Jewellery Thinking
Published: 06.09.2024
Imagine entering a classroom filled with numerous captivating sources of knowledge from various disciplines. You have the freedom to choose any of these sources and learn anything you desire.
There are no grades to worry about, no mandatory attendance, and no traditional lessons.
What is this slightly absurd description?
It is a jewellery exhibition.
This essay, written by Elena Karpilova, was the Montebello - Bergesio Award 2023-24 finalist: Contemporary Jewelery and critical writing by AGC Italy - Association of Contemporary Jewellery.
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Debris from the Dreams of Our Parents
22Feb2026 -
The Bugatti Ring by Onno Boekhoudt. A Future Classic in Contemporary Jewellery
22Feb2026 -
David Huycke new coordinator Jewellery Design at PXL-MAD
16Feb2026 -
Gold is Cheap
15Feb2026 -
Yuxiao Zhu: The Storyteller in Matter Folklore, Memory, and Wearable Narratives.
12Feb2026 -
Poutama and Pūkana #2 by Keri-Mei Zagrobelna. A Future Classic in Contemporary Jewellery
06Feb2026 -
Curatorial statement of Sam Tho Duong, Curator of SCHMUCK münchen 2026
05Feb2026 -
Acquisitions Françoise van den Bosch Collection 2025
02Feb2026 -
Building Space, Wearing Structure. Talking Architecture Through Jewellery. Spotlight Artworks by Klimt02
31Jan2026 -
Minerva Skyttä, Floor Berkhout and Hanna-Katri Eskelinen are Selected for the International Scholarship Program Designe...
20Jan2026 -
Donald Friedlich First Foray into Jewelry with a Political Point of View
19Jan2026 -
Form Fitters by Katie Kameen. Future Classic by Jennifer Altmann
14Jan2026 -
Exploring notions of Time, Craft and Design to approach jewellery.
13Jan2026 -
Wearing Worlds: Contemporary Jewellery as a Cultural Interface in a Global - Digital Era
07Jan2026 -
Hermann Jünger: Authorial Identity and the Goldsmith’s Self-Fashioning Through Artistic Practice, Visual Language and...
05Jan2026
