How Close Can You Come To Another Artist Without Copying Them? Covers by Tore Svensson
Article
/
CriticalThinking
Artists
Published: 05.05.2020
Brooch: Shape (Arp), 2019
Steel, paint
7 x 7 x 0.15 cm
Photo by: Franz Karl
© By the author. Read Klimt02.net Copyright.
Tore Svensson talks about the development of his collection of 33 brooches for his first solo exhibition COVERS at Hannah Gallery Barcelona, where he deals in-depth with the topic of copying art.
-
Unexpected and exciting twists as the only constant for the time being
22May2022 -
Virtual Jewellery
19May2022 -
Maja Gunn, new Professor of Textiles at Konstfack: Crafts and textiles are part of a larger social context
09May2022 -
What is the price of art?
28Apr2022 -
Three works by David Bielander at the Lausanne Palace
06Apr2022 -
Work by Lucy Sarneel added to the permanent presentation of the CODA collection
24Mar2022 -
With Jewelry: Use(s,d) & Desire
11Mar2022 -
A view from Chinese jewellery: Feminism, women and design post 1949
07Mar2022 -
Let's talk about Contemporary Art Jewelry in the Chinese Market
07Mar2022 -
The Impolite Body
25Feb2022 -
Hard and straight. The creation of Nineteenth-Century Masculinity and how it affects the wearing of jewellery.
19Feb2022 -
30 Selected Artists at LOEWE FOUNDATION Craft Prize 2022
11Feb2022 -
The brooch NOKOMIS in MAKK - Museum für Angewandte Kunst Köln
30Jan2022 -
Embracing the echo. Theoretical and practical research on the multiple layers of meaning in jewellery
17Jan2022 -
To Collect. Jorunn Veiteberg own collection of jewellery
12Jan2022
