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Evening College JewelleryDesign. Degree Show 2018

Exhibition  /  30 Jun 2018
Published: 26.06.2018
Evening College JewelleryDesign. Degree Show 2018.
Wissenschaftliches Zentrum der Polnischen Akademie der Wissenschaften
Place
Boerhaavegasse 25
1030 -  Vienna
AUSTRIA
Website Die KunstModeDesign Herbststrasse
Facebook Herbststrasse
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Website Polnische Akademie der Wissenschaften
Mail:
kontaktE-mailherbststrasse.at
susanne.hammerE-mailherbststrasse.at
birgit.wiesingerE-mailherbststrasse.at
Philipp Missaghi. Brooch: Schmuckstück 51, 2018. Silver, acrylic glass, dental wire.. 5 x 8 cm. Photo by: Dora Kuthy. From series: Mutation of Tradition. . The piece reflects on photo 51, an X-ray diffraction image of crystallized DNA, from 1952 that was the result of the research by the British scientist Rosalind Franklin. Although the image and Franklin´s work changed our understanding of DNA and can therefore be understood as the basis of modern day science, her achievements only received recognition recently. . The material and form of the piece of jewellery were chosen to incorporate the materiality of images therefore photographs, light and shadow. Silver was chosen for its pale colour and for being the metal to reflect the most light. The composition of the piece in two layers allows direct light to shine through the acrylic glass, creating shadows where the glass is engraved and therefore recreating the act of making a shadow image. The structure also allows the shadows to wander, creating movement and realising the moment the picture of DNA was taken. The tubing at the back allows the wearer to choose whether they want to wear the piece as a brooch or a pendant, for which there are two different possibilities of hanging it.. Philipp Missaghi
Brooch: Schmuckstück 51, 2018
Silver, acrylic glass, dental wire.
5 x 8 cm
Photo by: Dora Kuthy
From series: Mutation of Tradition

The piece reflects on photo 51, an X-ray diffraction image of crystallized DNA, from 1952 that was the result of the research by the British scientist Rosalind Franklin. Although the image and Franklin´s work changed our understanding of DNA and can therefore be understood as the basis of modern day science, her achievements only received recognition recently.
The material and form of the piece of jewellery were chosen to incorporate the materiality of images therefore photographs, light and shadow. Silver was chosen for its pale colour and for being the metal to reflect the most light. The composition of the piece in two layers allows direct light to shine through the acrylic glass, creating shadows where the glass is engraved and therefore recreating the act of making a shadow image. The structure also allows the shadows to wander, creating movement and realising the moment the picture of DNA was taken. The tubing at the back allows the wearer to choose whether they want to wear the piece as a brooch or a pendant, for which there are two different possibilities of hanging it.
© By the author. Read Klimt02.net Copyright.

Intro
Evening College Jewellery Design at KunstModeDesign Herbststrasse Vienna presents their graduates of the year 2018 under the title "Mutation of Tradition". On show are also jewellery pieces with personal approach.

Artist list

Miriam Boehmerle, Lucia Buhr, Ulrike Burgholzer, Ida Fischer, Reinhilde Lahner, Julia Loeffler, Theresa Macourek, Philipp Mann, Philipp Missaghi, Dorota Paruznik, Nadine Pramhas, Christina Reinisch, Anna Riess, Magdalena Tritscher, Teodora Tsvetkova, Mira Urbajs
A selection of works from two different final projects - “Mutation of Tradition” and graduation pieces with personal approach - is on show. The title “Mutation of Tradition” triggered the students to create an individual piece for their final exam by combining different production and surface techniques. The graduation project was dealing with a theme the students developed in a duaration of a year.
 
 
Guiding Lecturers: Nikolaus Egger, Birgit Wiesinger, Sonja Bischur, Susanne Hammer, Haldis Scheicher, Hemma Pumhoesl
Opening speech: Mag. Gabriele Sulzgruber- Schartl, Director.
Introduction: Mag. Hemma Pumhösl, Head of department.
On the exhibition: Mag. Birgit Wiesinger, Coordinator Evening College Jewellery Design.
 
Miriam Boehmerle. Brooch: HOMUTATION. Die Hominisation als Mutation, 2018. Sterling silver, stainless steel, tourmaline.. 8 x 5 cm. Photo by: Dora Kuthy. From series: Mutation of Tradition. . My brooch deals with the issue that the Homo Sapiens could be a kind of mutation because of its questionable way to the top of the food chain.The tooth symbolizes the connecting thread between all human species because its form is known to be one of the few aspects which distinguished them from other human ancestors. The wire rack represents a schematic depiction of Darwins phylogenetic tree and the tourmaline stands for the marking on a map which says „you are here“. This plays with the idea that the Homo Sapiens is on a journey and that the Mutation isn’t at its end.. Miriam Boehmerle
Brooch: HOMUTATION. Die Hominisation als Mutation, 2018
Sterling silver, stainless steel, tourmaline.
8 x 5 cm
Photo by: Dora Kuthy
From series: Mutation of Tradition

My brooch deals with the issue that the Homo Sapiens could be a kind of mutation because of its questionable way to the top of the food chain.The tooth symbolizes the connecting thread between all human species because its form is known to be one of the few aspects which distinguished them from other human ancestors. The wire rack represents a schematic depiction of Darwins phylogenetic tree and the tourmaline stands for the marking on a map which says „you are here“. This plays with the idea that the Homo Sapiens is on a journey and that the Mutation isn’t at its end.
© By the author. Read Klimt02.net Copyright.
Lucia Buhr. Brooch: Corals and Pearls, 2018. Silver, porcelain, pearls, corals.. 3 x 5 cm. Photo by: Lucia Buhr. From series: Corals and Pearls. . The series "corals and pearls" focuses on the jewellery materials that nature provides us with. Both never lost in popularity in jewellery, despite their long history. However, coral and pearl jewellery changed over and over and vary especially in the contemporary jewellery from the picture we usually have in mind. With my work I want to show those beautiful materials in a modern context and inspire to experience their full potential.. Lucia Buhr
Brooch: Corals and Pearls, 2018
Silver, porcelain, pearls, corals.
3 x 5 cm
Photo by: Lucia Buhr
From series: Corals and Pearls

The series "corals and pearls" focuses on the jewellery materials that nature provides us with. Both never lost in popularity in jewellery, despite their long history. However, coral and pearl jewellery changed over and over and vary especially in the contemporary jewellery from the picture we usually have in mind. With my work I want to show those beautiful materials in a modern context and inspire to experience their full potential.
© By the author. Read Klimt02.net Copyright.
Ulrike Burgholzer. Bracelet: Mokume Gane, 2018. Mokume Gane, 925 silver, bronze.. ø 7.5 cm. Photo by: Ulrike Burgholzer.   . Bridging past technology withcontemporaryjewellery is not a mere matter of using an ancient technique, but a thrilling encounter of the two, thus fostering ongoing alterations and enhancements of this technique. In my thesis examples of ancient and contemporary art objects and jewellery are presented and allow to gain an insight into the wide range of Mokume Gane. In addition this book is intended to give an understanding of both, the technique and aspects of the theory of jewellery. . Based on two japanese haikus: . "tsuki to ware to mono omou koro kumo okoru" by Katô Kyôtai (As the moon and I wanted to think about something, clouds appeared) . and "uekiya no oite yuki-taru kochô kana" by Ôshima Ryôta (Oh, the gardener left a butterfly at ours), the idea was to find new ways of interpretation of mokume gane. . Ulrike Burgholzer
Bracelet: Mokume Gane, 2018
Mokume Gane, 925 silver, bronze.
ø 7.5 cm
Photo by: Ulrike Burgholzer
 
Bridging past technology withcontemporaryjewellery is not a mere matter of using an ancient technique, but a thrilling encounter of the two, thus fostering ongoing alterations and enhancements of this technique. In my thesis examples of ancient and contemporary art objects and jewellery are presented and allow to gain an insight into the wide range of Mokume Gane. In addition this book is intended to give an understanding of both, the technique and aspects of the theory of jewellery.
Based on two japanese haikus:
"tsuki to ware to mono omou koro kumo okoru" by Katô Kyôtai (As the moon and I wanted to think about something, clouds appeared)
and "uekiya no oite yuki-taru kochô kana" by Ôshima Ryôta (Oh, the gardener left a butterfly at ours), the idea was to find new ways of interpretation of mokume gane. 
© By the author. Read Klimt02.net Copyright.
Ida Fischer. Ring: Lotus Flower, 2018. Brass, thread.. 3 x 5 cm. Photo by: Ida Fischer. From series: Appreciation. . The ring is made as a sign and appreciation for mothers. They should always be reminded that they are excellent and proud of what they do.. Ida Fischer
Ring: Lotus Flower, 2018
Brass, thread.
3 x 5 cm
Photo by: Ida Fischer
From series: Appreciation

The ring is made as a sign and appreciation for mothers. They should always be reminded that they are excellent and proud of what they do.
© By the author. Read Klimt02.net Copyright.
Reinhilde Lahner. Necklace: 21N1, 2018. Gold 750, sterling silver, niello, aquamarine.. L 70 cm. Photo by: Reinhilde Lahner. . I love Niello. And I love Gold - of course. Both materials contrast in a mysterios and unusual manner with each other. The pure and simple shapes I use in my designs emphasize this contrast and assign more importance to the surface.  . I found out about Niello during a workshop with Petra Zimmermann in 2017. Fascinated by this unique technique i decided to design my diploma project with Niello and write my thesis about it. The Niello I used for this necklace was made by myself according to the recipe of Maestro Philip Sajet.. Reinhilde Lahner
Necklace: 21N1, 2018
Gold 750, sterling silver, niello, aquamarine.
L 70 cm
Photo by: Reinhilde Lahner

I love Niello. And I love Gold - of course. Both materials contrast in a mysterios and unusual manner with each other. The pure and simple shapes I use in my designs emphasize this contrast and assign more importance to the surface. 
I found out about Niello during a workshop with Petra Zimmermann in 2017. Fascinated by this unique technique i decided to design my diploma project with Niello and write my thesis about it. The Niello I used for this necklace was made by myself according to the recipe of Maestro Philip Sajet.
© By the author. Read Klimt02.net Copyright.
Theresa Macourek. Brooch: PFUI, 2018. Polymer clay, epoxy, 925 silver, dental steel, glass and plastic beads, freshwater pearls, plastic, human bone and tooth, doll and insect parts, shark teeth, moss, sponge, glue, glitter.. 4 to 8 cm. Photo by: Theresa Macourek. . The 5 brooches together form the word „Pfui“ which is an exclamation in german for the feeling of disgust in german. The pieces were inspired from the colourful underwater world of the Nudibranchs and their extraordinary behaviour and consist of a wild mix of different materials from the oddest ones which were to be found to traditionally bejewelling materials.. Theresa Macourek
Brooch: PFUI, 2018
Polymer clay, epoxy, 925 silver, dental steel, glass and plastic beads, freshwater pearls, plastic, human bone and tooth, doll and insect parts, shark teeth, moss, sponge, glue, glitter.
4 to 8 cm
Photo by: Theresa Macourek

The 5 brooches together form the word „Pfui“ which is an exclamation in german for the feeling of disgust in german. The pieces were inspired from the colourful underwater world of the Nudibranchs and their extraordinary behaviour and consist of a wild mix of different materials from the oddest ones which were to be found to traditionally bejewelling materials.
© By the author. Read Klimt02.net Copyright.
Dorota Paruznik. Brooch: back2front, 2018. Bone, ceramics, silver, silver leaf, synthetic corundum.. 8 x 12 cm. Photo by: Dorota Paruznik. From series: Jewellery at the bone. . This creation called "back2front" is a part of a 10-piece-collection out my thesis "jewellery at the bone". Illustrating the social intercourse with the butchering and the wasteful use of the slaughterhouse waste is necessary in todays world of industrialized lavishness. . My work shall make a connection between animal remains, bones and jewellery to facilitate a discussion or rather an increase in reputation.. Dorota Paruznik
Brooch: back2front, 2018
Bone, ceramics, silver, silver leaf, synthetic corundum.
8 x 12 cm
Photo by: Dorota Paruznik
From series: Jewellery at the bone

This creation called "back2front" is a part of a 10-piece-collection out my thesis "jewellery at the bone". Illustrating the social intercourse with the butchering and the wasteful use of the slaughterhouse waste is necessary in todays world of industrialized lavishness.
My work shall make a connection between animal remains, bones and jewellery to facilitate a discussion or rather an increase in reputation.
© By the author. Read Klimt02.net Copyright.
Nadine Pramhas. Object: I NEED SPARKLES, 2018. Silicon, brass, pigment color.. L 80 cm. Photo by: Vanessa Hartmann- Gnong. From series: In Between. . The emotions of the space in between should be transformed into a haptical object. The tension between two people should be expressed through the object. It can be interpreted positive or negative. A tension between two lovers, a sexual tension, one between parents and children, a tension that can be felt but not seen at first glance.. Nadine Pramhas
Object: I NEED SPARKLES, 2018
Silicon, brass, pigment color.
L 80 cm
Photo by: Vanessa Hartmann- Gnong
From series: In Between

The emotions of the space in between should be transformed into a haptical object. The tension between two people should be expressed through the object. It can be interpreted positive or negative. A tension between two lovers, a sexual tension, one between parents and children, a tension that can be felt but not seen at first glance.
© By the author. Read Klimt02.net Copyright.
Christina Reinisch. Necklace: Der Darm - Inside Out, 2018. Brass, silicone, coral beads, freshwater pearls, threat.. Photo by: Christina Reinisch.   . This work investigates the aesthetic aspects of the taboo subject “guts” and stress-related diseases of the gut in art jewelry. Experimentation with real pig intestines is done to demonstrateproperties such as behaviour, look andThe piece prompts interaction with oneself by revealing the inner inside out. In the feel. Flexible tubes connect brass frames which are partially filled with membranes made of silicone imitate human intestine. Coral beads and freshwater pearls simulate enlarged and stylized pathogens.bestcase the playful approach leads to a reduction of stress. . The conflict between the topics aesthetics and intestinal health are being artistically processed through science and are thereby rendered socially acceptable. . Christina Reinisch
Necklace: Der Darm - Inside Out, 2018
Brass, silicone, coral beads, freshwater pearls, threat.
Photo by: Christina Reinisch
 
This work investigates the aesthetic aspects of the taboo subject “guts” and stress-related diseases of the gut in art jewelry. Experimentation with real pig intestines is done to demonstrateproperties such as behaviour, look andThe piece prompts interaction with oneself by revealing the inner inside out. In the feel. Flexible tubes connect brass frames which are partially filled with membranes made of silicone imitate human intestine. Coral beads and freshwater pearls simulate enlarged and stylized pathogens.bestcase the playful approach leads to a reduction of stress.
The conflict between the topics aesthetics and intestinal health are being artistically processed through science and are thereby rendered socially acceptable. 
© By the author. Read Klimt02.net Copyright.
Magdalena Tritscher. Object: Frida y Magdalena, 2018. Leather, cement, chrome plated brass.. L 160 cm. Photo by: Magdalena Tritscher. . Inspired by the life of suffering of Frida Kahlo it has been the aim to create an object deforming the body. One of these objects are corsets and they have been a major source of inspiration for my artwork. From a medical point of view, the corset provides posture to support healing. In contrast to that a body-forming object has been created, which does not push the body into the correct position, but deforms it. The body is bulled by weights into an unnatural position. It is an attempt to present the combination of mental an physical health problems without suppressing artificial expression and work.. Magdalena Tritscher
Object: Frida y Magdalena, 2018
Leather, cement, chrome plated brass.
L 160 cm
Photo by: Magdalena Tritscher

Inspired by the life of suffering of Frida Kahlo it has been the aim to create an object deforming the body. One of these objects are corsets and they have been a major source of inspiration for my artwork. From a medical point of view, the corset provides posture to support healing. In contrast to that a body-forming object has been created, which does not push the body into the correct position, but deforms it. The body is bulled by weights into an unnatural position. It is an attempt to present the combination of mental an physical health problems without suppressing artificial expression and work.
© By the author. Read Klimt02.net Copyright.
Teodora Tsvetkova. Object: The Molecule Of Silence I, 2018. Silver, paper, styrofoam, tyvek, optical fibres, nylon thread.. L 70 cm. Photo by: Magdalena Tritscher. From series: Silence Up To The Stars… And Beyond…. . Can we still hear the silence? Around us, between us, in us? In our loud world today, silence seems to be a foreign word. The project „Silence Up To The Stars… And Beyond…“ tries to find aesthetic shapes for silence and to translate it visually into poetic space by using materials with appropriate expressiveness and immateriality of light.. Teodora Tsvetkova
Object: The Molecule Of Silence I, 2018
Silver, paper, styrofoam, tyvek, optical fibres, nylon thread.
L 70 cm
Photo by: Magdalena Tritscher
From series: Silence Up To The Stars… And Beyond…

Can we still hear the silence? Around us, between us, in us? In our loud world today, silence seems to be a foreign word. The project „Silence Up To The Stars… And Beyond…“ tries to find aesthetic shapes for silence and to translate it visually into poetic space by using materials with appropriate expressiveness and immateriality of light.
© By the author. Read Klimt02.net Copyright.
Mira Urbajs. Necklace: Auxiliarisus, 2018. Chased silver, moonstone, red garnet, pearl, pheasant feather.. L 60 cm. Photo by: Dora Kuthy. . The divine hybrid creature is intended to open the eyes of the beholder to a new world in which plurality, diversity and individuality play an important role and exclusions seem to fade. Unlike other religions, there is no God or institution essential, but the individual him*herself. With the help of Auxiliarisus, the individual develops into a self-accepting human being. It is a divinity, which is accessible to every person.. Mira Urbajs
Necklace: Auxiliarisus, 2018
Chased silver, moonstone, red garnet, pearl, pheasant feather.
L 60 cm
Photo by: Dora Kuthy

The divine hybrid creature is intended to open the eyes of the beholder to a new world in which plurality, diversity and individuality play an important role and exclusions seem to fade. Unlike other religions, there is no God or institution essential, but the individual him*herself. With the help of Auxiliarisus, the individual develops into a self-accepting human being. It is a divinity, which is accessible to every person.
© By the author. Read Klimt02.net Copyright.
Anna Riess. Object: Belly bacon, 2018. Aluminum, leather, clasps.. 20 x 70 cm. Photo by: Anna Riess. . This work gives an insight into the potential of fat and wrinkles and its positive aspects, as these physical attributes currently appear in our society as undesirable properties. Common phrases and plays on words sparked the gut feeling when it came to finding the right form and making artistic decisions.. Anna Riess
Object: Belly bacon, 2018
Aluminum, leather, clasps.
20 x 70 cm
Photo by: Anna Riess

This work gives an insight into the potential of fat and wrinkles and its positive aspects, as these physical attributes currently appear in our society as undesirable properties. Common phrases and plays on words sparked the gut feeling when it came to finding the right form and making artistic decisions.
© By the author. Read Klimt02.net Copyright.
Appreciate APPRECIATE

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