Deema Murad. Alchimia Contemporary Jewellery School. Selected Graduate 2017
Article
/
Artists
Published: 14.09.2017
Body piece: Vest, 2017
Iron nails.
20 x 90 cm
Photo by: Deema Murad
© By the author. Read Klimt02.net Copyright.
In Deema Murad's body of work presented to you, she had managed to merge different dualities that are very relevant in nowadays reality, which makes her work even more solid than the material she had used. / Professor and Director Lucia Massei
-
Hand Medal Project: Thinking about What Jewelry Can Do
18Apr2021 -
Material Stories: Alternative Materials. Something They Are Not
11Apr2021 -
A Scholarship Named After Maria Cristina Bergesio
04Apr2021 -
Jocale. A Reflection on Co-Jewellery. Critical text and interview with Josef Friedrich by Dr. Phil. Ester Sposato-Friedr...
01Apr2021 -
Urgent Adornment in South Africa: Making Art Under Pressure. A Workshop Review by Beverley Price
23Mar2021 -
Material Stories: Pearls. Perils of Perfectionism
19Mar2021 -
A Brief History of Contemporary Jewellery in Brazil. From 1950s to 2020. A research by Ana Bellagamba
16Mar2021 -
Erasing all Evidence of the Brutal Tragedy Seemed Wrong. Jason Stein Explains How Jewelry Made Him a Better Person
13Mar2021 -
A Chronologic Vision of Contemporary Jewelry in China. From 1956 to 2020. A Research by Ray Zheng
24Feb2021 -
Material Stories: Gemstones. Carrying Deep Time with You
23Feb2021 -
Helen Britton on curating Schmuck 2021
11Feb2021 -
Material Stories: Gold. I Wear Imitation Because I do Feel Gold is Dirty
02Feb2021 -
Marina Aleksashina, Caio Mahin and Naama Levit are Selected for the International Scholarship Program Designers in Resid...
26Jan2021 -
On Vanitas and Me and My Submarine. Review on Ted Noten's Show at Rademakers Gallery Amsterdam
26Jan2021 -
Boundless Energy and Joie de Vivre Lucy Sarneel, March 4, 1961- December 28, 2020
24Jan2021
