Molly Wang
Jeweller
Published: 04.11.2019
gmail.comBrooch: Rhizome No.3, 2019
Oxidized copper, sponge, leather cord, silver steel.
6.5 x 6 x 17 cm
Photo by: Molly Wang
From series: Rhizome
© By the author. Read Klimt02.net Copyright.
Necklace: Rhizome No.9, 2019
Oxidized copper, sponge, leather cord.
5 x 5 x 150 cm
Photo by: Molly Wang
© By the author. Read Klimt02.net Copyright.
Brooch: Rhizome No.2, 2019
Oxidized copper, sponge, leather cord, silver steel.
7.5 x 4 x 75 cm
Photo by: Molly Wang
From series: Rhizome
No centrality, no hierarchy, no expectation, no restriction.
Molly's work is inspired by her passion for metalsmithing as it’s a low-tech and slow process allows for a more intimate relationship between her and her pieces. She enjoys the possibility of changing and creative freedom during making. They’re not planned nor can be fixed to a singular form. From the signifier to the signified, she creates the rhizome pieces to tell an expanding way of thinking and making, rather than the simple right way. She encourages wearers to experience the creative making process by observing and wearing her pieces in diverse ways without expectation and enjoy the freedom of wearing.
© By the author. Read Klimt02.net Copyright.
Brooch: Rhizome No.4, 2019
Britannia silver, sponge, leather cord, stainless steel.
8 x 8 x 16 cm
Photo by: Molly Wang
From series: Rhizome
© By the author. Read Klimt02.net Copyright.
Brooch: Rhizome No.12, 2019
Oxidized copper, sponge, leather cord, silver steel.
8.5 x 5 x 94 cm
Photo by: Molly Wang
From series: Rhizome
© By the author. Read Klimt02.net Copyright.
Necklace: Rhizome No.13, 2019
Oxidized copper, sponge, leather cord.
50 x 8 x 70 cm
Photo by: Molly Wang
From series: Rhizome
© By the author. Read Klimt02.net Copyright.
Necklace: Rhizome No.10, 2019
Britannia silver, sponge, leather cord.
8.5 x 7 x 65 cm
Photo by: Molly Wang
From series: Rhizome
© By the author. Read Klimt02.net Copyright.
Necklace: Rhizome No.5, 2019
Oxidized copper, sponge, leather cord.
12 x 11 x 280 cm
Photo by: Molly Wang
From series: Rhizome
© By the author. Read Klimt02.net Copyright.
Bracelet: Rhizome No.6, 2019
Oxidized copper, leather cord.
14.5 x 14 x 18 cm
Photo by: Molly Wang
From series: Rhizome
© By the author. Read Klimt02.net Copyright.
Brooch: Rhizome No.1, 2019
Oxidized copper, sponge, leather cord, silver steel.
9 x 4 x 93 cm
Photo by: Molly Wang
From series: Rhizome
© By the author. Read Klimt02.net Copyright.
Necklace: Rhizome No.7, 2019
Oxidized copper, sponge, leather cord.
Photo by: Molly Wang
From series: Rhizome
© By the author. Read Klimt02.net Copyright.
Brooch: Body Nonverbal Communication, 2018
Jesmonite, sterling silver, spray paint.
9 x 6 x 7.5 cm
Photo by: Molly Wang
From series: Body Nonverbal Communication
© By the author. Read Klimt02.net Copyright.
Piece: Obesity, 2016
Woodnut, brass, acrylic paint, silver, rubber, cotton, paper clay.
Left to right: 10 x 15 x 11 cm; 14 x 4 x 9 cm; 12 x 8 x 5 cm; 6 x 3 x 12; 8 x 6 x 5 cm
Photo by: Molly Wang
From series: Obesity
© By the author. Read Klimt02.net Copyright.
Necklace: Obesity, 2016
Copper, spray paint, woodnut, rubber tube.
16 x 10 x 125 cm
Photo by: Molly Wang
From series: Obesity
© By the author. Read Klimt02.net Copyright.
Necklace: Dancing, 2016
Heat-shrinkable tube, woodnut, silver, cold enamel.
7 x 4 x 120 cm
Photo by: Molly Wang
From series: Dancing
© By the author. Read Klimt02.net Copyright.
Molly Wang is a Chinese art jeweller based in Beijing. She has been awarded MA with Distinction in Jewellery and Related Products in Birmingham City University, School of Jewellery in the UK. From an amateur to a professional jeweller, she works with all her passion to transfer her thinking to tangible sculptural wearable objects. Now she is focusing on raising and hammering technique to achieve her work.
No centrality, no hierarchy, no expectation, no restriction. My recent work is inspired by my passion for metalsmithing as it’s a low-tech and slow process allows for a more intimate relationship between me and my pieces. I enjoy the possibility of changing and creative freedom during making. They’re not planned nor can be fixed to a singular form. From the signifier to the signified, I create the rhizome pieces to tell an expanding way of thinking and making, rather than the simple right way. I encourage wearers to experience the creative making process by observing and wearing my pieces in diverse ways without expectation and enjoy the freedom of wearing.
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