On Vanitas and Me and My Submarine. Review on Ted Noten's Show at Rademakers Gallery Amsterdam

Ted Noten is known to push boundaries. Connecting the space of the making to the place of the viewing, he once moved his entire studio to Museum Boijmans Van Beuningen and remained behind in the empty space for the duration of the exhibition. In Galerie Rob Koudijs, Noten displayed white sheets of paper with words like “brooch” and “necklace”, together with the price, leaving the piece to the consideration of the buyer. How does Noten push this boundary further?