Tiaan Beukes: Stellenbosch University. Selected Graduate 2018
Article
/
Artists
NewTalentsByKlimt02
Published: 24.09.2018
Body piece: 2E+3E=18, 2017
Reclaimed Imbuia wood, leather, copper.
120 x 25 x 3 cm
Photo by: Hjalmar Bekker
From series: Object(s)
© By the author. Read Klimt02.net Copyright.
Tiaan Beukes’ work challenges the way we view and interact with objects. By creating a chair that disseminates into a variety of jewellery pieces, he challenges wearability, functionality and value in an innovative way. /Joani Groenewald
-
Melting Pot. A New Online Magazine by Qompendium in collaboration with Pforzheim Jewellery Museum
22Mar2023 -
Schmuck Greenhouses. A Munich Jewellery Week Review 2023
15Mar2023 -
What is it worth? A proposal for a conversation on Contemporary Jewellery and the Market
14Mar2023 -
The Cultural Council of Contemporania High Craftsmanship Barcelona
10Mar2023 -
Anti-Capitalism Rejected
09Mar2023 -
30 Selected Artists at LOEWE FOUNDATION Craft Prize 2023
28Feb2023 -
Contemporania, the New High Craftsmanship in the City of Barcelona
21Feb2023 -
Paradoxical Phenomena in Contemporary Jewelry. A review of Budapest Jewelry Week 2022
20Feb2023 -
The story of Naqsha Navees by Qurat-ul-ain Ali
17Feb2023 -
40 Selected Artists at the 31st International Jewellery Competition
16Feb2023 -
SCHMUCK infopoint
10Feb2023 -
The Error as a Creative Force
09Feb2023 -
Handshake 7 at Gallery Marzee. An Exhibition Review by Mia Straka
06Feb2023 -
Decolonising Jewellery. Article part of the Master Degree Thesis by Khanya Mthethwa
26Jan2023 -
The Pope Is Dead, Long Live the Popess. A Review of a Performance by the artist Neringa Poskute-Jukumiene
24Jan2023
