Shelly McMahon: Cranbrook Academy of Art. Selected Graduate 2018

Article / NewTalentsAward Artists

Published: 21.09.2018

Shelly McMahon
Object: Ashtray, 2017
Glass beads.
13 x 13 x 2.5 cm
© By the author. Read Klimt02.net Copyright.

I feel strongly about Shelly as a candidate for the JPLUS award. It is rare that I find a student with a combination of intelligence, the ability to make well, and who possesses a comprehensive research method. She has a talent for unexpected material transformation as her concepts take on form. She is a student at the core, viewing the opportunities afforded to her as an occasion for learning and expanding her understanding. / Iris Eichenberg

LOGIN
The page you have requested is ONLY AVAILABLE TO MEMBERS. If you are member, please, enter your login.

Forgot your password?

Remember me

To get access to full contents, click here.

Material Stories: Alternative Materials. Something They Are Not

Saskia van Es
11Apr2021
A Scholarship Named After Maria Cristina Bergesio

Alice Rendon
04Apr2021
Jocale. A Reflection on Co-Jewellery. Critical text and interview with Josef Friedrich by Dr. Phil. Ester Sposato-Friedr...

Ester Sposato-Friedrich
01Apr2021
Urgent Adornment in South Africa: Making Art Under Pressure. A Workshop Review by Beverley Price

Beverley Price
23Mar2021
Material Stories: Pearls. Perils of Perfectionism

Saskia van Es
19Mar2021
A Brief History of Contemporary Jewellery in Brazil. From 1950s to 2020. A research by Ana Bellagamba

Ana Bellagamba
16Mar2021
Erasing all Evidence of the Brutal Tragedy Seemed Wrong. Jason Stein Explains How Jewelry Made Him a Better Person

Jason Stein
13Mar2021
A Chronologic Vision of Contemporary Jewelry in China. From 1956 to 2020. A Research by Ray Zheng

Ray Zheng
24Feb2021
Material Stories: Gemstones. Carrying Deep Time with You

Saskia van Es
23Feb2021
Helen Britton on curating Schmuck 2021

Helen Britton
11Feb2021
Material Stories: Gold. I Wear Imitation Because I do Feel Gold is Dirty

Saskia van Es
02Feb2021
Marina Aleksashina, Caio Mahin and Naama Levit are Selected for the International Scholarship Program Designers in Resid...

EMMA Kreativzentrum
26Jan2021
On Vanitas and Me and My Submarine. Review on Ted Noten's Show at Rademakers Gallery Amsterdam

Marley White
26Jan2021
Boundless Energy and Joie de Vivre Lucy Sarneel, March 4, 1961- December 28, 2020

Liesbeth den Besten
24Jan2021
Estonian Gallery Celebrates Local Art Jewelry with a Mesmerizing Photo Series

A-Gallery
20Jan2021

Shelly McMahon: Cranbrook Academy of Art. Selected Graduate 2018

More Articles

Material Stories: Alternative Materials. Something They Are Not

A Scholarship Named After Maria Cristina Bergesio

Jocale. A Reflection on Co-Jewellery. Critical text and interview with Josef Friedrich by Dr. Phil. Ester Sposato-Friedr...

Urgent Adornment in South Africa: Making Art Under Pressure. A Workshop Review by Beverley Price

Material Stories: Pearls. Perils of Perfectionism

A Brief History of Contemporary Jewellery in Brazil. From 1950s to 2020. A research by Ana Bellagamba

Erasing all Evidence of the Brutal Tragedy Seemed Wrong. Jason Stein Explains How Jewelry Made Him a Better Person

A Chronologic Vision of Contemporary Jewelry in China. From 1956 to 2020. A Research by Ray Zheng

Material Stories: Gemstones. Carrying Deep Time with You

Helen Britton on curating Schmuck 2021

Material Stories: Gold. I Wear Imitation Because I do Feel Gold is Dirty

Marina Aleksashina, Caio Mahin and Naama Levit are Selected for the International Scholarship Program Designers in Resid...

On Vanitas and Me and My Submarine. Review on Ted Noten's Show at Rademakers Gallery Amsterdam

Boundless Energy and Joie de Vivre Lucy Sarneel, March 4, 1961- December 28, 2020

Estonian Gallery Celebrates Local Art Jewelry with a Mesmerizing Photo Series