The Pope Is Dead, Long Live the Popess. A Review of a Performance by the artist Neringa Poskute-Jukumiene
Published: 24.01.2023
Ringing II by Neringa Poškutė-Jukumienė.
Photo by Daiva Seibeliene.
Photo by Daiva Seibeliene.
© By the author. Read Klimt02.net Copyright.

The Lithuanian contemporary jewellery and metal artist Neringa Poškutė-Jukumienė occupies a unique position in contemporary Lithuanian jewellery. She refuses to concentrate on creating objects for the body, let alone jewellery, focusing instead on the process itself. The performance Ringing II, presented at the contemporary art festival Virus in Šiauliai, created a cathartic experience simultaneously woven in religious symbols, high fashion catwalk culture and materiality of jewellery.
-
How Do You Know When a Work of Art is Complete?
24Jul2025 -
Retold objects of the past. The Artworks and practice of Helen Clara Hemsley
22Jul2025 -
Jewellery in Motion
15Jul2025 -
Elisabeth Holder: From jewellery to Contextual Art
09Jul2025 -
Lost and Found in Migration by Elena Karpilova
07Jul2025 -
Tiny Theatres of Still Life in Contemporary Jewellery. Spotlight Artworks by Klimt02
04Jul2025 -
What We Talk About When We Talk About Silver
27Jun2025 -
Supporting Emerging Jewellery Businesses: The Goldsmiths’ Centre Announces the Business Catalyst (Small) Grants 2025
26Jun2025 -
A Legacy of Innovation: Thomas Gentille Receives SNAG's 2025 Lifetime Achievement Award
21Jun2025 -
The Goldsmiths' Centre Launches Fifth Spotlighting Getting Started Edition, Culminating in Spring 2026 Exhibition
21Jun2025 -
Art Jewelry: Quo Vadis?
11Jun2025 -
Are You Always Seeking Mentors?
03Jun2025 -
Perceptual Surfaces in Flux: Mirrors, Embodied Vision and Optical Fields in Contemporary Jewellery
27May2025 -
Monica Valentine: Feeling in Color by Frances Fleetwood
22May2025 -
Andrés Aizicovich: How to Make the Voice a Sculpture by Veronika Mehlhart
22May2025