Jing Jiang: Central Saint Martins. Selected Graduate 2019
Published: 28.10.2019
Ring: Weighting Feathers, 2019
Brass, goose feather.
7 x 2 x 5.2 cm
From series: Weighting Feathers
Photo by Jing Jiang.
© By the author. Read Klimt02.net Copyright.

At the start of her final year, Jing was fascinated by the processes and finishes found in objects, ornaments and jewellery made with extreme levels of craftsmanship and skill.Jing explored traditional and modern techniques to find materials and forms where she could communicate her visual language and material exploration. Focusing on the traditional Chinese technique of Tian Tsui, which uses blue kingfisher feathers to inlay and cover surfaces of ornaments, Jing sought to create a modern interpretation and use of this technique. Aiming to incorporate and celebrate both the refinement of Chinese traditional craftsmanship and the minimal aesthetics of western modernism Jing created a stunning collection of jewellery pieces. The use of Goose and Turkey feathers, produced as waste materials from the food industry, gives the work and technique a more sustainable future. This collection, though its visual & technical quality successfully brings a traditional technique into a modern context.
/ Course leader: Giles Last.
(...)
-
Jonathon Zalakos. Rhode Island School of Design New Talents Award Nominee 2026
09Nov2026 -
Siri Hansen. Konstfack University of Arts, Crafts and Design New Talents Award Nominee 2026
09Nov2026 -
Hold me, in this delicate balance by Annarita Bianco. A Future Classic in Contemporary Jewellery
09Nov2026 -
Beyond Graduation. The Klimt02 New Talents Award and the Transition to Professional Practice
05Nov2026 -
The Galleries That Shaped Contemporary Jewellery. Pioneering Spaces Across Europe and the United States
02Nov2026 -
Klimt02 Notes from Parcours Bijoux 2026. Contemporary Jewellery Across Paris
02Nov2026 -
How Do We Build a History? On Archiving, Documenting, and Storytelling
02Nov2026 -
Interpreting lived experiences through the contemporary jewellery of Beverley Price: A case study
27Oct2026 -
Across Two Centuries. Reverso [28 Years]: Since 14 November 1998
23Oct2026 -
Binding Matter. From Dark Substance to Bright Sentiment
19Oct2026 -
Di-alogue: Technologies for thinking & making
14Oct2026 -
Three Japanese Jewelry Designers from Romanian Jewelry Week join OTOTO Japanese Fest
12Oct2026 -
Replika Project by Peter Bauhuis. An Exercise in Self-imitation. A Future Classic in Contemporary Jewellery
12Oct2026 -
Mario Pinton: Goldsmithing as Artistic Knowledge. An essay by Sotiria Vasileiou
08Oct2026 -
Laurenz Stockner’s Objects Between Matter, Process, and Form to experience in an exhibition high in the Mountains of V...
05Oct2026













