Sabine Runde on curating Schmuck 2019
Article
/
Curating
CriticalThinking
Published: 03.03.2019
Pendant: Perception 5, 2017
Silver, electroplate, lacquer, granulation construction.
7 x 9.4 x 1.2 cm
Photo by: Anton Jadrijevic
© By the author. Read Klimt02.net Copyright.
Today, as reflected in the submissions and selection, jewellery has come to be a terrain with a strong potential to question conventional definitions and continually reinterpret existing conditions.
-
The Goldsmiths’ Centre appoints Julia Balchin as Director and Richard Reid as Chair of the Board of Trustees
12Aug2026 -
Galleri Smedjan launches International Artist in Residence Programme. Julia Obermaier announced as First Resident Artist
04Aug2026 -
The Aluminium Gyro Bangle by David Watkins. A Future Classic in Contemporary Jewellery
03Aug2026 -
Jewellery as Situation: On the Relational Practice of Da Ye Kim. A Critical Review by Klimt02
03Aug2026 -
Tili Aroch. Shenkar College of Engineering, Design and Art. New Talents Award Nominee 2026
02Aug2026 -
In Memoriam of Jürgen Eickhoff
23Jul2026 -
The Joël Faivre Chalon Donation: An Exceptional Collection of Jewellery and Archives
23Jul2026 -
Anna Olivella Casas. Escola Massana Centre d'Art i Disseny New Talents Award Nominee 2026
23Jul2026 -
Who Decides What Matters? On the Responsibility of Choosing
19Jul2026 -
Juliette Lindup. Universiteit Stellenbosch University. New Talents Award Nominee 2026
14Jul2026 -
A masterpiece by Fouquet and Mucha for Pforzheim's Jewellery Museum. Ceremonial handover by Werner Wild Foundation
13Jul2026 -
Warwick Freeman, Hook Hand Heart Star. An Exhibition Review
09Jul2026 -
The Woman Sitting at her Dressing Table, the Mirrors Displayed
07Jul2026 -
Delegate Thinking: Jewellery for decision-making in the age of artificial intelligence by Isabelita Virtual and SpecialG...
02Jul2026 -
The Hidden Life of Jewellery: Storage as a Narrative Practice
30Jun2026
