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Most of my pieces have an attachment mechanism to connect it to user´s body. Or the connection is formed via form of the piece. I think that function of an object as jewelry, is quite universal jewellery feature in my work.
Do you think that jewellery is being standardized?
No, I don´t think so. Some groups have tried to do so for their own benefits, but this field of art (jewellery in general) is so wide and old, that it is quite absurd and ridiculous to start to define it into one so called officially approved mold. Different styles and modes have existed, and probably will exist, even on contemporary jewellery field. It doesn´t rule out individual paths.
What is there of local and universal in your artistic work?
Most of my pieces have an attachment mechanism to connect it to user´s body. Or the connection is formed via form of the piece. I think that function of an object as jewelry, is quite universal jewellery feature in my work. But not always. My jewellery sculptures have no physical connection to bodies. They study the function of the jewellery as an idea.
I have studied also about how universal is the concept of different colors, beyond physical colors.
Or the symbolism of animal narratives.
What do you expect when exposing your work to the public (for example with an exhibition)?
I don´t expect it, but I hope to take the attention of public to those issues which I have noticed in the environment. Animal rights and environmental problems.
Are other areas besides the jewellery, present in your work?
Sculpture. But doesn´t it in any object? Similarly I see many similarities in jewellery and music. Making jewellery and playing music/composing. In my life they kind of work together. Via playing keyboard I often find the right tone and timeing compilation to define the atmosphere. And that compilation shows itself to me as a color. I can find and play the so called melody for an hour or two, but then I just simply become bored, and start to study it again with my jewellery piece. But sometimes the mental image of a new piece is so ready in my mind, that I don´t use music any other way, than hearing on the background (played by others).
Also photography has a lot to do with the expression of my work. Public often see just a photo of the work, not the piece as a real object.
The last work, book, film, city that has moved me was...
(album) Dave Gahan & Soulsavers: Angels & Ghosts, (book) Sami Karjalainen: Suomen sudenkorennot, (film) Jean-Jacques Annaud: Two Brothers, (city) Lappeenranta.
A place, space, country whose creativity surprises me…
The Forest, The Sky, The Surface of The Water…
Is there any designer, jeweller, artist, you appreciate a lot?
Mark Rothko (painter), Osmo Rauhala (painter), Dave Gahan (singer)…
What piece or work has given you the most satisfaction?
Impossible to choose.
Do you read Jewellery Magazines? What is your source to get information?
Most news come via Klimt02, or people send info straight by emails. Internet in general. But I have to say, that I am not so keen follower of jewellery field, for I try to have as much time to work as possible. All other work related side things come then somewhere, if I have time/interest. Too much focusing on field in general could get me turning my back on whole jewellery, for days, which I can´t do because the stories of animals need to be told.
Do you discuss your work with other jewellery artists or any other person?
Sometimes with my sister.
What is your first thought when you hear the word Future?, What do you expect for?
Continuation of working via jewellery and with animals. Nature.
I want to hang architecture on the necks and push to thoughts about what we could do with it. Asya Gulak interviewed by ...05Nov2018
I would like to say my works is just like my diary. Dongyi Wu interviewed by Klimt0222Oct2018
We all die, but we don't know when. Our lifespan is uncertain, but it also provides an intriguing tension. Ruudt Peters ...20Oct2018
Being a surrealist helps me explore and dance in the energy of the interconnectedness of all things. Betsy Youngquist in...16Oct2018
I like to work with my hands, to create, transform my thoughts and my emotions into objects, wearable or not. Elli Xippa...08Oct2018
I am fascinated by the fact that there are no limits to creativity or choice of material in jewelry making. Ioli Livada ...08Oct2018
I think I freeze a moment of evolution and merge it with thoughts and emotions. Angelos Konstantakatos interviewed by Po...08Oct2018
The most intriguing of them all is the ability to design a piece and have it worn in different locations. Constantinos P...08Oct2018
It concentrates and communicates out to the world the aesthetic values and messages of the artist. Yiota Vogli interview...08Oct2018
The freedom of expression and the maximum connection of my inner self to the outer world. Erato Kouloubi interviewed by ...28Sep2018
To express anything you need and want to, without having the anxiety of “beauty”... Marina Zachou interviewed by Pop...28Sep2018
It was for me a means to relax from work while keeping my hands and mind busy. Niki Stylianou interviewed by Popeye love...28Sep2018
My work belongs to the earth, contributing to the everlasting cycle of life. Aggelika Diplari interviewed by Popeye love...27Sep2018
I feel like a laboratory researcher. Ariel Lavian interviewed by Klimt0225Sep2018
I love the reaction that people want to eat my work. Rebecca Wilson interviewed by Klimt0220Sep2018