Images, codes and poetry: the jewellery of Suska Mackert
Article
/
Artists
Published: 28.02.2006
Juwelenboek madame tussaud (1998), image courtesy of www.longstridesintinyshoes.com
© By the author. Read Klimt02.net Copyright.
Making use of a variety of media, she underlines that jewellery’s complex grid of relationships between maker, object, message, wearer and spectator cannot be analysed solely from the viewpoint of the physical encounter.
-
Dark Side of Imagination: Jewellery by Kadri Mälk. A Critical Review
30Apr2026 -
Bio-Melanin Fibers from Acid Sulfate Soil: Sustainable Polymer Synthesis, Characterization, and Textile Application
24Apr2026 -
Lumina by Empar Juanes. A Future Classic in Contemporary Jewellery
17Apr2026 -
Naturalia et artificialia. A Sicilian Journey: Gabi Veit & Dietlind Wolf
14Apr2026 -
Land of the Lustrous by Yingying Qiu. A Critical Review by Klimt02
08Apr2026 -
Blossom by Iris Eichenberg. A Future Classic in Contemporary Jewellery
07Apr2026 -
Value, Imitation, and Perception in Contemporary Jewellery. Spotlight Artworks by Klimt02
03Apr2026 -
Malachite and the Origins of Copper
01Apr2026 -
The Goldsmiths’ Centre Announces Recipients of the Business Catalyst (Large) Grants 2026
01Apr2026 -
Wisselring by Paul Derrez. A Future Classic in Contemporary Jewellery
26Mar2026 -
Donald Friedlich, elected by the American Craft Council (ACC) to their prestigious College of Fellows
17Mar2026 -
Munich Schmuck Fair 2026. What Are We Really Coming For?
15Mar2026 -
Blue Shadows by Lily Kanellopoulou. A Future Classic in Contemporary Jewellery
12Mar2026 -
Kukas: Amanhã (Tomorrow)
12Mar2026 -
Thomas Gentille (1936–2026)
11Mar2026
