Silent Architectures. A Series of Work by Xavier Monclús
Article
/
Artists
VersiónEnEspañol-SpanishVersion
Published: 24.11.2020
Brooch: Son Palmera Vell, 2020
Silver, brass, bronze, wood, cold enamel.
5.2 x 3.8 x 0.9 cm
Photo by: Guillem F-H
Brooch and Object
© By the author. Read Klimt02.net Copyright.

I’ve always wondered what is real and what is artificial in a work of art. For me what’s real is the primitive reaction of the artist before unavoidable stimuli from the environment and experiences that inspire him. The artificial side then is the work of art itself, a representation created by the artist by activating his imagination and technique and by streaming the energy generated by that previous excitement.
-
Lost and Found in Migration by Elena Karpilova
27Jun2025 -
What We Talk About When We Talk About Silver
27Jun2025 -
Supporting Emerging Jewellery Businesses: The Goldsmiths’ Centre Announces the Business Catalyst (Small) Grants 2025
26Jun2025 -
A Legacy of Innovation: Thomas Gentille Receives SNAG's 2025 Lifetime Achievement Award
21Jun2025 -
The Goldsmiths' Centre Launches Fifth Spotlighting Getting Started Edition, Culminating in Spring 2026 Exhibition
21Jun2025 -
Art Jewelry: Quo Vadis?
11Jun2025 -
Are You Always Seeking Mentors?
03Jun2025 -
Perceptual Surfaces in Flux: Mirrors, Embodied Vision and Optical Fields in Contemporary Jewellery
27May2025 -
Monica Valentine: Feeling in Color by Frances Fleetwood
22May2025 -
Andrés Aizicovich: How to Make the Voice a Sculpture by Veronika Mehlhart
22May2025 -
The Workshop: A Memoir
22May2025 -
The Portrait in Jewellery: Representing the Other, Tracing the Self. Spotlight Artworks by Klimt02
18May2025 -
The Jewellery Collection. Transcending Centuries and Cultures
13May2025 -
What Is the Nature of Being a Professional in the Arts?
25Apr2025 -
Can You Afford Not to Get Business Guidance as an Artist?
13Apr2025