Barbara Schrobenhauser
Jeweller
/
Klimt02MemberSelectedSchmuck2018
Published: 16.10.2017
gmx.deBrooch: You and me, 2017
Different kind of strings (mostly donated from friends and colleagues), silver, stainless steel.
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Brooch: You and me, 2017
Different kind of strings (mostly donated from friends and colleagues), silver, stainless steel.
On model
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Brooch: Concentrated and Confused, 2017
Cotton string, silver, stainless steel.
9 x 9 x 2.5 cm
Photo by: Mirei Takeuchi
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Brooch: Concentrated and Confused, 2017
Cotton string, silver, stainless steel.
9 x 9 x 2.5 cm
Photo by: Mirei Takeuchi
Back view
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Brooch: Step by Step, 2017
Cotton string, silver, 585 gold, stainless steel.
9 x 9 x 2.5 cm
Photo by: Mirei Takeuchi
© By the author. Read Klimt02.net Copyright.
Brooch: Step by Step, 2017
Cotton string, silver, 585 gold, stainless steel.
9 x 9 x 2.5 cm
Photo by: Mirei Takeuchi
Back view
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Object: Time is on my side – blue like the future, 2017
Paper, paste, glass pigments, basalt and basalt sand, lichen.
26 x 16 x 16 cm
Photo by: Mirei Takeuchi
From series: Time is on my side
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Object: Time is on my side – blue like the future, 2017
Paper, paste, glass pigments, basalt and basalt sand, lichen.
26 x 16 x 16 cm
Photo by: Mirei Takeuchi
From series: Time is on my side
Side view
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Neckpiece: Vom Tragen und Halten II, 2017
Wood, strings.
60 cm long
Photo by: Mirei Takeuchi
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Neckpiece: Vom Tragen und Halten II, 2017
Wood, strings.
60 cm long
Photo by: Mirei Takeuchi
Back view
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Neckpiece: Vom Tragen und Halten III, 2017
Wood, strings.
90 cm long
Photo by: Mirei Takeuchi
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Neckpiece: Vom Tragen und Halten III, 2017
Wood, strings.
90 cm long
Photo by: Mirei Takeuchi
Back view
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Necklace: No control on fire I, 2015
Shibuichi, Silver
Photo by: Mirei Takeuchi
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Object: Eine Zeitlang - Die Zeit auf meiner Seite, 2013
Paper, pigments, glue
ø 16 x 26 cm
Photo by: Mirei Takeuchi
Awarded at: Bayerischer Staatspreis
Bayerischer Staatspreis 2014
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Necklace: Caught by fire, 2015
Bronze, textile
Photo by: Mirei Takeuchi
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Brooch: Drawn to it II, 2015
Aluminium, silver, stainless steel
Photo by: Mirei Takeuchi
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Necklace: Rope, 2015
Aluminium and string.
Photo by: Mirei Takeuchi
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Necklace: Rope, 2015
Aluminium and string.
Photo by: Mirei Takeuchi
On model
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Necklace: Glowing II, 2015
Copper, string and silver.
Photo by: Mirei Takeuchi
Awarded at: Danner Honor Award 2017
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Necklace: Played with fire, 2015
Shibuichi, silver
Photo by: Mirei Takeuchi
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Necklace: Played with fire, 2015
Shibuichi, silver
Photo by: Mirei Takeuchi
On model
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Necklace: Surfaces, 2015
Aluminium, stainless steel.
Photo by: Mirei Takeuchi
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Necklace: Surfaces, 2015
Aluminium, stainless steel.
Photo by: Mirei Takeuchi
On model
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Necklace: Fractures, 2015
Aluminium, string
Photo by: Mirei Takeuchi
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Necklace: Fraktures, 2015
Aluminium, stainless steel, silver
Photo by: Mirei Takeuchi
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Necklace: Aluminium IV, 2015
Aluminium, string
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Brooch: Perlwhite, 2014
Paper, glue, pigment, silver, stainless steel
4x4x2cm
Photo by: Mirei Takeuchi
From series: The Time on my side
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Object: Closed Vase, 2014
Paper, glue, pigments
18x8x8cm
Photo by: Mirei Takeuchi
From series: The Time on my side
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Pendant: Green Oval, 2014
Paper, glue, string.
4.5x3.5x1.2cm
Photo by: Mirei Takeuchi
From series: Exactly
Side view
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Pendant: Green Oval, 2014
Paper, glue, string.
4.5x3.5x1.2cm
Photo by: Mirei Takeuchi
From series: Exactly
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Brooch: Ember/ Fracture, 2014
Aluminium, stainless steel
3.5x3.5x2cm
Photo by: Mirei Takeuchi
© By the author. Read Klimt02.net Copyright.
Brooch: Ember/ Fracture, 2014
Aluminium, stainless steel
3.5x3.5x2cm
Photo by: Mirei Takeuchi
Back view
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Collier: Embers, 2014
Aluminium, string
Ca. 50cm long; diameter of one detail: 0.7cm
Photo by: Mirei Takeuchi
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Necklace: Glowing, 2015
Cooper, string
3 x 3 x 2 cm
Photo by: Mirei Takeuchi
© By the author. Read Klimt02.net Copyright.
Barbara Schrobenhauser is based in Munich and studied at the Academy of Fine Arts in Munich with Otto Künzli. After an apprenticeship as a goldsmith she was working for 7 years in several studios in Germany and Barcelona before she started her studies in the end of her twenties. Since 2013 she works on her own in a shared studio with three other jewellery artists.
Statement
My way to a piece very often comes through a working method. I look for my way to work with a material and walk along it, looking around in my mind. After experimenting I make my decisions and my choices. To make is to think. I want to get astonished at the end of the working process. I am curious so I make.There is more then meets the eye. This is an important point: you can fully understand my works only by touching them.
CV 
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