Talking Face to Face. Review of the Jewellery Week in Munich 2020. Part 1/2
Article
/
Review
EditorsPicks
Published: 30.03.2020
Due to COVID-19, the Jewellery Week in Munich was this year reduced to its core: it felt like the beginnings of Schmuck some years ago said many. From about 63 exhibitions still on, I visited 13 to analyze the mood, see some good works and talk with the artists.
This is the first out of two parts of my review in which I talk about 6 of these exhibitions.
-
Mario Pinton: Goldsmithing as Artistic Knowledge. An essay by Sotiria Vasileiou
08Oct2026 -
Laurenz Stockner’s Objects Between Matter, Process, and Form to experience in an exhibition high in the Mountains of V...
05Oct2026 -
Five Jewellers Turn Business Plans into Action with the Goldsmiths’ Centre’s Business Catalyst (Small) Grants 2026
01Oct2026 -
Growing Gems. When gemstones become a creative language at Romanian Jewelry Week
28Sep2026 -
The Critic Stops at the Neck
28Sep2026 -
A Curatorial Vision of Eight Designers at Romanian Jewelry Week 2026
28Sep2026 -
When the File Comes First: What Is the Original in Contemporary Jewelry?
21Sep2026 -
Interlude
19Sep2026 -
Human, do you want co-exist? The third Lisbon Contemporary Jewellery Biennial is happening soon
11Sep2026 -
Onderonsje by Lucy Sarneel. A Future Classic in Contemporary Jewellery
25Aug2026 -
Desire for Symmetry. Part of the Master’s degree thesis: The Psychology of Vision
25Aug2026 -
Galleri Smedjan launches International Artist in Residence Programme. Julia Obermaier announced as First Resident Artist
24Aug2026 -
The Goldsmiths’ Centre appoints Julia Balchin as Director and Richard Reid as Chair of the Board of Trustees
12Aug2026 -
The Aluminium Gyro Bangle by David Watkins. A Future Classic in Contemporary Jewellery
03Aug2026 -
Jewellery as Situation: On the Relational Practice of Da Ye Kim. A Critical Review by Klimt02
03Aug2026
