
The trends prevalent in the early 1960s, such as structuralism, manifested themselves in jewelry in a original way. The possibilities opened up through free-casting in silver, the lost-wax method and sand-casting thus creating irregular structures, together with the oxidation of smooth surfaces by various acids, of corrugating silver and of cooperplating , provided an inexhaustible number of technological options for creating striking aesthetic forms.
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New Museum Director Friederike Zobel at Pforzheim's Jewellery Museum and Technical Museum
01Apr2025 -
Jewellery Atlas: Tracing Paths Through Munich Schmuck Fair 2025
31Mar2025 -
Sentinels From the Depths. Maria Rosa Franzin and Gigi Mariani on the occasion of the exhibition Interaktion- Interazion...
21Mar2025 -
A look at men's jewellery at GemGenève
20Mar2025 -
Lluis Comín, Advisor and Jewellery Designer at El Secreto del Orfebre
20Mar2025 -
A New Chapter for Pforzheim’s Jewellery Museum: Director Cornelie Holzach Retires in April
17Mar2025 -
The Art of Self-Promotion: Building Identity and Crafting a Legacy
13Mar2025 -
The Role of the Art Gallery: Balancing Artist Valorisation and Economic Challenges
11Mar2025 -
What I think of when I think of jewellery. Curatorial statement of Dr. Jurgita Ludavičiené, Curator SCHMUCK 2025
27Feb2025 -
VONMO 2024 Seeding: A Time Capsule of Contemporary Jewelry
27Feb2025 -
30 Selected Artists at LOEWE FOUNDATION Craft Prize 2025
20Feb2025 -
33rd International Jewellery Competition WOW Effect! Selected Artists List
19Feb2025 -
And & Both: Is It Jewelry or Sculpture?
18Feb2025 -
Reflexive and Formalist Approaches in Contemporary Jewellery: Negotiating Autonomy Through Aesthetic and Conceptual Inno...
16Feb2025 -
3D Printing and AM in the Jewelry Industry: Advancements and Trends in the past year
11Feb2025