Still in Flux: Capturing Organic Time in Sculptural Transition by Jaiik Lee
Exhibition
/
13 Jan 2026
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21 Feb 2026
Published: 31.12.2025

Presented at Salon 94 Design on New York’s Upper East Side—a gallery known for leading contemporary sculptural discourse at the intersection of art and design—STILL IN FLUX marks Jaiik Lee’s first solo exhibition in New York and the first presentation devoted entirely to his long-evolving Transition series.
Artist list
Jaiik Lee
Rooted in a period of personal and professional transformation that began in 2019, these works emerged from moments of uncertainty, change, and reorientation. Moving away from the geometric structures that once defined his practice, Lee turned toward forms shaped by instinct, organic growth, and internal movement. These are not closed results, but forms that embody becoming.
Lee’s vessels possess a striking duality. They are rigorously constructed through labor-intensive processes, yet they project an unmistakable sense of life. Drawing inspiration from the generous asymmetry of Korean moon jars, Lee translates their spirit into vertical copper panels, meticulously welded and hammered, then layered with porcelain color and gold leaf. Seams, burns, and gestures remain visible on the surface, recording time, resistance, and the ongoing negotiation between artist and material.
While deeply grounded in Korean cultural memory, these works resist nostalgia or homage. Instead, they speak a contemporary language that resonates with our present condition of flux. Positioned somewhere between sculpture and vessel, they suggest containment without purpose and presence without fixity, existing in continuous dialogue with light, space, and time.
STILL IN FLUX invites viewers to linger within this suspended moment—to encounter objects that remain alive, adaptive, and unfinished, reflecting both the artist’s journey and our own ongoing states of transformation.
Lee’s vessels possess a striking duality. They are rigorously constructed through labor-intensive processes, yet they project an unmistakable sense of life. Drawing inspiration from the generous asymmetry of Korean moon jars, Lee translates their spirit into vertical copper panels, meticulously welded and hammered, then layered with porcelain color and gold leaf. Seams, burns, and gestures remain visible on the surface, recording time, resistance, and the ongoing negotiation between artist and material.
While deeply grounded in Korean cultural memory, these works resist nostalgia or homage. Instead, they speak a contemporary language that resonates with our present condition of flux. Positioned somewhere between sculpture and vessel, they suggest containment without purpose and presence without fixity, existing in continuous dialogue with light, space, and time.
STILL IN FLUX invites viewers to linger within this suspended moment—to encounter objects that remain alive, adaptive, and unfinished, reflecting both the artist’s journey and our own ongoing states of transformation.
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