Ezra Satok-Wolman's SpaceXXX: Mission to Mars. An Essay by Nichka Marobin On the occasion of the XIII Florence Biennale

As an historian, I am used to observation. The practice of "reading" the visible in order to decrypt the invisible from what can emerge through tangible works and objects is my constant task. Thus, to me, this mutual dialogue between what is particular and what is universal clearly comes to the surface from Satok-Wolman’s “non-binary” jewellery: all the minute particles of his pieces are able to cross differences and gender borders and in this lies its universality.
That universality of art which is –at the same time- child of its own time, the work of an individual and that belongs to eternity.