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Memory Maps Part 2 and Digital Artefacts at Platina

Exhibition  /  25 Aug 2022  -  24 Sep 2022
Published: 03.09.2022
Memory Maps Part 2 and Digital Artefacts at Platina.

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Intro
Platina presents the first two exhibitions of the autumn season by the skilful engraver Pierce Healy and jewellery artist Annika Petterson.

Artist list

Pierce Healy, Annika Pettersson
Pierce Healy
Memory Maps Part II 


“You say 
you wish you hand the confidence of the crashing waves,
and the patience of a volcano.
Oh, I remember you
freckle faced, fearless howling at the moon.
And I remember
throwing stones at aeroplanes 
building fires on the wasteland.
There was no tomorrow 
just you and me
forever.
Carved on an old oak tree.
You know the one with the swing, over the river.
Over the river.
Now you ask, where did all those days go?
You say theres a wrinkle for every winter 
a scar for every summer, and it shows.
Oh, I remember you…”
 
The master engraver Pierce Healy creates subversive objects and jewellery with intricate engravings and textures. He is fascinated by the capacity of jewellery to embody our stories and to facilitate storytelling, each piece is an experiment driven by curiosity; a study that informs the next piece in perpetuity and combines his obsession with the everyday, with his passion for walking, joking, singing, playing guitar, drawing and hand engraving, to create truly unique handcrafted objects and jewellery. In short, Pierce Healy conjures visual incongruities, manifested as objects and jewellery, in an attempt to make sense of the nonsense of the everyday and to question common values and what is valuable!
Pierce Healy is an artist from Dublin, Ireland. 2012 he graduated from Konstfack, University of Arts, Crafts and Design in Stockholm, Sweden and is since then based in Stockholm. 
 
***

Annika Pettersson
Digital Artefacts


The project "Digital artefacts" by Annika Pettersson, explores museum archives with new production technologies: an artistic, material, and technological investigation of the value and relevance of artefacts in an era of digital manufacturing. The project analyzes 3d-printing technologies as a method to revive museum archived artifacts.
The project's results can be divided into three parts. The first part is a study of the history of jewelry and the story they carry with them. Specific pieces of jewelry from 1850 to the present at the Swedish National Museum's archives have been examined and analyzed.
The second part is a practical investigation where the traditional jewelry from the museum's archive is reinterpreted or recreated in today's context with the help of digital media. Re-contextualizing an object can make us pause and redefine the object seen with a new set of eyes, breaking a monotonously mundane perception.
The result of this part of the project is what will be presented in the exhibition.
In the third part the entire project will be available on a global scale digitally, the digital "open source" culture.
 
Annika Pettersson is a jewellery artist from Sweden. 2009 she graduated from Konstfack, University of Arts, Crafts and Design in Stockholm, and is currently based in Sweden and USA.