Ezra Satok-Wolman's SpaceXXX: Mission to Mars. An Essay by Nichka Marobin On the occasion of the XIII Florence Biennale
Article
/
Essays
CriticalThinking
Published: 21.07.2021

As an historian, I am used to observation. The practice of "reading" the visible in order to decrypt the invisible from what can emerge through tangible works and objects is my constant task. Thus, to me, this mutual dialogue between what is particular and what is universal clearly comes to the surface from Satok-Wolman’s “non-binary” jewellery: all the minute particles of his pieces are able to cross differences and gender borders and in this lies its universality.
That universality of art which is –at the same time- child of its own time, the work of an individual and that belongs to eternity.
-
Elisabeth Holder: From jewellery to Contextual Art
09Jul2025 -
Lost and Found in Migration by Elena Karpilova
07Jul2025 -
Tiny Theatres of Still Life in Contemporary Jewellery. Spotlight Artworks by Klimt02
04Jul2025 -
What We Talk About When We Talk About Silver
27Jun2025 -
Supporting Emerging Jewellery Businesses: The Goldsmiths’ Centre Announces the Business Catalyst (Small) Grants 2025
26Jun2025 -
A Legacy of Innovation: Thomas Gentille Receives SNAG's 2025 Lifetime Achievement Award
21Jun2025 -
The Goldsmiths' Centre Launches Fifth Spotlighting Getting Started Edition, Culminating in Spring 2026 Exhibition
21Jun2025 -
Art Jewelry: Quo Vadis?
11Jun2025 -
Are You Always Seeking Mentors?
03Jun2025 -
Perceptual Surfaces in Flux: Mirrors, Embodied Vision and Optical Fields in Contemporary Jewellery
27May2025 -
Monica Valentine: Feeling in Color by Frances Fleetwood
22May2025 -
Andrés Aizicovich: How to Make the Voice a Sculpture by Veronika Mehlhart
22May2025 -
The Workshop: A Memoir
22May2025 -
The Portrait in Jewellery: Representing the Other, Tracing the Self. Spotlight Artworks by Klimt02
18May2025 -
The Jewellery Collection. Transcending Centuries and Cultures
13May2025