Off JOYA 2018: Collectif 4+1 Ceramic Au delà de la zone de confort
Published: 20.11.2018

Each artist had to create a plaster mould taking into account the constraints of porcelain casting techniques. The mould was to be the starting point with an experimental approach stemming the creation of future pieces. Each artist was to create 4 pieces, one necklace, one brooch, one ring and one pair of earrings, plus an exquisite corpse (a master from the mould, original shape) to be continued. Other materials were also permitted to be used, therefore offering a great freedom in the interpretation and outcome.
-
Perceptual Surfaces in Flux: Mirrors, Embodied Vision and Optical Fields in Contemporary Jewellery
27May2025 -
Monica Valentine: Feeling in Color by Frances Fleetwood
22May2025 -
Andrés Aizicovich: How to Make the Voice a Sculpture by Veronika Mehlhart
22May2025 -
The Workshop: A Memoir
22May2025 -
The Portrait in Jewellery: Representing the Other, Tracing the Self. Spotlight Artworks by Klimt02
18May2025 -
The Jewellery Collection. Transcending Centuries and Cultures
13May2025 -
What Is the Nature of Being a Professional in the Arts?
25Apr2025 -
Can You Afford Not to Get Business Guidance as an Artist?
13Apr2025 -
New Museum Director Friederike Zobel at Pforzheim's Jewellery Museum and Technical Museum
01Apr2025 -
Jewellery Atlas: Tracing Paths Through Munich Schmuck Fair 2025
31Mar2025 -
Sentinels From the Depths. Maria Rosa Franzin and Gigi Mariani on the occasion of the exhibition Interaktion- Interazion...
21Mar2025 -
A look at men's jewellery at GemGenève
20Mar2025 -
Lluis Comín, Advisor and Jewellery Designer at El Secreto del Orfebre
20Mar2025 -
A New Chapter for Pforzheim’s Jewellery Museum: Director Cornelie Holzach Retires in April
17Mar2025 -
The Art of Self-Promotion: Building Identity and Crafting a Legacy
13Mar2025