Jewellery Thinking
Published: 06.09.2024

Imagine entering a classroom filled with numerous captivating sources of knowledge from various disciplines. You have the freedom to choose any of these sources and learn anything you desire.
There are no grades to worry about, no mandatory attendance, and no traditional lessons.
What is this slightly absurd description?
It is a jewellery exhibition.
This essay, written by Elena Karpilova, was the Montebello - Bergesio Award 2023-24 finalist: Contemporary Jewelery and critical writing by AGC Italy - Association of Contemporary Jewellery.
-
Are You Always Seeking Mentors?
03Jun2025 -
Perceptual Surfaces in Flux: Mirrors, Embodied Vision and Optical Fields in Contemporary Jewellery
27May2025 -
Monica Valentine: Feeling in Color by Frances Fleetwood
22May2025 -
Andrés Aizicovich: How to Make the Voice a Sculpture by Veronika Mehlhart
22May2025 -
The Workshop: A Memoir
22May2025 -
The Portrait in Jewellery: Representing the Other, Tracing the Self. Spotlight Artworks by Klimt02
18May2025 -
The Jewellery Collection. Transcending Centuries and Cultures
13May2025 -
What Is the Nature of Being a Professional in the Arts?
25Apr2025 -
Can You Afford Not to Get Business Guidance as an Artist?
13Apr2025 -
New Museum Director Friederike Zobel at Pforzheim's Jewellery Museum and Technical Museum
01Apr2025 -
Jewellery Atlas: Tracing Paths Through Munich Schmuck Fair 2025
31Mar2025 -
Sentinels From the Depths. Maria Rosa Franzin and Gigi Mariani on the occasion of the exhibition Interaktion- Interazion...
21Mar2025 -
A look at men's jewellery at GemGenève
20Mar2025 -
Lluis Comín, Advisor and Jewellery Designer at El Secreto del Orfebre
20Mar2025 -
A New Chapter for Pforzheim’s Jewellery Museum: Director Cornelie Holzach Retires in April
17Mar2025