Jewellery Thinking
Published: 06.09.2024

Imagine entering a classroom filled with numerous captivating sources of knowledge from various disciplines. You have the freedom to choose any of these sources and learn anything you desire.
There are no grades to worry about, no mandatory attendance, and no traditional lessons.
What is this slightly absurd description?
It is a jewellery exhibition.
This essay, written by Elena Karpilova, was the Montebello - Bergesio Award 2023-24 finalist: Contemporary Jewelery and critical writing by AGC Italy - Association of Contemporary Jewellery.
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Donald Friedlich, elected by the American Craft Council (ACC) to their prestigious College of Fellows
17Mar2026 -
Munich Schmuck Fair 2026. What Are We Really Coming For?
15Mar2026 -
Kukas: Amanhã (Tomorrow)
12Mar2026 -
Thomas Gentille (1936–2026)
11Mar2026 -
30 Selected Artists at LOEWE FOUNDATION Craft Prize 2026
04Mar2026 -
Shu Wang: A vocation for multitudes
27Feb2026 -
34th International Jewellery Competition EVERY BODY Selected Artists List
26Feb2026 -
Debris from the Dreams of Our Parents
22Feb2026 -
The Bugatti Ring by Onno Boekhoudt. A Future Classic in Contemporary Jewellery
22Feb2026 -
David Huycke new coordinator Jewellery Design at PXL-MAD
16Feb2026 -
Gold is Cheap
15Feb2026 -
Yuxiao Zhu: The Storyteller in Matter Folklore, Memory, and Wearable Narratives.
12Feb2026 -
Poutama and Pūkana #2 by Keri-Mei Zagrobelna. A Future Classic in Contemporary Jewellery
06Feb2026 -
Curatorial statement of Sam Tho Duong, Curator of SCHMUCK münchen 2026
05Feb2026 -
Acquisitions Françoise van den Bosch Collection 2025
02Feb2026













