Enriching jewellery studies. An intercultural dialogue
Article
/
CriticalThinking
Schools
Published: 10.11.2022
Jelmer Noordeman
Body piece: Mask, 2022
Photo by: Jelmer Noordeman
© By the author. Read Klimt02.net Copyright.

Why is it that still hardly any students from non-Western backgrounds choose jewellery courses at art schools in the Netherlands and Belgium? Jewellery, like other art and design expressions, is part of every culture and usually has an important role and meaning in traditions. It would therefore be a more than welcome enrichment to the jewellery industry if there is more diversity in the courses.
-
Donald Friedlich, elected by the American Craft Council (ACC) to their prestigious College of Fellows
17Mar2026 -
Munich Schmuck Fair 2026. What Are We Really Coming For?
15Mar2026 -
Blue Shadows by Lily Kanellopoulou. A Future Classic in Contemporary Jewellery
12Mar2026 -
Kukas: Amanhã (Tomorrow)
12Mar2026 -
Thomas Gentille (1936–2026)
11Mar2026 -
30 Selected Artists at LOEWE FOUNDATION Craft Prize 2026
04Mar2026 -
Shu Wang: A vocation for multitudes
27Feb2026 -
34th International Jewellery Competition EVERY BODY Selected Artists List
26Feb2026 -
Debris from the Dreams of Our Parents
22Feb2026 -
The Bugatti Ring by Onno Boekhoudt. A Future Classic in Contemporary Jewellery
22Feb2026 -
David Huycke new coordinator Jewellery Design at PXL-MAD
16Feb2026 -
Gold is Cheap
15Feb2026 -
Yuxiao Zhu: The Storyteller in Matter Folklore, Memory, and Wearable Narratives.
12Feb2026 -
Poutama and Pūkana #2 by Keri-Mei Zagrobelna. A Future Classic in Contemporary Jewellery
06Feb2026 -
Curatorial statement of Sam Tho Duong, Curator of SCHMUCK münchen 2026
05Feb2026













