3D Design with Dr. Bin Dixon-Ward
Published: 05.11.2019
San W Gallery and Studio
- Mail:
- yiwei.wu
sanwart.com - info
sanwart.com
- Management:
- Yiwei Wu
DEADLINE: 08/11/2019

This course offers an introduction to Rhinoceros 3D modelling software and 3D printing, with an emphasis on designing and 3D printing a ring, clasp, button, garment fixing or small container.
The course will cover basic 2D drawing and tracing techniques and their application to creating 3D forms. It will include a practical guide to creating models for 3D printing and getting those files printed.
Time: 10 am - 5 pm, 9 -10th of Nov 2019.
Cost: 699 RMB (approx. 90 EURO).
Language: English with Chinese translation.
The number of participants: 8 - 12.
Note: Bring your own laptop, other materials and tools will be provided.
About the artist:
Dr. Bin Dixon-Ward’s artistic interest is in the role of digital technology in contemporary jewellery practice. Her recent PhD examined the grid as a technology of the city and how interactions between humans and the grid, inject an organic quality to the rigid logic of the built environment. Her jewellery practice captures this interaction in wearable work that is both a product of technology and human engagement.
Her work is held in collections including the National Gallery of Victoria, The Museum of Arts and Sciences, Sydney, Musee des Artes Decoritifs Paris and the Art Gallery of South Australia. Bin has undertaken residencies at the Australian National University, Canberra and the East China Normal University (ECNU), Shanghai. Bin is a sessional lecturer at RMIT University, School of Art and is a regular guest lecturer at ECNU.
Time: 10 am - 5 pm, 9 -10th of Nov 2019.
Cost: 699 RMB (approx. 90 EURO).
Language: English with Chinese translation.
The number of participants: 8 - 12.
Note: Bring your own laptop, other materials and tools will be provided.
About the artist:
Dr. Bin Dixon-Ward’s artistic interest is in the role of digital technology in contemporary jewellery practice. Her recent PhD examined the grid as a technology of the city and how interactions between humans and the grid, inject an organic quality to the rigid logic of the built environment. Her jewellery practice captures this interaction in wearable work that is both a product of technology and human engagement.
Her work is held in collections including the National Gallery of Victoria, The Museum of Arts and Sciences, Sydney, Musee des Artes Decoritifs Paris and the Art Gallery of South Australia. Bin has undertaken residencies at the Australian National University, Canberra and the East China Normal University (ECNU), Shanghai. Bin is a sessional lecturer at RMIT University, School of Art and is a regular guest lecturer at ECNU.
Neckpiece: Intersections, 2018
Nylon, ink.
50 x 50 x 2.5 cm
Photo by: Christopher Sanders
© By the author. Read Klimt02.net Copyright.
Ring: Untitled, 2016
Nylon, ink.
Photo by: Jeremy Dillon
© By the author. Read Klimt02.net Copyright.
Necklace: Container Grid, 2016
Nylon, ink.
L: 90 cm
Photo by: Jeremy Dillon
© By the author. Read Klimt02.net Copyright.
San W Gallery and Studio
- Mail:
- yiwei.wu
sanwart.com - info
sanwart.com
- Management:
- Yiwei Wu
DEADLINE: 08/11/2019
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