Anima Angy by Ruudt Peters
Brooch
Published: 03.11.2010
Anima
For a considerable time now I have been exploring the feminine subconscious in the male (the ANIMA) as a guiding principle for my design. Over the past year I have been drawing blind, in order to achieve more freedom in my thinking. These drawings give expression to an unknown terrain in my visual language. I can not direct them. My principle in them is, the less you control the design, the more freedom and room in the ultimate product. As a continuation of this technique, I have also been drawing with wax underwater. This action generates an unfamiliar language. It is movement that solidifies what arises from the unconscious. A fluid line is caught in coagulated form. This process produces a totally different sort of design with regard to freedom, thought and expression. The works are gracile, delicate and fragile.
photo: Rob Versluis
For a considerable time now I have been exploring the feminine subconscious in the male (the ANIMA) as a guiding principle for my design. Over the past year I have been drawing blind, in order to achieve more freedom in my thinking. These drawings give expression to an unknown terrain in my visual language. I can not direct them. My principle in them is, the less you control the design, the more freedom and room in the ultimate product. As a continuation of this technique, I have also been drawing with wax underwater. This action generates an unfamiliar language. It is movement that solidifies what arises from the unconscious. A fluid line is caught in coagulated form. This process produces a totally different sort of design with regard to freedom, thought and expression. The works are gracile, delicate and fragile.
photo: Rob Versluis
Ruudt Peters
Brooch
Anima Angy
2009
Silver, gold electroformed
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Anima Angy
2009
Silver, gold electroformed
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