Talking Face to Face. Review of the Jewellery Week in Munich 2020. Part 2/2
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Review
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Published: 31.03.2020
Due to COVID-19, the Jewellery Week in Munich was this year reduced to its core: it felt like the beginnings of Schmuck some years ago said many. From about 63 exhibitions still on, I visited 13 to analyze the mood, see some good works and talk with the artists.
This is the second and last part of the review in which i talk about 5 of those exhibitions.
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Binding Matter. From Dark Substance to Bright Sentiment
14Oct2026 -
Di-alogue: Technologies for thinking & making
14Oct2026 -
Three Japanese Jewelry Designers from Romanian Jewelry Week join OTOTO Japanese Fest
12Oct2026 -
Replika Project by Peter Bauhuis. An Exercise in Self-imitation. A Future Classic in Contemporary Jewellery
12Oct2026 -
Mario Pinton: Goldsmithing as Artistic Knowledge. An essay by Sotiria Vasileiou
08Oct2026 -
Laurenz Stockner’s Objects Between Matter, Process, and Form to experience in an exhibition high in the Mountains of V...
05Oct2026 -
Five Jewellers Turn Business Plans into Action with the Goldsmiths’ Centre’s Business Catalyst (Small) Grants 2026
01Oct2026 -
Growing Gems. When gemstones become a creative language at Romanian Jewelry Week
28Sep2026 -
The Critic Stops at the Neck
28Sep2026 -
A Curatorial Vision of Eight Designers at Romanian Jewelry Week 2026
28Sep2026 -
When the File Comes First: What Is the Original in Contemporary Jewelry?
21Sep2026 -
Interlude
19Sep2026 -
Human, do you want co-exist? The third Lisbon Contemporary Jewellery Biennial is happening soon
11Sep2026 -
Onderonsje by Lucy Sarneel. A Future Classic in Contemporary Jewellery
25Aug2026 -
Desire for Symmetry. Part of the Master’s degree thesis: The Psychology of Vision
25Aug2026
