Hanna Hedman: Escape
Exhibition
/
16 Sep 2010
-
30 Oct 2010
Published: 14.09.2010
SODA
- Mail:
- soda
sodaistanbul.com
- Management:
- Nagihan Uzel

Since 2003 the award winning artist attended several exhibitions, SOFA for five times and recently in May, Collect 2010. “Escape” includes a selection from her collections between 2008-2010, as well as new pieces the artist prepared specifically for this exhibition.
Artist list
Hanna Hedman
Existence is frightening and we all have our own strategies of handling and processing the cruelties of the world around us. Our fantasy worlds can function as outlets or survival strategies and a person’s personality can consist of as much fantasy as realism.
Conceptually, I want to awake subconscious associations as well as lure you into my suggestive world that is full of detail; sometimes beautiful but also melancholic and malevolent.
In my work you will find fantasy, reality, art and function. Inspiration arrive from human weakness , darkness, death, nature and storytelling. I find it interesting to contrast beauty with the unpleasant, serious and not so nice; the sad and disgusting can also be something beautiful.
My art reference jewellery of past centuries, but the development of each piece progress organically with limited predefined planning. Fragments are created individually and then combined in a similar fashion as stories develop over time. The pieces are extension of one’s body, but also a sense of escape.
Hanna Hedman
Conceptually, I want to awake subconscious associations as well as lure you into my suggestive world that is full of detail; sometimes beautiful but also melancholic and malevolent.
In my work you will find fantasy, reality, art and function. Inspiration arrive from human weakness , darkness, death, nature and storytelling. I find it interesting to contrast beauty with the unpleasant, serious and not so nice; the sad and disgusting can also be something beautiful.
My art reference jewellery of past centuries, but the development of each piece progress organically with limited predefined planning. Fragments are created individually and then combined in a similar fashion as stories develop over time. The pieces are extension of one’s body, but also a sense of escape.
Hanna Hedman
Brooch: Finding Dark Matter, 2009
Powder coated copper, textile, paint
15 x 11 x 6 cm
© By the author. Read Klimt02.net Copyright.

Necklace: Human Tree, 2010
Silver, oxidized silver, copper, paint
55 x 8,5 x 16,5 cm
Photograph: Sanna Lindberg
© By the author. Read Klimt02.net Copyright.
Necklace: Human Tree, 2010
Oxidized silver, copper, paint
45 x 25 x 4 cm
Photograph: Sanna Lindberg
© By the author. Read Klimt02.net Copyright.
Brooch: Finding Dark Matter, 2009
Powder coated copper, textile, paint
11 x 6.5 x 3 cm
© By the author. Read Klimt02.net Copyright.

Necklace: Human Tree, 2010
Oxidized silver, copper, paint
39 x 22 x 5 cm
Photograph: Sanna Lindberg
© By the author. Read Klimt02.net Copyright.
Necklace: Finding Dark Matter, 2010
Oxidized silver, powder coated copper, textile, paint
51 x 8 x 4 cm
© By the author. Read Klimt02.net Copyright.
Brooch: Finding Dark Matter, 2009
Silver, oxidized silver, powder coated copper, paint
13 x 7 x 3 cm
© By the author. Read Klimt02.net Copyright.
Necklace: Finding Dark Matter, 2010
Oxidized silver, powder coated copper, textile, paint
54 x 9 x 4 cm
© By the author. Read Klimt02.net Copyright.
Necklace: Finding Dark Matter, 2010
Oxidized silver, powder coated copper, textile, paint
66 x 8 x 2.5 cm
© By the author. Read Klimt02.net Copyright.
Necklace: Finding Dark Matter, 2010
Silver, oxidized silver, powder coated copper, textile, paint.
55 x 10 x 4 cm
© By the author. Read Klimt02.net Copyright.
SODA
- Mail:
- soda
sodaistanbul.com
- Management:
- Nagihan Uzel
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