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I am a taxidermist as well as a jeweller. My taxidermy appears in my jewellery pieces and my jewellery adorms my taxidermy sculptures.
Do you think that jewellery is being standardized? What is there of local and universal in your artistic work?
I don’t pay much attention to other jewellery but from what I see there’s a lot of homogeneous work out there.
The universal themes in my work are life, death and nature.
What do you expect when exposing your work to the public (for example with an exhibition)?
I expect some people will love it and others will be shocked. I guess that’s the way with most things but my work typically polarizes people.
Are other areas besides the jewellery, present in your work?
I am a taxidermist as well as a jeweller. My taxidermy appears in my jewellery pieces and my jewellery adorns my taxidermy sculptures.
The last work, book, film, city that has moved me was...
Nick Cave and the Badseeds, Skeleton Tree tour. To die for!
A place, space, country whose creativity surprises me...
New Zealand (my home). I think it has more creative people per capita than anywhere else in the world…
Is there any designer, jeweller, artist, you appreciate a lot?
Ray Caesar and Wim Delvoye are two of my favourites.
What piece or work has given you the most satisfaction?
My installations at the National Gallery of Victoria and the Art Gallery of South Australia.
Julia deVille installation Degustation at the National Gallery of Victoria, Melbourne, Australia.
Do you read Jewellery Magazines? What is your source to get information?
No, I don’t read jewellery magazines. If I need to learn how to do something I ask one of my jewellers or look it up online.
Do you discuss your work with other jewellery artists or any other person?
Yes, I have four jewellers that work with me and we discus techniques and possibilities all the time.
What is your first thought when you hear the word Future? What do you expect for?
3D scanning, CAD, holograms, 3D printing.
I like to work with my hands, to create, transform my thoughts and my emotions into objects, wearable or not. Elli Xippa...08Oct2018
I am fascinated by the fact that there are no limits to creativity or choice of material in jewelry making. Ioli Livada ...08Oct2018
I think I freeze a moment of evolution and merge it with thoughts and emotions. Angelos Konstantakatos interviewed by Po...08Oct2018
The most intriguing of them all is the ability to design a piece and have it worn in different locations. Constantinos P...08Oct2018
It concentrates and communicates out to the world the aesthetic values and messages of the artist. Yiota Vogli interview...08Oct2018
The freedom of expression and the maximum connection of my inner self to the outer world. Erato Kouloubi interviewed by ...28Sep2018
To express anything you need and want to, without having the anxiety of “beauty”... Marina Zachou interviewed by Pop...28Sep2018
It was for me a means to relax from work while keeping my hands and mind busy. Niki Stylianou interviewed by Popeye love...28Sep2018
My work belongs to the earth, contributing to the everlasting cycle of life. Aggelika Diplari interviewed by Popeye love...27Sep2018
I feel like a laboratory researcher. Ariel Lavian interviewed by Klimt0225Sep2018
I love the reaction that people want to eat my work. Rebecca Wilson interviewed by Klimt0220Sep2018
Rubén López, Joya 2018 Jury Member interviewed by Klimt0210Sep2018
Criticism has never held any relevance to my work. About Critique. Interview with Thomas Gentille12Aug2018
The straight forwardness might be the most Finnish thing in my work. Tarja Tuupanen interviewed by Klimt0206Aug2018
Besides being a fulfilling process in itself, drawing for me becomes a working tool. Gian Luca Bartellone interviewed by...31Jul2018