Preziosa Young 2019 in Florence
Exhibition
/
27 Jun 2019
-
05 Jul 2019
Published: 04.07.2019
Cartavetra Gallery
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It was a great public success, with visitors coming even from far away, and this made us very happy.
The works of the three artists had been presented in a minimalist way, within the reach of the visitors, as is the tradition of the installations curated by Giò Carbone for LAO.
Artist list
Yajie Hu, Koen Jacobs, Jongseok Lim
Yajie Hu and Koen Jacobs were presenting at the opening and had the opportunity to talk with visitors and illustrate their work.
The exhibition remains open in Florence until 5 of July, and will then moves to Paris in La Joaillerie by Mazlo Gallery, from 11 to 31 July.
From October 5th to November 13th the exhibition will be hosted in the Oratorio di San Rocco, in Padua, to then go to Milan, in the Belfi gallery, from January 15th to 31st 2020.
However diverse the paths of the three artists may seem, a common element emerges: reworking, indeed recreating, one or more technical materials, to make a wearable microcosm.
The difference of form and effects brings to mind the three categories, Naturalia, Artficialia and Mirabilia, of the Wunderkammern, cabinets of curiosities of sixteenth-century collectors, the idea from which modem museums would later develop.
/ Maria Cristina Bergesio, from the text for the catalogue.
The exhibition remains open in Florence until 5 of July, and will then moves to Paris in La Joaillerie by Mazlo Gallery, from 11 to 31 July.
From October 5th to November 13th the exhibition will be hosted in the Oratorio di San Rocco, in Padua, to then go to Milan, in the Belfi gallery, from January 15th to 31st 2020.
However diverse the paths of the three artists may seem, a common element emerges: reworking, indeed recreating, one or more technical materials, to make a wearable microcosm.
The difference of form and effects brings to mind the three categories, Naturalia, Artficialia and Mirabilia, of the Wunderkammern, cabinets of curiosities of sixteenth-century collectors, the idea from which modem museums would later develop.
/ Maria Cristina Bergesio, from the text for the catalogue.
Body piece: Flor de Medusa, 2018
Silver, resin, sand, shells, black pearl
11 x 54 x 10 cm
Photo by: Koen Jacobs
Awarded at: Preziosa Young Design Competition 2019
From series: The Artificial Kingdom
Wearable marionette
© By the author. Read Klimt02.net Copyright.
Pendant: Pescado, 2019
Silver, shells, beach sand, rope.
17 x 5 x 9 cm
Photo by: Koen Jacobs
One of the three winners at Preziosa Young Design Competition 2019. The LAO special prize winner.
© By the author. Read Klimt02.net Copyright.
Brooch: Untitled, 2019
Acrylic paint, silver, PVC, stainless steel.
9.7 x 11.2 x 4.5 cm
Photo by: Yajie Hu
From series: Siblings
© By the author. Read Klimt02.net Copyright.
Brooch: Untitled, 2017
Acrylic paint, silver, PVC, stainless steel.
10 x 9.3 x 4.8 cm
Photo by: Yajie Hu
From series: Tangible Colour
© By the author. Read Klimt02.net Copyright.
Brooch: The Fifth Season, 2018
Fine silver, sterling silver, 18k gold.
10 x 10.5 x 2.5 cm
Photo by: Park Kwang-choon
Awarded at: Preziosa Young Design Competition 2019
© By the author. Read Klimt02.net Copyright.
Brooch: Unknown Forest, 2018
Fine silver, sterling silver, gold leaf, ottchil.
12 x 9 x 3 cm
One of the three winners at Preziosa Young Design Competition 2019, the special INHORGENTA prize.
© By the author. Read Klimt02.net Copyright.
Exhibition view, Yajie Hu presents her pieces to the visitors.
© By the author. Read Klimt02.net Copyright.
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