Interview with Silvia Beccaria
Interview
/
Artists
Published: 22.12.2013

- Author:
- Klimt02
- Edited by:
- Klimt02
- Edited at:
- Barcelona

I think that handmade quality jewelry isn’t being standardized because it holds special techniques, inspirations, artists’ backgrounds, innovation and these characteristics aren’t standard. What we can consider local in my work is the influence of textile tradition.
Do you think that jewelry its being standardized? What is there of local and universal in your artistic work?
I think that handmade quality jewelry isn’t being standardized because it holds special techniques, inspirations, artists’ backgrounds, innovation and these characteristics aren’t standard. What we can consider local in my work is the influence of textile tradition. However, my work, which explores the boundaries between jewelry and fabric, re-elaborates an ancient manual technique and is detached from local tradition because in traditional hand-weaving some experimental materials such as plastic, rubber, pvc etc, aren’t used. Therefore it becomes contemporary and enjoyable on a universal level.
What do you expect when exposing your work to the public (for example with an exhibition)?
Usually when I have an exposition I like to receive questions, interpretations and compliments, obviously, but I’m also open to constructive criticism because it helps me move on.
Are other areas besides the jewelry, present in your work?
More than jewelry itself, I’m interested in sculpture and in the three-dimensionality of objects. In fact what I like to portray in my work is creating a fabric which gives three-dimensional shapes.
The last work, book, film that has moved me was...
There are many films that have moved me, but generally films that inspire my jewelry works are those set in the centuries which always inspired my ruffs.
A place, space, country whose creativity surprises me...
Generally I admire the works of Japanese artists because in all their artistic expressions (contemporary art, fiber art, jewelry art etc). I find beauty, precision, respect for tradition and sublime technique.
Is there any designer, jeweller, artist, you appreciate a lot?
I appreciate a lot Japanese artists such as Noriko Narahira, Kumi Yamashita, for reasons that I gave in the last question.
What piece or work has given you the most satisfaction?
A piece of mine that has given me great satisfaction is “La Speziale” (Spicy ruff), a jewel inspired by aromas, perfumes and flavours that I made for the contest Gioielli in Fermento 2013. It was challenging to transform a jewel into a scented work.
I think that handmade quality jewelry isn’t being standardized because it holds special techniques, inspirations, artists’ backgrounds, innovation and these characteristics aren’t standard. What we can consider local in my work is the influence of textile tradition. However, my work, which explores the boundaries between jewelry and fabric, re-elaborates an ancient manual technique and is detached from local tradition because in traditional hand-weaving some experimental materials such as plastic, rubber, pvc etc, aren’t used. Therefore it becomes contemporary and enjoyable on a universal level.
What do you expect when exposing your work to the public (for example with an exhibition)?
Usually when I have an exposition I like to receive questions, interpretations and compliments, obviously, but I’m also open to constructive criticism because it helps me move on.
Are other areas besides the jewelry, present in your work?
More than jewelry itself, I’m interested in sculpture and in the three-dimensionality of objects. In fact what I like to portray in my work is creating a fabric which gives three-dimensional shapes.
The last work, book, film that has moved me was...
There are many films that have moved me, but generally films that inspire my jewelry works are those set in the centuries which always inspired my ruffs.
A place, space, country whose creativity surprises me...
Generally I admire the works of Japanese artists because in all their artistic expressions (contemporary art, fiber art, jewelry art etc). I find beauty, precision, respect for tradition and sublime technique.
Is there any designer, jeweller, artist, you appreciate a lot?
I appreciate a lot Japanese artists such as Noriko Narahira, Kumi Yamashita, for reasons that I gave in the last question.
What piece or work has given you the most satisfaction?
A piece of mine that has given me great satisfaction is “La Speziale” (Spicy ruff), a jewel inspired by aromas, perfumes and flavours that I made for the contest Gioielli in Fermento 2013. It was challenging to transform a jewel into a scented work.

Ruff: La Speziale, 2013
Nylon, wire, tulle, spices
Selected for Gioielli in Fermeno 2013
Photo by Silvia Paganino
© By the author. Read Klimt02.net Copyright.

- Author:
- Klimt02
- Edited by:
- Klimt02
- Edited at:
- Barcelona
Forum Shortcuts
-
Juanjo García Martín interviewed by Klimt02
20Apr2018 -
Tanel Veenre interviewed by Margherita Potenza
08Apr2018 -
Focus on building an infrastructure. About Critique. Interview with Philip Warkander
06Apr2018 -
Giulia Savino interviewed by Klimt02
26Mar2018 -
Juggling and Jewellery. A Conversation with an outsider about Munich Jewellery Week
14Mar2018 -
Lucia Antonelli interviewed by Patina Gallery
13Mar2018 -
Unique is definitely the long history of jewelry. Wolfgang Lösche and Eva Sarnowski on SCHMUCK in Munich. An interview ...
06Mar2018 -
Stefano Marchetti interviewed by Mirella Cisotto Nalon
01Mar2018 -
Cleopatra Cosulet interviewed by Klimt02
19Feb2018 -
I am A mediator. Birgit Jacobs in conversation with Isabella Hund
13Feb2018 -
Erich Zimmermann interviewed by Patina Gallery
12Feb2018 -
Amelie Spitz interviewed by Klimt02
01Feb2018 -
Akis Goumas: in search of the prehistoric craftsman
29Jan2018 -
Laura Forte interviewed by Klimt02
23Jan2018 -
Kay Guo interviewed by Klimt02
22Jan2018