- Edited by:
- Edited at:
- Edited on:
I am a taxidermist as well as a jeweller. My taxidermy appears in my jewellery pieces and my jewellery adorms my taxidermy sculptures.
Do you think that jewellery is being standardized? What is there of local and universal in your artistic work?
I don’t pay much attention to other jewellery but from what I see there’s a lot of homogeneous work out there.
The universal themes in my work are life, death and nature.
What do you expect when exposing your work to the public (for example with an exhibition)?
I expect some people will love it and others will be shocked. I guess that’s the way with most things but my work typically polarizes people.
Are other areas besides the jewellery, present in your work?
I am a taxidermist as well as a jeweller. My taxidermy appears in my jewellery pieces and my jewellery adorns my taxidermy sculptures.
The last work, book, film, city that has moved me was...
Nick Cave and the Badseeds, Skeleton Tree tour. To die for!
A place, space, country whose creativity surprises me...
New Zealand (my home). I think it has more creative people per capita than anywhere else in the world…
Is there any designer, jeweller, artist, you appreciate a lot?
Ray Caesar and Wim Delvoye are two of my favourites.
What piece or work has given you the most satisfaction?
My installations at the National Gallery of Victoria and the Art Gallery of South Australia.
Julia deVille installation Degustation at the National Gallery of Victoria, Melbourne, Australia.
Do you read Jewellery Magazines? What is your source to get information?
No, I don’t read jewellery magazines. If I need to learn how to do something I ask one of my jewellers or look it up online.
Do you discuss your work with other jewellery artists or any other person?
Yes, I have four jewellers that work with me and we discus techniques and possibilities all the time.
What is your first thought when you hear the word Future? What do you expect for?
3D scanning, CAD, holograms, 3D printing.
In this time I think we need to laud the amazing ability we have to access and communicate with our fellow jewellers. Ti...11Feb2019
Jewellery itself has no standards or is not shaped in a particular way. Yiping Li interviewed by Klimt0211Feb2019
I always appreciate the different cultural backgrounds, visible in the making of jewellery. Beppe Kessler interviewed by...04Feb2019
Every Activity Takes Jewellery Out Into the World and Brings New People Into the Gallery. Interview with Marie-José van...01Feb2019
Patina Gallery Goes to Europe for Munich Jewelry Week 201928Jan2019
It is like using English to tell a Chinese story. Stacey Huang interviewed by Klimt0223Jan2019
Thinking of the future makes me hope for opportunities, adventures, and new ideas coming to fruition in the studio. Cath...21Jan2019
I am always inspired by my surroundings, living in Mexico is very easy to see beauty in all the urban scenes. Sandra Bos...16Jan2019
Self-confidence Boosters and Make-up by a Jeweler. Akiko Shinzato interviewed by Wertn.com14Jan2019
Proof of Beauty. In Conversation with Shinji Nakaba01Jan2019
As my work reflects my character and background, then there will always be local flavor. Hind ElHafez interviewed by Kli...18Dec2018
The Evolution of a Contemporary Jewellery Fair. Interview with Marie-José van den Hout about FRAME16Dec2018
About curating. Bianca Cappello interviewed by klimt0214Dec2018
Winner of the Klimt02 JPLUS Emerging Talent Award 2018 Shengyi Chen interviewed by Klimt0207Dec2018
My latest work involves ironing, which is funny because I rarely if ever iron clothes. Louise Perrone interviewed by Kli...20Nov2018