Debris from the Dreams of Our Parents
Published: 22.02.2026
This article is included in the book Helen Britton: The Story So Far, arnoldsche Art Publishers, Stuttgart, 2025, pp. 155–157.
She walks along the shoreline noticing the empty shells scattered in the sand. What animals lived here and why did they leave? she wonders. One by one, she picks up the shells, arranging them into an oval circle according to their shape and colour. A beautiful necklace emerges, though the gesture is so much more. She’s given the shells purpose, made sense of their being left behind.
-
Growing Gems. When gemstones become a creative language at Romanian Jewelry Week
28Sep2026 -
The Critic Stops at the Neck
28Sep2026 -
A Curatorial Vision of Eight Designers at Romanian Jewelry Week 2026
28Sep2026 -
When the File Comes First: What Is the Original in Contemporary Jewelry?
21Sep2026 -
Interlude
19Sep2026 -
Human, do you want co-exist? The third Lisbon Contemporary Jewellery Biennial is happening soon
11Sep2026 -
Onderonsje by Lucy Sarneel. A Future Classic in Contemporary Jewellery
25Aug2026 -
Desire for Symmetry. Part of the Master’s degree thesis: The Psychology of Vision
25Aug2026 -
Galleri Smedjan launches International Artist in Residence Programme. Julia Obermaier announced as First Resident Artist
24Aug2026 -
The Goldsmiths’ Centre appoints Julia Balchin as Director and Richard Reid as Chair of the Board of Trustees
12Aug2026 -
The Aluminium Gyro Bangle by David Watkins. A Future Classic in Contemporary Jewellery
03Aug2026 -
Jewellery as Situation: On the Relational Practice of Da Ye Kim. A Critical Review by Klimt02
03Aug2026 -
Tili Aroch. Shenkar College of Engineering, Design and Art. New Talents Award Nominee 2026
02Aug2026 -
In Memoriam of Jürgen Eickhoff
23Jul2026 -
The Joël Faivre Chalon Donation: An Exceptional Collection of Jewellery and Archives
23Jul2026
