Czech jewelry does not present a unified picture in the 1990s and it is very difficult to define it briefly, to name it or set its characteristics. The work of preceding generations had more unifying then dividing features; the trend of the last two decades is quite opposite.
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New Museum Director Friederike Zobel at Pforzheim's Jewellery Museum and Technical Museum
01Apr2025 -
Jewellery Atlas: Tracing Paths Through Munich Schmuck Fair 2025
31Mar2025 -
Sentinels From the Depths. Maria Rosa Franzin and Gigi Mariani on the occasion of the exhibition Interaktion- Interazion...
21Mar2025 -
A look at men's jewellery at GemGenève
20Mar2025 -
Lluis Comín, Advisor and Jewellery Designer at El Secreto del Orfebre
20Mar2025 -
A New Chapter for Pforzheim’s Jewellery Museum: Director Cornelie Holzach Retires in April
17Mar2025 -
The Art of Self-Promotion: Building Identity and Crafting a Legacy
13Mar2025 -
The Role of the Art Gallery: Balancing Artist Valorisation and Economic Challenges
11Mar2025 -
What I think of when I think of jewellery. Curatorial statement of Dr. Jurgita Ludavičiené, Curator SCHMUCK 2025
27Feb2025 -
VONMO 2024 Seeding: A Time Capsule of Contemporary Jewelry
27Feb2025 -
30 Selected Artists at LOEWE FOUNDATION Craft Prize 2025
20Feb2025 -
33rd International Jewellery Competition WOW Effect! Selected Artists List
19Feb2025 -
And & Both: Is It Jewelry or Sculpture?
18Feb2025 -
Reflexive and Formalist Approaches in Contemporary Jewellery: Negotiating Autonomy Through Aesthetic and Conceptual Inno...
16Feb2025 -
3D Printing and AM in the Jewelry Industry: Advancements and Trends in the past year
11Feb2025
