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Shenkar College of Engineering, Design and Art. Degree Show 2021

Exhibition  /  NewTalentsByKlimt02  /  15 Jul 2021  -  29 Jul 2021
Published: 12.07.2021
Alma Lion. Necklace: Across the Land, 2021. Clay, salt, sand, soil, iron, steel, olive twigs.. Photo by: Shlomi Bernthal. . Culture attests to us as a society and is vital to our survival just as jewellery is a mark of identity. During my exploration of responsible materials alternatives, I have searched high and low across the land, searching for simple, local, available materials. I returned to 'primitive' strategies and manipulations, such as multitude, laboriousness, kneading, drying and casting.   .  . Alma Lion
Necklace: Across the Land, 2021
Clay, salt, sand, soil, iron, steel, olive twigs.
Photo by: Shlomi Bernthal

Culture attests to us as a society and is vital to our survival just as jewellery is a mark of identity. During my exploration of responsible materials alternatives, I have searched high and low across the land, searching for simple, local, available materials. I returned to 'primitive' strategies and manipulations, such as multitude, laboriousness, kneading, drying and casting.  
 
© By the author. Read Klimt02.net Copyright.

Intro
The 2021 final projects exhibit is characterized by a wealth of material combinations and research and production methods, some of which are emphatically experimental. This year's projects were accompanied by academic and visual interdisciplinary research centered around a few meta-topics, that led each graduate to their chosen focus and creative process.

Artist list

Shani Axelrad, Hila BarAkiva, Yuval Benbenishti, Tehila Brenner, Guy Grozovski, Esther Gurevich, Stephanie Hamaty, Noa Henen, Hely Huma Yegudayev, Natali Itzhak, Liri Lev, Alma Lion, Merav Meimeron Merhav, Peleg Mercedes Matityahu, Gal Rivlin, Tal Shalom Lagziel, Maya Stein, Meytar Vayman, Shachar Weis, Itay kaufman
The 2021 graduate show at the Shenkar Jewelry Design department features final projects by 22 graduates who have risen to the particular challenges of the last year, challenges which have radically changed the ways we teach and learn, the physical conditions of work and access to means and materials. Most of the crucial senior year was characterized by lockdowns, social distancing constraints and a multiplicity of academic, financial, logistical and personal vicissitudes arising from the Covid19 health crisis. Nevertheless, our graduates have succeeded in developing and bringing to fruition an impressive body of thesis projects that fully exhibit the hallmarks of excellence we have always demanded from our students: curiosity, innovation, depth of material and intellectual investigation, technical mastery and individual expression. We credit this success above all to our students' perseverance and initiative. It is also due to the creativity and alacrity with which our administrative and academic staff succeeded in transforming our course program so that our department could be the first to allow students to resume work in our workshops soon after the first lockdown and in strict compliance with Covid-related health regulations.

The 2021 final projects exhibit is characterized by a wealth of material combinations and research and production methods, some of which are emphatically experimental. This year's projects were accompanied by academic and visual interdisciplinary research centered around a few meta-topics, that led each graduate to their chosen focus and creative process. Two general fields of inquiry interested our students in particular: questions about identity – personal, physical, gender, ethnic, professional, communal, etc. and questions about life on earth in the Anthropocene*, in the broad contexts of biology, ecology and sustainability. Each student channeled their research into their individual creative processes with complete creative freedom and keen attention to design questions arising from the processes themselves.

*Anthropocene – term denoting the current geological age, in which human activity has had a significant impact on the earth.

More information Shenkar College of Engineering, Design and Art
Alma Lion. Necklace: Across the Land, 2021.  Salt.. 40 x 5 x 100 cm. Photo by: Shlomi Bernthal. Alma Lion
Necklace: Across the Land, 2021
 Salt.
40 x 5 x 100 cm

Photo by: Shlomi Bernthal

© By the author. Read Klimt02.net Copyright.
Shani Axelrad. Necklace: The HypeBrid, 2021. 925 Silver, enamel, gold plate, sapphire, shrink tubes, shoelaces.. Photo by: Shai Franco. . Can the designer use industry resources, such as the logic behind the trend forecasting system, and not belong to it? Is it possible to prove that brands can be established; by installing the same ideology individually? Can the designer's inspiration source come mainly from his point of view as a consumer? Can he use existing consumer products and analyze the next trend through them? In assumption, that there is no line between the designer and the consumer. As a Sneaker-head, I used sneakers as a case study. . Shani Axelrad
Necklace: The HypeBrid, 2021
925 Silver, enamel, gold plate, sapphire, shrink tubes, shoelaces.
Photo by: Shai Franco

Can the designer use industry resources, such as the logic behind the trend forecasting system, and not belong to it? Is it possible to prove that brands can be established; by installing the same ideology individually? Can the designer's inspiration source come mainly from his point of view as a consumer? Can he use existing consumer products and analyze the next trend through them? In assumption, that there is no line between the designer and the consumer. As a Sneaker-head, I used sneakers as a case study. 
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Shani Axelrad. Ring: The HypeBrid, 2021. 925 Silver, enamel, gold plate, sapphire.. Photo by: Shlomi Bernthal. Shani Axelrad
Ring: The HypeBrid, 2021
925 Silver, enamel, gold plate, sapphire.
Photo by: Shlomi Bernthal
© By the author. Read Klimt02.net Copyright.
Hila BarAkiva. Earrings: Poly Pearl, 2021.  925 silver, recycled hdpe.. Photo by: Shai Franco. . Plastic is all around us, but it loses its value easily once thrown away. My project is about reversing devaluation- turning trash into a resource full of potential, beauty and luxury. I’m using laundry softeners caps, made of HDPE. On my silversmith’s table, it becomes equal to gold and silver. “POLY” turns into “PEARL”, trash becomes a gemstone. Hila BarAkiva
Earrings: Poly Pearl, 2021
 925 silver, recycled hdpe.
Photo by: Shai Franco

Plastic is all around us, but it loses its value easily once thrown away. My project is about reversing devaluation- turning trash into a resource full of potential, beauty and luxury. I’m using laundry softeners caps, made of HDPE. On my silversmith’s table, it becomes equal to gold and silver. “POLY” turns into “PEARL”, trash becomes a gemstone
© By the author. Read Klimt02.net Copyright.
Hila BarAkiva. Earrings: Poly Pearl, 2021. 925 silver, recycled hdpe.. Photo by: Shlomi Bernthal. Hila BarAkiva
Earrings: Poly Pearl, 2021
925 silver, recycled hdpe.
Photo by: Shlomi Bernthal
© By the author. Read Klimt02.net Copyright.
Yuval Benbenishti. Ring: (Me)chanism, 2021.  Silver, enamel, glass. silicon wires.. Photo by: Shai Franco. . Mechanisms fascinate me: a system of parts that work together in coordination. Beyond giving me the inspiration to wonder and create, I experience a sense of security when making mechanisms’ order. Jewellery design includes endless choices of technologies and materials. The essence of a piece of jewellery is in the connection between its parts. I chose to emphasize technology, not as a hidden layer but as the primary synthesis that represents my interest in mechanisms.. Yuval Benbenishti
Ring: (Me)chanism, 2021
 Silver, enamel, glass. silicon wires.
Photo by: Shai Franco

Mechanisms fascinate me: a system of parts that work together in coordination. Beyond giving me the inspiration to wonder and create, I experience a sense of security when making mechanisms’ order. Jewellery design includes endless choices of technologies and materials. The essence of a piece of jewellery is in the connection between its parts. I chose to emphasize technology, not as a hidden layer but as the primary synthesis that represents my interest in mechanisms.
© By the author. Read Klimt02.net Copyright.
Yuval Benbenishti. Ring: (Me)chanism, 2021.  Silver, enamel, glass. silicon wires.. Photo by: Shlomi Bernthal. Yuval Benbenishti
Ring: (Me)chanism, 2021
 Silver, enamel, glass. silicon wires.
Photo by: Shlomi Bernthal
© By the author. Read Klimt02.net Copyright.
Tehila Brenner. Bracelet: A whisper away, 2021. Silver, brass, gold plate, plastic.. Photo by: Shai Franco. . My identity has many levels. A French Jew, moving to Israel deepened this multiplicity. Choosing to study jewellery in Shenkar, after finishing my MBA in Paris and working in hi-tech, added yet another layer. Exploring the complexity of my transitions for my project was a gradual and redeeming process.. Tehila Brenner
Bracelet: A whisper away, 2021
Silver, brass, gold plate, plastic.
Photo by: Shai Franco

My identity has many levels. A French Jew, moving to Israel deepened this multiplicity. Choosing to study jewellery in Shenkar, after finishing my MBA in Paris and working in hi-tech, added yet another layer. Exploring the complexity of my transitions for my project was a gradual and redeeming process.
© By the author. Read Klimt02.net Copyright.
Tehila Brenner. Necklace: A whisper away, 2021. Silver, brass, gold plate, plastic.. Photo by: Shlomi Bernthal. Tehila Brenner
Necklace: A whisper away, 2021
Silver, brass, gold plate, plastic.
Photo by: Shlomi Bernthal
© By the author. Read Klimt02.net Copyright.
Guy Grozovski. Necklace: Memory vs/& Forgetfulness, 2021. Pure silver, 925 silver, brass, gypsum molds, liquid porcelain, glaze.. Photo by: Shai Franco. . My project deals with the idea of Memory and Forgetfulness. The project features pieces of broken "Jewelry Fossils" that intend to present an ancient culture that has passed from the world. My sources of inspiration are fossils, jewellery found in graves with their owners and contemporary pop jewellery. . Guy Grozovski
Necklace: Memory vs/& Forgetfulness, 2021
Pure silver, 925 silver, brass, gypsum molds, liquid porcelain, glaze.
Photo by: Shai Franco

My project deals with the idea of Memory and Forgetfulness. The project features pieces of broken "Jewelry Fossils" that intend to present an ancient culture that has passed from the world. My sources of inspiration are fossils, jewellery found in graves with their owners and contemporary pop jewellery. 
© By the author. Read Klimt02.net Copyright.
Guy Grozovski. Bracelet: Memory vs/& Forgetfulness, 2021. Pure silver, 925 silver, brass, gypsum molds, liquid porcelain, glaze.. Photo by: Shlomi Bernthal. Guy Grozovski
Bracelet: Memory vs/& Forgetfulness, 2021
Pure silver, 925 silver, brass, gypsum molds, liquid porcelain, glaze.
Photo by: Shlomi Bernthal
© By the author. Read Klimt02.net Copyright.
Esther Gurevich. Brooch: Duality, 2021. Brass, retractable, paint, gold plate.. Photo by: Shlomi Bernthal. . I speak Hebrew, but my family speaks  Russian. I was born in Israel, but my family made an Aliyah from the Soviet Union. In school, I learned Hebrew literature, but I learned Russian literature at home. I am surrounded by Hebrew letters everywhere, but at home, I am surrounded by Russian letters. The Hebrew language represents my connection to my surroundings, but Russian represents my connection to my family. In this project, I express the split in my identity, and the duality of my mind, using letters in both Russian and Hebrew in one piece of jewellery.. Esther Gurevich
Brooch: Duality, 2021
Brass, retractable, paint, gold plate.
Photo by: Shlomi Bernthal

I speak Hebrew, but my family speaks  Russian. I was born in Israel, but my family made an Aliyah from the Soviet Union. In school, I learned Hebrew literature, but I learned Russian literature at home. I am surrounded by Hebrew letters everywhere, but at home, I am surrounded by Russian letters. The Hebrew language represents my connection to my surroundings, but Russian represents my connection to my family. In this project, I express the split in my identity, and the duality of my mind, using letters in both Russian and Hebrew in one piece of jewellery.
© By the author. Read Klimt02.net Copyright.
Stephanie Hamaty. Earrings: Emotions of Color, 2021.  925 Silver, enamel, citrin, platinum plate, rhodium plate.. Photo by: Shai Franco. . Emotions of color- the connection between primary colors and four of the five fundamental emotions that all humans experience daily: Joy, sadness, fear, anger, and disgust- is the inspiration of my jewellery collection. I explore the various intensities within an “emotion” family, using color psychology and form. The movement of the shape reflects the dynamism of the emotion. By combining both elements, it creates a diverse range of emotional states.. Stephanie Hamaty
Earrings: Emotions of Color, 2021
 925 Silver, enamel, citrin, platinum plate, rhodium plate.
Photo by: Shai Franco

Emotions of color- the connection between primary colors and four of the five fundamental emotions that all humans experience daily: Joy, sadness, fear, anger, and disgust- is the inspiration of my jewellery collection. I explore the various intensities within an “emotion” family, using color psychology and form. The movement of the shape reflects the dynamism of the emotion. By combining both elements, it creates a diverse range of emotional states.
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Stephanie Hamaty. Bracelet: Emotions of Color, 2021.  925 Silver, enamel, citrin, platinum plate, rhodium plate.. Photo by: Shlomi Bernthal. Stephanie Hamaty
Bracelet: Emotions of Color, 2021
 925 Silver, enamel, citrin, platinum plate, rhodium plate.
Photo by: Shlomi Bernthal
© By the author. Read Klimt02.net Copyright.
Noa Henen. Ring: Relationships, 2021. Brass, rubber, textile.. Photo by: Shai Franco. . Relationships are part of life: Between humans, humans and objects, humans and nature whose complexity never ceases to amaze. Symbiosis, based on interspecies reciprocal relationships inspired this project. Understanding who benefits or is disadvantaged from the interactions. As a designer, it is the interaction between the wearer and the jewellery, the relationship between materials and the discourse they create, that is my main interest.. Noa Henen
Ring: Relationships, 2021
Brass, rubber, textile.
Photo by: Shai Franco

Relationships are part of life: Between humans, humans and objects, humans and nature whose complexity never ceases to amaze. Symbiosis, based on interspecies reciprocal relationships inspired this project. Understanding who benefits or is disadvantaged from the interactions. As a designer, it is the interaction between the wearer and the jewellery, the relationship between materials and the discourse they create, that is my main interest.
© By the author. Read Klimt02.net Copyright.
Noa Henen. Necklace: Relationships, 2021. Brass, rubber, textile.. Photo by: Shlomi Bernthal. Noa Henen
Necklace: Relationships, 2021
Brass, rubber, textile.
Photo by: Shlomi Bernthal
© By the author. Read Klimt02.net Copyright.
Natali Itzhak. Necklace: Femmfullness, 2021. Textile, stocking fabric, pressure balls, pearls, alpaca, ready mades.. Photo by: Shai Franco. . Growing up in a family as the only girl among four male siblings,  I was defined by my love for dressing up. My sense of aesthetics stemmed from there, and from the role, I held within my family. My final project analyzes the aesthetics formed by the duality of childhood and womanhood within the setting in which I grew up, focusing on the connective line between the two. .  . Natali Itzhak
Necklace: Femmfullness, 2021
Textile, stocking fabric, pressure balls, pearls, alpaca, ready mades.
Photo by: Shai Franco

Growing up in a family as the only girl among four male siblings,  I was defined by my love for dressing up. My sense of aesthetics stemmed from there, and from the role, I held within my family. My final project analyzes the aesthetics formed by the duality of childhood and womanhood within the setting in which I grew up, focusing on the connective line between the two.
 
© By the author. Read Klimt02.net Copyright.
Itay kaufman. Ring: Somewhere Else, 2021. Silver, enamel, ink.. Photo by: Shai Franco. . Imagination is the source of inspiration for my final project. Fantasy, figures, images, and power fights. All of these elements are part of my language. I have channelled my inner struggles and moods and my frame of mind as a lever of creation.  I am presenting my ideas and dreams to you, the viewers and wearers. My jewellery tells a story, they are pieces of my ul and I must bring them out into the world.. Itay kaufman
Ring: Somewhere Else, 2021
Silver, enamel, ink.
Photo by: Shai Franco

Imagination is the source of inspiration for my final project. Fantasy, figures, images, and power fights. All of these elements are part of my language. I have channelled my inner struggles and moods and my frame of mind as a lever of creation.  I am presenting my ideas and dreams to you, the viewers and wearers. My jewellery tells a story, they are pieces of my ul and I must bring them out into the world.
© By the author. Read Klimt02.net Copyright.
Liri Lev. Bracelet: Rich Kitsch, 2021. Silver, cotton threads.. Photo by: Shai Franco. . Kitsch, an expression of our culture, often associated with a negative connotation. Kitsch, its over-decorative elements and superficiality, easy to digest and lacks any intellectual challenge, yet it is consumed in large quantities. When in the past, most objects of art symbolized emotional and historical value, now days only a few objects answer to this category. The laborious, personal, and unique work of the artisans is replaced by mass, cheap, temporary, and stenciled production.. Liri Lev
Bracelet: Rich Kitsch, 2021
Silver, cotton threads.
Photo by: Shai Franco

Kitsch, an expression of our culture, often associated with a negative connotation. Kitsch, its over-decorative elements and superficiality, easy to digest and lacks any intellectual challenge, yet it is consumed in large quantities. When in the past, most objects of art symbolized emotional and historical value, now days only a few objects answer to this category. The laborious, personal, and unique work of the artisans is replaced by mass, cheap, temporary, and stenciled production.
© By the author. Read Klimt02.net Copyright.
Peleg Mercedes Matityahu. Necklace: Amnesia, 2021. Plaster straps, 925 silver chains.. Photo by: Shai Franco. . My final project is a reflection of my journey. A few years ago, I endured a traumatic head injury, ultimately resulting in short-term memory loss. The experience led to the inability of my brain to process and store new memories, or as it is scientifically coined- Amnesia. This reality awakened a persistent longing to search for the fractured pieces of my memory.. Peleg Mercedes Matityahu
Necklace: Amnesia, 2021
Plaster straps, 925 silver chains.
Photo by: Shai Franco

My final project is a reflection of my journey. A few years ago, I endured a traumatic head injury, ultimately resulting in short-term memory loss. The experience led to the inability of my brain to process and store new memories, or as it is scientifically coined- Amnesia. This reality awakened a persistent longing to search for the fractured pieces of my memory.
© By the author. Read Klimt02.net Copyright.
Peleg Mercedes Matityahu. Necklace: Amnesia, 2021. Plaster straps, 925 silver chains.. Photo by: Shlomi Bernthal. Peleg Mercedes Matityahu
Necklace: Amnesia, 2021
Plaster straps, 925 silver chains.
Photo by: Shlomi Bernthal
© By the author. Read Klimt02.net Copyright.
Merav Meimeron Merhav. Necklace: Roots, 2021. Beetroot, turnips, onions, natural homemade adhesives.. Photo by: Shai Franco. . A global pandemic attack is a major game-changer. Our daily habits are gone, we need to think fast, make quick decisions and improvise solutions. The material research for my final project started during one of the many Covid lockdowns. Confined, I had to work with available products that can be found and use at home. The purple onion ball was the opening shot of my project.. Merav Meimeron Merhav
Necklace: Roots, 2021
Beetroot, turnips, onions, natural homemade adhesives.
Photo by: Shai Franco

A global pandemic attack is a major game-changer. Our daily habits are gone, we need to think fast, make quick decisions and improvise solutions. The material research for my final project started during one of the many Covid lockdowns. Confined, I had to work with available products that can be found and use at home. The purple onion ball was the opening shot of my project.
© By the author. Read Klimt02.net Copyright.
Merav Meimeron Merhav. Necklace: Roots, 2021. Beetroot, Turnips, Onions, Natural homemade Adhesives.. Photo by: Shlomi Bernthal. Merav Meimeron Merhav
Necklace: Roots, 2021
Beetroot, Turnips, Onions, Natural homemade Adhesives.
Photo by: Shlomi Bernthal
© By the author. Read Klimt02.net Copyright.
Gal Rivlin. Necklace: Never Land, 2021. Silver, recycled plastic, swarovski crystals.. Photo by: Shlomi Bernthal. .  As a circus artist, over a decade, trapeze acrobatics is an integral part of my identity. Practicing acrobatics helps to overcome one's fears. I can see similarities between the circus life and our life during the Covid year. We had to overcome fears and adapt to a new reality without the "safety net" under our feet.. Gal Rivlin
Necklace: Never Land, 2021
Silver, recycled plastic, swarovski crystals.
Photo by: Shlomi Bernthal

 As a circus artist, over a decade, trapeze acrobatics is an integral part of my identity. Practicing acrobatics helps to overcome one's fears. I can see similarities between the circus life and our life during the Covid year. We had to overcome fears and adapt to a new reality without the "safety net" under our feet.
© By the author. Read Klimt02.net Copyright.
Gal Rivlin. Ring: Never Land, 2021. Silver, recycled plastic, Swarovski crystals.. Photo by: Shlomi Bernthal. Gal Rivlin
Ring: Never Land, 2021
Silver, recycled plastic, Swarovski crystals.
Photo by: Shlomi Bernthal
© By the author. Read Klimt02.net Copyright.
Tal Shalom Lagziel. Ring: Petrol Head, 2021. Polymers, wood, lenses.. Photo by: Shai Franco. . My jewellery collection was inspired by American car culture. Petrol Head. The nickname given to the Car culture's sworn fans. At the top of this culture, proudly stands the Chevrolet Corvette. It represents the ultimate combination between the car industry to the design world. A car that came to be a  status symbol of luxury and position.. Tal Shalom Lagziel
Ring: Petrol Head, 2021
Polymers, wood, lenses.
Photo by: Shai Franco

My jewellery collection was inspired by American car culture. Petrol Head. The nickname given to the Car culture's sworn fans. At the top of this culture, proudly stands the Chevrolet Corvette. It represents the ultimate combination between the car industry to the design world. A car that came to be a  status symbol of luxury and position.
© By the author. Read Klimt02.net Copyright.
Tal Shalom Lagziel. Ring: Petrol Head, 2021. Polymers, wood, lenses.. Photo by: Shlomi Bernthal. Tal Shalom Lagziel
Ring: Petrol Head, 2021
Polymers, wood, lenses.
Photo by: Shlomi Bernthal
© By the author. Read Klimt02.net Copyright.
Maya Stein. Earrings: Sol Invictus, 2021. Silver, dyed copper threads.. Photo by: Shai Franco. . As an habitant of this world, I’m fascinated by processes in nature. They occur with wisdom, inner reason and aestheticism, which enable a seed to become a flower. As a designer, I’m inspired by the amazing process of photosynthesis, which utilizes sunlight and heat to create movement and colorfulness. This process is expressed by the pieces of jewellery in the collection. The jewellery designed to be placed in strategic locations on the body to emphasize the need for sunlight, and hopefully to make the wearer feel more connected to the sun and nature.. Maya Stein
Earrings: Sol Invictus, 2021
Silver, dyed copper threads.
Photo by: Shai Franco

As an habitant of this world, I’m fascinated by processes in nature. They occur with wisdom, inner reason and aestheticism, which enable a seed to become a flower. As a designer, I’m inspired by the amazing process of photosynthesis, which utilizes sunlight and heat to create movement and colorfulness. This process is expressed by the pieces of jewellery in the collection. The jewellery designed to be placed in strategic locations on the body to emphasize the need for sunlight, and hopefully to make the wearer feel more connected to the sun and nature.
© By the author. Read Klimt02.net Copyright.
Meytar Vayman. Necklace: Esthetics of destruction, 2021. Textile, cotton threads, reclaimed plastic.. Photo by: Shai Franco. . Over the past few years, the ecological aspect is getting more and more present in my daily life and the sense of responsibility to the world we live in is tightening. My impression of the underwater world led me to examine the ecological problems that lie in it and their consequences over the world. The main goal of my project is to raise awareness and dialogue over the subject. I use my platform as a designer to invoke thoughts over the line between life and death and on our ecological responsibility on earth.. Meytar Vayman
Necklace: Esthetics of destruction, 2021
Textile, cotton threads, reclaimed plastic.
Photo by: Shai Franco

Over the past few years, the ecological aspect is getting more and more present in my daily life and the sense of responsibility to the world we live in is tightening. My impression of the underwater world led me to examine the ecological problems that lie in it and their consequences over the world. The main goal of my project is to raise awareness and dialogue over the subject. I use my platform as a designer to invoke thoughts over the line between life and death and on our ecological responsibility on earth.
© By the author. Read Klimt02.net Copyright.
Meytar Vayman. Brooch: Esthetics of destruction, 2021. Textile, cotton threads, reclaimed plastic.. Photo by: Shlomi Bernthal. Meytar Vayman
Brooch: Esthetics of destruction, 2021
Textile, cotton threads, reclaimed plastic.
Photo by: Shlomi Bernthal
© By the author. Read Klimt02.net Copyright.
Shachar Weis. Necklace: Jewelry & Tattoo, 2021. Silver, precious stones. . Photo by: Shlomi Bernthal. . The idea for my final project came from a deep interest in the tattoo world. I was attracted to tattoos as a form of beautifying the body, much like jewellery. I was particularly drawn to the linear and minimalistic methods of tattoos that resemble my style of design. During the research for my project,  I found that throughout history, the women of ancient tribes around the world used tattoos as markings of sorts, tribal belonging and magic. With this information in hand, I found a strong and unfulfilled connection between jewellery and tattoos – they serve the same purpose.. Shachar Weis
Necklace: Jewelry & Tattoo, 2021
Silver, precious stones. 
Photo by: Shlomi Bernthal

The idea for my final project came from a deep interest in the tattoo world. I was attracted to tattoos as a form of beautifying the body, much like jewellery. I was particularly drawn to the linear and minimalistic methods of tattoos that resemble my style of design. During the research for my project,  I found that throughout history, the women of ancient tribes around the world used tattoos as markings of sorts, tribal belonging and magic. With this information in hand, I found a strong and unfulfilled connection between jewellery and tattoos – they serve the same purpose.
© By the author. Read Klimt02.net Copyright.
Hely Huma Yegudayev. Necklace: Duchter Hune, 2021. Carpets, readymade chains, safety pins, gold plate.. Photo by: Shlomi Bernthal. . My project is a story about the culture and the home I grew up in. It talks about the hierarchy in my family and it puts the women in my life at the forefront of the stage. As a young woman who grew up in the Caucasian-patriarchal culture on one hand, and in a matriarchal home, on the other, I deal with the tension between the two, a tension that is present in my life.The carpet and the gold represent values of culture, status and intergenerational connection. I disassemble the carpet and reassemble, connecting with the gold and giving them a new identity, which expresses both, the gap and the connection between the generations.  .  . Hely Huma Yegudayev
Necklace: Duchter Hune, 2021
Carpets, readymade chains, safety pins, gold plate.
Photo by: Shlomi Bernthal

My project is a story about the culture and the home I grew up in. It talks about the hierarchy in my family and it puts the women in my life at the forefront of the stage. As a young woman who grew up in the Caucasian-patriarchal culture on one hand, and in a matriarchal home, on the other, I deal with the tension between the two, a tension that is present in my life.The carpet and the gold represent values of culture, status and intergenerational connection. I disassemble the carpet and reassemble, connecting with the gold and giving them a new identity, which expresses both, the gap and the connection between the generations. 
 
© By the author. Read Klimt02.net Copyright.
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