HEAR, Haute école des arts du Rhin. Degree Show 2021

Exhibition / NewTalentsByKlimt02 / 17 Sep 2021 - 19 Sep 2021

Published: 16.09.2021

HEAR, Haute école des arts du Rhin

: 1 Rue de l'Académie
67082 - Strasbourg
FRANCE

: Website HEAR; Instagram HEAR

Mail:: sophie.hanagarthhear.fr; florence.lehmannhear.fr

Phone:: +33 (0)3 69 06 37 75; +33 (0)6 26 75 55 37

Management:: Laurent Doucelance

Ring: Lulav by Selia Descours.Copper, paint.. 2021
. So that, weak as I am, I do not let my head go with the winds, yielding to the slightest breeze that it meets, it would need everything around me to be unmoving or, thrown and humming like a spinning top, I’m cut off from all things external […] when I’m slowly spinning and trying to launch myself, a nothing, a word, a story, a newspaper, a visit brings me to a stop, preventing me from becoming a gyroscope or a spinning top […] and can put off, maybe forever, the moment when, having acquired sufficient speed, I will be able to concentrate on myself, to the exclusion of all around me..

Selia Descours
Ring: Lulav, 2021
Copper, paint.

So that, weak as I am, I do not let my head go with the winds, yielding to the slightest breeze that it meets, it would need everything around me to be unmoving or, thrown and humming like a spinning top, I’m cut off from all things external […] when I’m slowly spinning and trying to launch myself, a nothing, a word, a story, a newspaper, a visit brings me to a stop, preventing me from becoming a gyroscope or a spinning top […] and can put off, maybe forever, the moment when, having acquired sufficient speed, I will be able to concentrate on myself, to the exclusion of all around me.
© By the author. Read Klimt02.net Copyright.

Bracelet: Ourobore by Selia Descours.Silver.. 2021

Object: Le Foyer by Selia Descours.Ceramic, brass, plexiglass.. 2021Object and top rings.

Object: Totems by Yvanne Laurent.Copper.. 2021
. My practice is a methodical and intuitive ritual where repetition - of a pattern, of gestures - produces variation. By using energy that turns tirelessly inward, consisting of tiny deviations between an experience to another, lines and material is inscribed in the space and on the body. I find myself witnessing a process of permanent transformations which stand as much from my will as from active chance. From the pattern and its variations, forms are born, at least to handle, at best to wear.
. .

Set: Trinité by Yvanne Laurent.Copper.. 2021 Bead, box, pedestal..

Ring: Bague sculpture, boîte et socle by Yvanne Laurent.Silver.. 2021

Object: Copper experiments by Manon Pourcher.Hammered copper on Lozère limestone.. 2019
. Collecting. Picking up objects, here and there. Objects that are this, in places that are there. There and not elsewhere, this and not something else. I collect this because it is there. Because it’s written, because it’s obvious this comes from there, this belongs there. And even if this doesn’t really come from there, in any case, this stayed there, evolved there, lived there for a while. This remembers there. And I think that there remembers this, too. There, one can find some beings living together, in very different times. Their paths cross and affect each other, influencing each other..

Object: Naissance de l’objet by Manon Pourcher.Copper.. 2021

Body piece: Transfert by Manon Pourcher.Rhône pebble, brass.. 2021

Body piece: Gilet de sauvetage de la vie quotidienne (life jacket) by Yoon Sunwoo.PVC, plastic.. 2020
. When the bee was preparing to eat at a feeding station and fly off, she was captured and put in a dark box and carried blind to a third feeding station where she had never been before (…). When we released her, she reacted as if she didn’t know where she was. As we expected, after reaching the spot where the beehive would have been, she flew around all over the place (…). After a short wait, she finally returned to the air. She’s flying south! North! East! North! West! South! Now she’s moving in a straight line! She’s flying straight to the hive! She was certainly able to “know” the right direction to fly back home, using something that identified her position on the map. Was she able to confirm her new position on the map through her past orientation flights?— Homing Instinct, Bernd Heinrich — Parfait..

Ring: Le Pari #3, #6, #8, #43, #21 #12, #17, #7, #10 by Yoon Sunwoo.Wood, brass, porcelain, crystal.. 2021Token ring.

Ring: Le Pari #21, #5, #6, #16 by Yoon Sunwoo.Crystal, wax, porcelain, wood.. 2021Coat Hanger, token ring..

Selia Descours
Bracelet: Ourobore, 2021
Silver.
© By the author. Read Klimt02.net Copyright.

Selia Descours
Object: Le Foyer, 2021
Ceramic, brass, plexiglass.
Object and top rings
© By the author. Read Klimt02.net Copyright.

Yvanne Laurent
Object: Totems, 2021
Copper.

My practice is a methodical and intuitive ritual where repetition - of a pattern, of gestures - produces variation. By using energy that turns tirelessly inward, consisting of tiny deviations between an experience to another, lines and material is inscribed in the space and on the body. I find myself witnessing a process of permanent transformations which stand as much from my will as from active chance. From the pattern and its variations, forms are born, at least to handle, at best to wear.

© By the author. Read Klimt02.net Copyright.

Yvanne Laurent
Set: Trinité, 2021
Copper.
Bead, box, pedestal.
© By the author. Read Klimt02.net Copyright.

Yvanne Laurent
Ring: Bague sculpture, boîte et socle, 2021
Silver.
© By the author. Read Klimt02.net Copyright.

Manon Pourcher
Object: Copper experiments, 2019
Hammered copper on Lozère limestone.

Collecting. Picking up objects, here and there. Objects that are this, in places that are there. There and not elsewhere, this and not something else. I collect this because it is there. Because it’s written, because it’s obvious this comes from there, this belongs there. And even if this doesn’t really come from there, in any case, this stayed there, evolved there, lived there for a while. This remembers there. And I think that there remembers this, too. There, one can find some beings living together, in very different times. Their paths cross and affect each other, influencing each other.
© By the author. Read Klimt02.net Copyright.

Manon Pourcher
Object: Naissance de l’objet, 2021
Copper.
© By the author. Read Klimt02.net Copyright.

Manon Pourcher
Body piece: Transfert , 2021
Rhône pebble, brass.
© By the author. Read Klimt02.net Copyright.

Yoon Sunwoo
Body piece: Gilet de sauvetage de la vie quotidienne (life jacket), 2020
PVC, plastic.

When the bee was preparing to eat at a feeding station and fly off, she was captured and put in a dark box and carried blind to a third feeding station where she had never been before (…). When we released her, she reacted as if she didn’t know where she was. As we expected, after reaching the spot where the beehive would have been, she flew around all over the place (…). After a short wait, she finally returned to the air. She’s flying south! North! East! North! West! South! Now she’s moving in a straight line! She’s flying straight to the hive! She was certainly able to “know” the right direction to fly back home, using something that identified her position on the map. Was she able to confirm her new position on the map through her past orientation flights?— Homing Instinct, Bernd Heinrich — Parfait.
© By the author. Read Klimt02.net Copyright.

Yoon Sunwoo
Ring: Le Pari #3, #6, #8, #43, #21 #12, #17, #7, #10, 2021
Wood, brass, porcelain, crystal.
Token ring
© By the author. Read Klimt02.net Copyright.

Yoon Sunwoo
Ring: Le Pari #21, #5, #6, #16, 2021
Crystal, wax, porcelain, wood.
Coat Hanger, token ring.
© By the author. Read Klimt02.net Copyright.

In the Diploma Degree program 2021, students in jewellery workshop at HEAR develop a relevant personal vision through the use of various materials and know-how.

Artist list

Sélia Descours, Yvanne Laurent, Manon Pourcher, Yoon Sunwoo

Jewellery as an artistic discipline and field of experimentation is a particularity of French art schools. Rooted in the Goldsmithing Workshop, the Jewellery Workshop at HEAR borders on contemporary art and design. It is a place for acquiring and using techniques and for generating ideas related to the intrinsic qualities of the jewel and the complex evolution of body adornment. Students develop a relevant personal vision through the use of various materials and know-how.

Opening: Friday 17 September, 2:00 - 11:00 pm
Hours: 18 -19 September, 1:00 - 7:00 pm

Teachers:
Guiding teachers : Sophie Hanagarth and Florence Lehmann.
Assistant: Annie Sibert.

More info for the Diploma Program: Haute école des arts du Rhin.

HEAR, Haute école des arts du Rhin

: 1 Rue de l'Académie
67082 - Strasbourg
FRANCE

: Website HEAR; Instagram HEAR

Mail:: sophie.hanagarthhear.fr; florence.lehmannhear.fr

Phone:: +33 (0)3 69 06 37 75; +33 (0)6 26 75 55 37

Management:: Laurent Doucelance

HEAR, Haute école des arts du Rhin. Degree Show 2021

Artist list

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Artist list

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The Void as an Affinity

Feathers, Frost and Fantastic Creatures

Slow Matter during New York Jewelry Week 2026

Crown Jewels as a Metaphor during New York Jewelry Week 2026

Hand to Form. An Art To Wear Exhibition during New York Jewelry Week 2026

Between Heaven and Hell by Sofia Björkman

Tincal lab Challenge 2026. Jewelry and Identity

Laboratorium with Kim Buck

WeerWerk by Ria Lins and Els Vansteelandt

VONMO 5th Contemporary Jewelry Exhibition 2026: Seeding

Preziosa Young 2026 in Asolo

Arnoldsche Weekend Art Gallery #19

Delicate Creatures by Märta Mattsson and Sona Kobanova

Craft Now!