Hall of Mirrors: on journeying, viewing, and the critical legacy of encounters. An essay about the exhibition Ever Changing World
Published: 16.04.2019
A Reflective Essay about the exhibition Te Ao Hurihuri / Ever Changing World, a collaboration between Dialogue Collective and Handshake Project, The Crypt Gallery, London, October 2018.
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Enameling as Creative Studio Practice. Dance with Enamels by Nora Kovats
23Jan2020 -
Iconic Jewellery in Space. Research on Modernist Nordic Jewellery
21Jan2020 -
Space/Craft. An Eye into Stephen Bottomley's Praxis. Exhibition Review by Nantia Koulidou
17Jan2020 -
A Symposium on Crafts. Lin Cheung Celebrated in Style
16Jan2020 -
Interconnection. Art as embodiment of communication by Jekaterina Smirnova Milgranier
13Jan2020 -
The Dream Alchemy by Yue Tan
13Jan2020 -
Beyond the Comfort Zone. A Review of the Chinese Documentary Searching for Crafts
12Jan2020 -
It is surprising, shocking and even a little bit disturbing. Exhibition review: The Red Power by Anish Kapoor
12Jan2020 -
Prof. Dr. Florian Hufnagl 1948 - 2019
10Jan2020 -
The biggest challenge and triumph of our time was the letting go of attachment to what we made and staying focused on pu...
07Jan2020 -
Opening up a new mode of thinking. Review of the Titanium Workshop with Fabrice Schaefer and Yanli Duan
30Dec2019 -
Jaspar Rogers, Maria Appleton and Mira Kim are selected for the International Scholarship Program Designers in Residence...
20Dec2019 -
Face to Face Talk: Conversation with Leaders at the 9th ELIA Leadership Symposium 2019
08Dec2019 -
Jewellery as Performance: on Gisbert Stach's Experiments with Jewellery and Life
22Nov2019 -
How original is original? Thoughts on Handshake 5 Project
17Nov2019
