Images, codes and poetry: the jewellery of Suska Mackert
Article
/
Artists
Published: 28.02.2006
Juwelenboek madame tussaud (1998), image courtesy of www.longstridesintinyshoes.com
© By the author. Read Klimt02.net Copyright.
Making use of a variety of media, she underlines that jewellery’s complex grid of relationships between maker, object, message, wearer and spectator cannot be analysed solely from the viewpoint of the physical encounter.
-
An Essay on the Multidisciplinary Project Organic Futures in Hidden Realms by Victoria King
12Aug2025 -
How Does Magic Happen? ¿Cómo sucede la magia?
12Aug2025 -
Feeling Beyond the Feed: The Sensory Life of Contemporary Jewellery
06Aug2025 -
To Swallow the Self. A Joint Essay Exploring an Interdisciplinary Creative Process
05Aug2025 -
Rahaf Asad. Shenkar College of Engineering, Design and Art. New Talents Award Nominee 2025
04Aug2025 -
Colour is More Than Just a Language of Form in Yajie Hu's Work
31Jul2025 -
How Do You Know When a Work of Art is Complete?
24Jul2025 -
Retold objects of the past. The Artworks and practice of Helen Clara Hemsley
22Jul2025 -
Jewellery in Motion
15Jul2025 -
Elisabeth Holder: From jewellery to Contextual Art
09Jul2025 -
Lost and Found in Migration by Elena Karpilova
07Jul2025 -
Tiny Theatres of Still Life in Contemporary Jewellery. Spotlight Artworks by Klimt02
04Jul2025 -
What We Talk About When We Talk About Silver
27Jun2025 -
Supporting Emerging Jewellery Businesses: The Goldsmiths’ Centre Announces the Business Catalyst (Small) Grants 2025
26Jun2025 -
A Legacy of Innovation: Thomas Gentille Receives SNAG's 2025 Lifetime Achievement Award
21Jun2025
