Tore Svensson

Jeweller

Published: 16.05.2007

: Gothenburg
SWEDEN

Tore Svensson
Brooch: Black, 2017
Steel, paint
8 x 8 x 0.7 cm
Photo by: Franz Karl
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Tore Svensson
Brooch: White, 2017
Porcelain, silver
10.5 x 8 x 0.2 cm
Photo by: Franz Karl
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Tore Svensson
Brooch: Red, 2017
Mdf, Silver, paint
ø 9 cm x 0.6 cm
Photo by: Franz Karl
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Tore Svensson
Bowl: 228, 2013
Iron, gilt
9.5 x 19 cm
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Tore Svensson
Bowl: 232, 2014
Iron, gilt
8.5 x 17 cm
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Tore Svensson
Bowl: 233, 2015
Iron
8.5 x 16 cm
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Tore Svensson
Brooch: Untitled
Steel
0,5 x 7 x 7 cm
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Tore Svensson
Brooch: 25 square cm
Steel, gilt
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Tore Svensson
Brooch: Untitled
Steel, gilt
0,5 x 8 x 7,5 cm
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Tore Svensson
Brooch: 27 square cm
Steel, gilt
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Tore Svensson
Brooch: Untitled
acciaio, doratura, argentatura, incisione
105x60x1 mm
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Tore Svensson
Brooch: Box, 2011
Steel, paint
Etched. Fired with linseed oil.
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Tore Svensson
Ring: Tube
Iron, paint
2 x 4 cm Ø 1,7 cm
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Tore Svensson
Brooch: Noon, 2014
Steel, paint
4.3 x 4.9 cm
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Tore Svensson
Brooch: Untitle, 2011
Steel, Gilt, Paint, Etched
photo © Franz Karl

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Tore Svensson
Brooch: Untitled, 2010
Iron, acrylic paint
12 x 1,7 x 0,5 cm
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Tore Svensson
Bowl: Bowl 219, 2012
Iron, linseed oil
Ø 8 x 4 cm
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Tore Svensson
Ring: Tube, 2012
Iron, acrylic paint
2 x 4 cm
© By the author. Read Klimt02.net Copyright.

Tore Svensson, born 1948 in Alfta, Sweden, studied first at the art-school in Gävle and graduated in 1978 at HDK School of Design and Craft, Gothenburg. From 1989 to 1996 he was lecturer at HDK and afterwards he worked as professor for two years at the Jewellery department. His work includes jewellery and objects and is presented in private and public collections as well as in museums and all over the world. He is a recipient of several awards, among others from the Swedish Arts Grants Committee and the Herbert Hofmann Prize.

Statement

I have been working the past 20 years within the geometric field with my jewellery. The projects I work with often stretches over a long period of time. A new project often emerges from an ongoing one. The beginning and the end of a project might be difficult to discern. The series consists of small displacements that changes expression and content.

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