiths' Centre Launches Fifth Spotlighting Getting Started Edition, Culminating in Spring 2026 Exhibition
21Jun2025 -
Art Jewelry: Quo Vadis?
11Jun2025 -
Are You Always Seeking Mentors?
03Jun2025 -
Perceptual Surfaces in Flux: Mirrors, Embodied Vision and Optical Fields in Contemporary Jewellery
27May2025 -
Monica Valentine: Feeling in Color by Frances Fleetwood
22May2025 -
Andrés Aizicovich: How to Make the Voice a Sculpture by Veronika Mehlhart
22May2025