Sabine Runde on curating Schmuck 2019
Published: 03.03.2019
Pendant: Perception 5, 2017
Silver, electroplate, lacquer, granulation construction.
7 x 9.4 x 1.2 cm
Photo by: Anton Jadrijevic
© By the author. Read Klimt02.net Copyright.
Today, as reflected in the submissions and selection, jewellery has come to be a terrain with a strong potential to question conventional definitions and continually reinterpret existing conditions.
-
Unexpected and exciting twists as the only constant for the time being
22May2022 -
Virtual Jewellery
19May2022 -
Maja Gunn, new Professor of Textiles at Konstfack: Crafts and textiles are part of a larger social context
09May2022 -
What is the price of art?
28Apr2022 -
Three works by David Bielander at the Lausanne Palace
06Apr2022 -
Work by Lucy Sarneel added to the permanent presentation of the CODA collection
24Mar2022 -
With Jewelry: Use(s,d) & Desire
11Mar2022 -
A view from Chinese jewellery: Feminism, women and design post 1949
07Mar2022 -
Let's talk about Contemporary Art Jewelry in the Chinese Market
07Mar2022 -
The Impolite Body
25Feb2022 -
Hard and straight. The creation of Nineteenth-Century Masculinity and how it affects the wearing of jewellery.
19Feb2022 -
30 Selected Artists at LOEWE FOUNDATION Craft Prize 2022
11Feb2022 -
The brooch NOKOMIS in MAKK - Museum für Angewandte Kunst Köln
30Jan2022 -
Embracing the echo. Theoretical and practical research on the multiple layers of meaning in jewellery
17Jan2022 -
To Collect. Jorunn Veiteberg own collection of jewellery
12Jan2022
