Anneleen Heirbaut. Royal Academy of Fine Arts Antwerp. Artesis Plantijn University College. New Talent Award Nominee 2025
Article
/
Artists
NewTalentsByKlimt02
Published: 08.12.2025
- Edited by:
- Klimt02
- Edited at:
- Barcelona
- Edited on:
- 2025

The 11th edition of the New Talent Award 2025 by Klimt02 aims to recognize the work of graduate students in our field by supporting their careers in the professional world. Nominated by our school members, one of the selected graduates will win the New Talents Award.
Anneleen’s artistic methodology can be read as an embodied experience of these sentimental realities. Just as the heart undergoes stress and adaptation, her materials are subjected to processes of fracture and repair.
>> Check out all the 2025 New Talents Nominees
Name of graduation student: Anneleen Heirbaut
Name of guiding teachers: Edu Tarin, Maximilian Rittler
Nominated by Royal Academy of Fine Arts Antwerp. Artesis Plantijn University College.
The notion that “true love requires courage and the willingness to reveal our fragile and broken parts” can be understood not only as a poetic sentiment but also as a framework for creative and scientific inquiry. Love, as both an affective and physiological phenomenon, embodies ambiguity: it oscillates between vulnerability and resilience, between pain and joy.
In artistic practice, this duality becomes a generative force. Anneleen’s work expands this dynamic, as her creative process mirrors the oscillations of these emotional states. Moments of hesitation followed by renewed enthusiasm, experimentation, and eventual resolution. The act of making thus becomes a metaphor for the lived experience of love, where fragility or enthusiasm are not concealed but transformed into material expression.
Anneleen’s artistic methodology can be read as an embodied experience of these sentimental realities. Just as the heart undergoes stress and adaptation, her materials are subjected to processes of fracture and repair. The metaphor of the broken heart is therefore translated into tangible form, where each manipulation of matter reflects the wisdom required to endure emotional rupture. Her practice demonstrates how artistic exploration can serve as a parallel to biological processes, offering a symbolic yet concrete representation of healing and transformation.
Ultimately, the semiotics of the heart in Anneleen’s work transcends cliché by engaging with both cultural symbolism and scientific insight. Shaping, bending, cracking, engraving, and experimenting with materials such as glass and 3D-printed forms make her creations stand as testimonies of sensitivity, resilience, and personal truth, while simultaneously resonating with the universality of love as a human condition.
/ Edu Tarin & Maximilian Rittler
The statement of the artist:
Echoes of Love
Love is the most universal language -understandable to all- but at the same time the most romanticized. We often see it through rose-colored glasses, when in reality it also has
a complex, sometimes painful downside.
Love and addiction have more in common than we often think.
The nucleus accumbens, a key brain region in the reward system, is activated in infatuation as well as addiction. This explains why love can feel so intense and why heartbreak hurts physically. The stomach-dropping or piercing feeling through our body.
When we fall in love, our brain makes not only dopamine -the “happiness hormone”- but also cortisol, the stress hormone.
This explains why falling in love can be both euphoric and nerve-wracking at the same time. With a heartbreak, the combination of stress and emotional pain can even lead to physical symptoms, such as insomnia, palpitations and, in extreme cases, “broken-heart syndrome.”
A temporary weakening of the heart muscle due to intense emotions.
We twist ourselves into impossible corners and carry burdens for those we love. Sometimes we wish we could take over the pain and worries of our loved ones, not realizing that in doing so we weigh down our own hearts. True love requires courage and the willingness to show our fragile and broken parts.
The heart as an archetypal symbol of love represents a perfect, idealistic vision. Often represented in a symmetrical, well thought out and perfect shape.
But love is rarely perfect. It comes in rough, damaged forms and includes not only romance, but also vulnerability, perseverance and resilience. I admire how heavy but beautiful the pressure can be.
Always paying attention to placement, relationship between viewer and wearer, color and texture. I try to address certain findings in these different pieces such as the personal story of the wearer, what the consequences from a certain action can be or the weight on our shoulders. In the many relationships we form in our lives -from acquaintances and friends to family and partners- we are always faced with choices and questions we don’t have clear answers to.
How do we deal with this aspect of love that often still feels like a taboo? Does everyone struggle sometimes, or is it just me?
We balance between what we show of ourselves and how much we are willing to endure for each other.
It is precisely in the interplay of beauty, joy and playfulness as opposed to pain, suffering, and heaviness where the essence of love lies.
They are tangible testimonies of sensitivity, combativeness and personal truth. Small monuments on the body, that tell stories where words fail.
This burden can be heavy, but we carry it with love.
Contact:
E-mail: anneleen.heirbaut@gmail.com
Instagram: @annln_official
Find out more about Royal Academy of Fine Arts Antwerp. Artesis Plantijn University College
Name of guiding teachers: Edu Tarin, Maximilian Rittler
Nominated by Royal Academy of Fine Arts Antwerp. Artesis Plantijn University College.
The notion that “true love requires courage and the willingness to reveal our fragile and broken parts” can be understood not only as a poetic sentiment but also as a framework for creative and scientific inquiry. Love, as both an affective and physiological phenomenon, embodies ambiguity: it oscillates between vulnerability and resilience, between pain and joy.
In artistic practice, this duality becomes a generative force. Anneleen’s work expands this dynamic, as her creative process mirrors the oscillations of these emotional states. Moments of hesitation followed by renewed enthusiasm, experimentation, and eventual resolution. The act of making thus becomes a metaphor for the lived experience of love, where fragility or enthusiasm are not concealed but transformed into material expression.
Anneleen’s artistic methodology can be read as an embodied experience of these sentimental realities. Just as the heart undergoes stress and adaptation, her materials are subjected to processes of fracture and repair. The metaphor of the broken heart is therefore translated into tangible form, where each manipulation of matter reflects the wisdom required to endure emotional rupture. Her practice demonstrates how artistic exploration can serve as a parallel to biological processes, offering a symbolic yet concrete representation of healing and transformation.
Ultimately, the semiotics of the heart in Anneleen’s work transcends cliché by engaging with both cultural symbolism and scientific insight. Shaping, bending, cracking, engraving, and experimenting with materials such as glass and 3D-printed forms make her creations stand as testimonies of sensitivity, resilience, and personal truth, while simultaneously resonating with the universality of love as a human condition.
/ Edu Tarin & Maximilian Rittler
The statement of the artist:
Echoes of Love
Love is the most universal language -understandable to all- but at the same time the most romanticized. We often see it through rose-colored glasses, when in reality it also has
a complex, sometimes painful downside.
Love and addiction have more in common than we often think.
The nucleus accumbens, a key brain region in the reward system, is activated in infatuation as well as addiction. This explains why love can feel so intense and why heartbreak hurts physically. The stomach-dropping or piercing feeling through our body.
When we fall in love, our brain makes not only dopamine -the “happiness hormone”- but also cortisol, the stress hormone.
This explains why falling in love can be both euphoric and nerve-wracking at the same time. With a heartbreak, the combination of stress and emotional pain can even lead to physical symptoms, such as insomnia, palpitations and, in extreme cases, “broken-heart syndrome.”
A temporary weakening of the heart muscle due to intense emotions.
We twist ourselves into impossible corners and carry burdens for those we love. Sometimes we wish we could take over the pain and worries of our loved ones, not realizing that in doing so we weigh down our own hearts. True love requires courage and the willingness to show our fragile and broken parts.
The heart as an archetypal symbol of love represents a perfect, idealistic vision. Often represented in a symmetrical, well thought out and perfect shape.
But love is rarely perfect. It comes in rough, damaged forms and includes not only romance, but also vulnerability, perseverance and resilience. I admire how heavy but beautiful the pressure can be.
Always paying attention to placement, relationship between viewer and wearer, color and texture. I try to address certain findings in these different pieces such as the personal story of the wearer, what the consequences from a certain action can be or the weight on our shoulders. In the many relationships we form in our lives -from acquaintances and friends to family and partners- we are always faced with choices and questions we don’t have clear answers to.
How do we deal with this aspect of love that often still feels like a taboo? Does everyone struggle sometimes, or is it just me?
We balance between what we show of ourselves and how much we are willing to endure for each other.
It is precisely in the interplay of beauty, joy and playfulness as opposed to pain, suffering, and heaviness where the essence of love lies.
They are tangible testimonies of sensitivity, combativeness and personal truth. Small monuments on the body, that tell stories where words fail.
This burden can be heavy, but we carry it with love.
Contact:
E-mail: anneleen.heirbaut@gmail.com
Instagram: @annln_official
Find out more about Royal Academy of Fine Arts Antwerp. Artesis Plantijn University College
Brooch: Compromises, 2025
Bronze, glass
10 x 10 x 8 cm
Photo by: Wout Vloeberghs
© By the author. Read Klimt02.net Copyright.
Pin: My Love, 2025
Plexiglass
Approx 7 x 7 x 1 cm each
Serial number: 01/100
Photo by: Wout Vloeberghs
© By the author. Read Klimt02.net Copyright.
Estimated price: 40 €
Pin: My Love, 2025
Plexiglass
Approx 7 x 7 x 1 cm each
Serial number: 01/100
Photo by: Wout Vloeberghs
© By the author. Read Klimt02.net Copyright.
Estimated price: 40 €
Pin: Rupture, 2025
Silver
7 x 7 x 1 cm
Serial number: 01-03/07
Photo by: Wout Vloeberghs
7 Variations
© By the author. Read Klimt02.net Copyright.
Estimated price: 250 €
Pin: Rupture, 2025
Silver
7 x 7 x 1 cm
Serial number: 01-03/07
Photo by: Wout Vloeberghs
7 Variations
© By the author. Read Klimt02.net Copyright.
Estimated price: 250 €
Piece: The Weight of Us, 2025
3D printed PLA, alpaca
120 x 50 X 40 cm
Photo by: Wout Vloeberghs
© By the author. Read Klimt02.net Copyright.
Estimated price: 950 €
Piece: The Weight of Us, 2025
3D printed PLA, alpaca
120 x 50 X 40 cm
Photo by: Wout Vloeberghs
© By the author. Read Klimt02.net Copyright.
Estimated price: 950 €
- Edited by:
- Klimt02
- Edited at:
- Barcelona
- Edited on:
- 2025
Forum Shortcuts
-
Create Awareness with Jewelry
09Dec2025 -
Black Dove #1 by Yael Friedman. Future Classic by Anja Eichler
05Dec2025 -
Weaving Resistance. Feminist Stories in Metal by Yuanxing Lin
03Dec2025 -
Narrative Jewellery: Visual Snapshots and Storytelling. Spotlight Artworks by Klimt02
28Nov2025 -
Elisabeth Pira. PXL-MAD School of Arts. New Talents Award Nominee 2025
24Nov2025 -
Mr Hamilton after Skirving. Future Classic by Nichka Marobin
21Nov2025 -
Meet the Jury Members of the New Talents Award 2025. The Annual Recognition Supporting Graduates and Schools.
19Nov2025 -
Echoes in Stone: Rings Celebrating Humanity’s First Tools
13Nov2025 -
Embracing AI Without Losing the Muse
11Nov2025 -
From Tool to Material of Action: A Creative Paradigm in Contemporary Jewelry
29Oct2025 -
Lena Cohen Jewellery. Timeless Fine Jewellery for Everyday Elegance
22Oct2025 -
How and When a Piece becomes a Classic? Spotlight Artworks by Klimt02.
17Oct2025 -
Nebulae of Fragments. Threads and Traces by Ekaterina Korzh
08Oct2025 -
Precious Treasures from Pforzheim’s Jewellery Museum in London Exhibition marking Wartski’s 160th anniversary
30Sep2025 -
Enrike Groenewald. Universiteit Stellenbosch University. New Talents Award Nominee 2025
26Sep2025
















