Joya 2015 skyscraper september.  © By the author. Read    Klimt02.net Copyright   .

Tiffany Parbs

Jeweller
Published: 22.04.2014
Tiffany Parbs.  © By the author. Read    Klimt02.net Copyright   .
Place
Melbourne
AUSTRALIA
Mail:
tiffparbsE-mailiinet.net.au
Tiffany Parbs.  © By the author. Read    Klimt02.net Copyright   . Tiffany Parbs
Video Installation: bleed, 2013
Video still; single channel HD video without sound; 8 min duration
Camera by Bernie Ryan

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Tiffany Parbs.  © By the author. Read    Klimt02.net Copyright   . Tiffany Parbs
Video Installation: bleed, 2013
Video still; single channel HD video without sound; 8 min duration
Camera by Bernie Ryan

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Tiffany Parbs.  © By the author. Read    Klimt02.net Copyright   . Tiffany Parbs
Piece: flow, 2013
22kt gold leaf, plastic, digital giclée prints
210 x 295mm
Image #2 of 8
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Tiffany Parbs.  © By the author. Read    Klimt02.net Copyright   . Tiffany Parbs
Piece: flow, 2013
22kt gold leaf, plastic, digital giclée prints
210 x 295mm
Image #2 of 8
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Tiffany Parbs.  © By the author. Read    Klimt02.net Copyright   . Tiffany Parbs
Piece: flow, 2013
22kt gold leaf, plastic, digital giclée prints
210 x 295mm
Image #2 of 8
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Piece: currency, 2013
22kt gold leaf, plastic, giclée print
420 x 315mm
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Tiffany Parbs.  © By the author. Read    Klimt02.net Copyright   . Tiffany Parbs
Piece: vestige, 2013
Gold paint, giclée prints
420 x 550mm
Image #1 of 2
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Tiffany Parbs.  © By the author. Read    Klimt02.net Copyright   . Tiffany Parbs
Piece: vestige, 2013
Gold paint, giclée prints
420 x 550mm
Image #1 of 2
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Piece: incise, 2011
skin, temporary tattoo
345 x 490 x 35mm
Photography by Tobias Titz
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Piece: warn, 2011
skin, temporary tattoo
345 x 49 0x 35mm
Photography by Tobias Titz
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Piece: nourish, 2011
skin, temporary tattoo
345 x 490 x 35mm
Photography by Tobias Titz
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Piece: bond, 2009
Glass, spittle, digital print
34 x 47 x 3.5 cm
Photography by Terence Bogue
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Piece: infuse, 2009
Sterling silver, silicon catheters, digital print
34 x 47 x 3.5 cm
Photography by Terence Bogue
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Piece: growth, 2009
Handmade double wig with human hair, cotton net, digital print
58 x 80 x 3.5 cm
Photography by Terence Bogue
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Piece: inflame, 2009
Braille on skin, digital print
34 x 47 x 3.5 cm
Photography by Terence Bogue
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Piece: precious, 2009
24 kt gold dust, lipstick compound, digital print
34 x 47 x 3.5 cm
Photography by Terence Bogue
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Piece: extension, 2008
Hair, digital print
33 x 47 x 3.5 cm
Photography by Terence Bogue
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Piece: extension, 2008
Hair, digital print
33 x 47 x 3.5 cm
Photography by Terence Bogue
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Piece: peel, 2008
Wood glue, skin, digital print
33 x 47 x 3.5 cm
Photography by Terence Bogue
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Piece: peel, 2008
Wood glue, skin, digital print
33 x 47 x 3.5 cm
Photography by Terence Bogue
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Piece: clamp, 2008
Sterling silver, elastic, digital print
33 x 47 x 3.5 cm
Photography by Terence Bogue
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Piece: bake, 2008
Sunburn, skin, digital print
33 x 47 x 3.5 cm
Photography by Terence Bogue
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Tiffany Parbs.  © By the author. Read    Klimt02.net Copyright   . Tiffany Parbs
Piece: cosmetic, 2006
Stainless steel pins, digital prints
33 x 47 x 3.5 cm
Photography by Terence Bogue
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Piece: cosmetic, 2006
Stainless steel pins, digital prints
33 x 47 x 3.5 cm
Photography by Terence Bogue
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Piece: blister-ring, 2005
Blister, skin, digital print
33 x 47 x 3.5 cm
Photography by Terence Bogue
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Piece: etched, 2004
Skin, digital print
33 x 47 x 4 cm
Photography by Greg Harris
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Tiffany Parbs.  © By the author. Read    Klimt02.net Copyright   . Tiffany Parbs
Piece: etched, 2004
Skin, digital print
33 x 47 x 4 cm
Photography by Greg Harris
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Piece: rash, 2004
Rash, skin
Varied dimensions
Photography by Greg Harris
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Piece: tear sac, 2004
Silicon, tears, digital print
43 x 63 x 3.5 cm
Photography by Greg Harris
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Statement

My practice explores the features and surface of the body.  I am intrigued by the transitional relationship between the body and the object, natural aging processes and the way the body assimilates external influences and embellishments over time. 

The main intent behind my work is to invite examination of articles allowed into intimate space, to encourage the viewer to reassess and reconsider the jewellery object in direct relation to the body and to promote expanded definitions of jewellery.

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