Les Liaisons ambiguës. How Could Ambiguity Be Future-oriented?
Published: 17.04.2017
Spoon - Glasses Chain by Bernhard Schobinger, 2013. Silver, steel, glass, acrylic, Sonia with Saw Cross, 1988, photograph on Baryta paper.
© By the author. Read Klimt02.net Copyright.
Jewelry, in a sense, is an object of relationship. A relationship with a wearer, viewers, history, and culture, to name but a few. And jewelry relates to these people and things in a variety of ways. Some could be explicit, but others could be ambiguous.
-
Catalan Crafts Participate in the First Edition of the International Biennial Révélations in China
27Oct2024 -
Are You Trying to Shock the Viewer into Acquiring Your Jewelry?
23Oct2024 -
Ruby von Wiese. Universiteit Stellenbosch University. New Talents Award Nominee 2024
14Oct2024 -
Vade Retro
03Oct2024 -
Unveiling Beginnings: The Stories Behind the 2024 Romanian Jewelry Collection
25Sep2024 -
Teamwork: Read the latest Klimt02' Interns experiences
18Sep2024 -
News from Atlantis: William Harper’s Expanded Oeuvre
17Sep2024 -
Tools of Transformation: Redefining Craft in Contemporary Jewellery. Spotlight Artworks by Klimt02
13Sep2024 -
When 1 + 1 = three. How collaboration can change everything
13Sep2024 -
Interview with Leah Chan. On Artistic Creation and Chinese Dietary Philosophy by Ray Zheng
12Sep2024 -
Innovative Jewelry Alloys and Prospects for Their Use
12Sep2024 -
Identity Crisis: An Essay about the Current State of Art Jewellery and the Future of it
12Sep2024 -
After Identity Crisis: Introduction (1/4)
12Sep2024 -
After Identity Crisis: the Pole Shift (3/4)
12Sep2024 -
After Identity Crisis: Ceci n’est pas “art jewellery” (2/4)
11Sep2024