Triggered by Rian de Jong

Exhibition  /  23 Apr 2022  -  21 May 2022
Published: 19.04.2022

© By the author. Read Copyright.

Implied violence notwithstanding, the works in Triggered carry mixed messages. De Jong employs visual puns, portraying some of the weapons as useless or equivocal, and in so doing, effectively dilutes their potency.

Artist list

Rian de Jong
In 2019 and, again, in 2020, I received annual membership cards from the National Rifle Association of America, to be activated upon payment of their annual dues. I figured they got my contact information through a subscription I have to Cowboys and Indians, a shelter magazine I enjoy for its nostalgic coverage of the earthy lifestyle practiced in the western United States—a lifelong fantasy of this “urban cowgirl”. However, unlike the myriad mailings we constantly receive to support organizations such as the Audubon Society, National Trust for Historic Preservation, or Sierra Club, groups to which we might make a small donation so as not to feel guilty about keeping the “free” pads, bookmarks and return address labels enclosed, the NRA solicitations truly disturbed me, even though I knew they came from an unsanctioned mailing list. My love for the American west notwithstanding, I couldn’t bear to have my name associated with such a group.

Dutch jeweler Rian de Jong often uses her work to tackle controversial moral and social issues. In her provocative new series, triggered, she takes on the politically fraught topic of gun control. For One World, Gallery Loupe’s online exhibition dedicated to jewelry inspired by the Covid-19 pandemic (2020), she made “Hey Guys, Shoot That Damn Thing,” a necklace of two pendants, one in the shape of a gun made of cardboard, and the other a model of the virus – a coral piece – it is meant to annihilate. While doing background research for the piece, she learned that gun sales were increasing at an alarming rate in the USA during the pandemic. In fact, in 2021, alone, there were over 20,000 gun-related deaths in the United States (not counting suicides). She wondered why this was so, whether it was a universal phenomenon, and, if not, what cultural deviations might account for the disparity. Since then, de Jong has been haunted by firearms. In reading about historic pistols used in the American west, she came upon their designation as “peace makers,” begging the question, “Have weapons ever made peace?” Guns habitually bring only destruction and death.  

Symbols for blood figure prominently in Triggered. A series of brooches modelled in clay take the shape of revolvers displaying red-pigmented barrels and grips. Another pistol is assembled from red sticks of wax. The most graphic depiction of blood, however, is seen in a large handgun, constructed out of blackberry bush branches, from which red threads terminating in clay droplets descend. In fact, if one doesn’t handle this object with extreme care, the stems’ sharp thorns will painfully pierce the skin, drawing the real thing.

Implied violence notwithstanding, the works in Triggered carry mixed messages. De Jong employs visual puns, portraying some of the weapons as useless or equivocal, and in so doing, effectively dilutes their potency. The red wax gun, form fit within a custom-made box, would melt if removed by a warm hand. “Behind Bars,” a black wax revolver encased in sturdy electroformed copper to give it durability, even if the wax melts, is, nonetheless, confined to a cage. Three electroformed copper pistols exhibit outlines which create a variety of negative gun-like shapes, suggesting they’ve shot each other. A benign soft pistol emerges from a sheet of beige plastic foam; and a pendant formed from wrapped copper wire that has been painted blue, and then threaded askew on a thin cord, is not immediately apparent as the image of a gun, until you study it closely.

It is de Jong’s wish that these traditionally brutal weapons “evoke a smile, a question, a thought and possibly also a sense of responsibility.” She regards them as both objects and jewelry, indicating that we can wear them, hold them in our hands, stick them in our waistbands, in a holster on our belts, or under our armpits; we can even put them in our socks. With the works that comprise triggered, de Jong aims to encourage gun supporters driven by fear, insecurity, prejudice, and paranoia to focus on the murderous potential of weapons and to rebuke the miscreants that incite hostile acts, either through conviction, coercion, or greed. Perhaps by raising awareness, we may find a way to control guns. We must. There is so much at stake.

About the artist
Rian de Jong is an internationally recognized artist who has been making jewelry for four decades. She has been the subject of numerous solo exhibitions and has been included in countless group shows. Her work is represented in the collections of many museums around the world, including the Cooper Hewitt Smithsonian Design Museum and Museum of Arts and Design in New York; The Nelson-Atkins Museum of Art, Kansas City, Missouri; Museum für Kunst und Gewerbe, Hamburg and the Schmuckmuseum, Pforzheim in Germany; Swiss National Museum, Zurich; Victoria and Albert Museum, London; and the Rijksmuseum and Stedelijk Museum, Amsterdam, along with several more in the Netherlands. An inveterate traveller, de Jong cites her passion for new and unfamiliar cultures and materials as her prime motivating force. 

Jaime Bedrin, gun violence prevention activist, will speak on current gun legislation at the artist reception.
Jaime Bedrin has been involved with the gun violence prevention movement for nearly a decade. She co-founded the local (Essex County) chapter of Moms Demand Action in December of 2012 immediately following the Sandy Hook Elementary School shooting where 26 people were killed. Since that time she has worked to raise awareness about gun violence in the United States and more specifically in NJ.

Artist reception: 23 April 2022, 6 pm - 8 pm
Rian de Jong. Object: Wounded, 2021. Copper, cold enamel. 5.1 x 2.2 x 3.8 cm. Rian de Jong
Object: Wounded, 2021
Copper, cold enamel
5.1 x 2.2 x 3.8 cm
© By the author. Read Copyright.
Rian de Jong. Object: Blackberry, 2020. Blackberry branches. 71.8 x 9.9 x  23.8 cm. Rian de Jong
Object: Blackberry, 2020
Blackberry branches
71.8 x 9.9 x 23.8 cm
© By the author. Read Copyright.
Rian de Jong. Object: Behind Bars, 2021. Black wax, copper, cold enamel. 15.7 x 11.9 x 2.2 cm. Rian de Jong
Object: Behind Bars, 2021
Black wax, copper, cold enamel
15.7 x 11.9 x 2.2 cm
© By the author. Read Copyright.
Rian de Jong. Object: Ring Gun, 2021. Paraffin, copper, cold enamel. 6.8 x 1.27 x 8.8 cm. Rian de Jong
Object: Ring Gun, 2021
Paraffin, copper, cold enamel
6.8 x 1.27 x 8.8 cm
© By the author. Read Copyright.
Rian de Jong.
Rian de Jong

© By the author. Read Copyright.