Issey Hennessy. University for the Creative Arts, Rochester. Selected Graduate 2018
Article
/
Artists
NewTalentsByKlimt02
Published: 28.06.2018
Neckpiece: Untitled, 2018
Faux leather, wooden beads, glass beads, cotton string.
32 x 52 x 15 cm
© By the author. Read Klimt02.net Copyright.
Most of the time the use of textiles and by extension the practice of pattern cutting fabric, isn’t extended much further than being an encasing for the body. My work explores how working in textiles and creating structure with the material can be pushed further, developing ways that they can be an adornment on the body rather than being limited by conventional or domestic uses.
/ Issey Hennessy
-
Review: Florence Jewellery Week 2022
16Jun2022 -
Bischoffism
13Jun2022 -
Helen Britton on curating Schmuck 2022
01Jun2022 -
Unexpected and exciting twists as the only constant for the time being
22May2022 -
Virtual Jewellery
19May2022 -
Maja Gunn, new Professor of Textiles at Konstfack: Crafts and textiles are part of a larger social context
09May2022 -
What is the price of art?
28Apr2022 -
Three works by David Bielander at the Lausanne Palace
06Apr2022 -
Work by Lucy Sarneel added to the permanent presentation of the CODA collection
24Mar2022 -
With Jewelry: Use(s,d) & Desire
11Mar2022 -
A view from Chinese jewellery: Feminism, women and design post 1949
07Mar2022 -
Let's talk about Contemporary Art Jewelry in the Chinese Market
07Mar2022 -
The Impolite Body
25Feb2022 -
Hard and straight. The creation of Nineteenth-Century Masculinity and how it affects the wearing of jewellery.
19Feb2022 -
30 Selected Artists at LOEWE FOUNDATION Craft Prize 2022
11Feb2022
